7713 lines
150 KiB
Plaintext
7713 lines
150 KiB
Plaintext
1
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00:00:00,001 --> 00:00:10,000
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[MUSIC]
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2
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00:00:10,000 --> 00:00:20,080
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>> Another day, another arson.
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3
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00:00:20,080 --> 00:00:22,240
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Lord Jesus, it's a fire.
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4
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00:00:22,240 --> 00:00:24,120
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Somehow the crew managed to convince Lord and
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5
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00:00:24,120 --> 00:00:28,400
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Lady Highhill that they were insurance inspectors here to inspect the security of the house.
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6
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00:00:28,400 --> 00:00:31,280
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Chuckles tried to make a move on the less than impressed Lady Highhill.
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7
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00:00:31,280 --> 00:00:36,200
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While Squish and Patches ditched them and snuck off to further con her father.
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8
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00:00:36,200 --> 00:00:39,400
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At one point, Chuckles had the opportunity to push the woman out of the window.
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9
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00:00:39,400 --> 00:00:43,280
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But remembering his dear uncle Shylock's word, murder is wrong.
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10
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00:00:43,280 --> 00:00:47,040
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He instead withheld his darker- >> Smart man, lies.
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11
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00:00:47,040 --> 00:00:51,520
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>> Which convinced Lord Highhill to turn over his security key.
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12
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00:00:51,520 --> 00:00:53,920
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He passed it off to Patches, then went outside.
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13
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00:00:53,920 --> 00:00:58,720
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Lady Highhill, again suspicious, began climbing out of the room.
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14
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00:00:58,720 --> 00:01:00,720
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The door was locked by a turnip.
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15
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00:01:00,720 --> 00:01:04,720
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Squish kicked her off the wall and she landed safely, albeit on top of Chuckles.
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16
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00:01:04,720 --> 00:01:07,440
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Meanwhile, Patches pulled off his best military impression and
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17
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00:01:07,440 --> 00:01:09,640
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convinced the guard to let him into the vault tower.
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18
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00:01:09,640 --> 00:01:12,600
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He saw the large chest too big to carry on his own.
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19
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00:01:12,600 --> 00:01:14,360
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He thought of a cunning plan and would you believe it,
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20
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00:01:14,360 --> 00:01:16,280
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he summoned him in to set the house ablaze.
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21
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00:01:16,280 --> 00:01:18,640
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So surprise, surprise, the house is on fire again.
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22
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00:01:18,640 --> 00:01:22,960
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The guards have surrounded it on the chest and all chaos is about to break loose.
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23
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00:01:22,960 --> 00:01:24,920
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>> Will they rescue the harp in time?
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24
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00:01:24,920 --> 00:01:28,280
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>> Probably.
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25
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00:01:28,280 --> 00:01:28,920
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>> I mean.
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26
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00:01:28,920 --> 00:01:31,760
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>> I can only assume.
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27
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00:01:31,760 --> 00:01:35,600
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>> I have to, can you guys hear me?
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28
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00:01:35,600 --> 00:01:36,800
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>> Yes, yes, we can hear you.
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29
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00:01:36,800 --> 00:01:42,640
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>> Okay, I gotta say, my notes for last week, I didn't take very many.
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30
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00:01:42,640 --> 00:01:47,040
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It only says we are working security for a hot goblin mama.
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31
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00:01:51,960 --> 00:01:54,040
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>> Unhelpful and inaccurate.
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32
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00:01:54,040 --> 00:01:58,040
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>> Yep.
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33
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00:01:58,040 --> 00:02:06,080
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>> Yeah, so again, just to quickly recap things.
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34
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00:02:06,080 --> 00:02:11,320
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Captain, you are in the vault room surrounded by, let's see, we hear one, two, three,
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35
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00:02:11,320 --> 00:02:12,960
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five guards.
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36
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00:02:12,960 --> 00:02:19,760
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You have joined their ranks in surrounding the giant chest,
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37
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00:02:19,760 --> 00:02:24,560
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which holds the harp that the captain, the real captain desperately wants.
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38
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00:02:24,560 --> 00:02:32,040
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Squish, you are climbing the wall up to the second floor.
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39
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00:02:32,040 --> 00:02:38,520
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And Chappels, you are underneath a demon woman who has fallen on the top of you outside.
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40
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00:02:38,520 --> 00:02:42,840
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>> That's my second biggest fetish.
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41
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00:02:42,840 --> 00:02:44,480
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>> What?
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42
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00:02:44,480 --> 00:02:45,800
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>> I don't wanna know what the first one is.
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43
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00:02:48,440 --> 00:02:54,840
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Hotman, you have unleashed patches, you have unleashed Hotman into the floor below you,
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44
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00:02:54,840 --> 00:02:57,800
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and the second floor, just to be clear.
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45
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00:02:57,800 --> 00:03:00,720
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And he has started lighting things on fire.
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46
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00:03:00,720 --> 00:03:08,120
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Now, smoke has billowed up into the tower, and smoke is starting to make its way downstairs.
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47
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00:03:08,120 --> 00:03:10,680
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The alarms have just gone off.
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48
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00:03:10,680 --> 00:03:15,160
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So where all of you are currently, you just start hearing this blaring like,
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49
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00:03:17,160 --> 00:03:22,120
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and all of the guests are getting a little panicky and looking around.
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50
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00:03:22,120 --> 00:03:23,640
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They're kind of drunk at this point.
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51
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00:03:23,640 --> 00:03:24,880
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It's late into the evening.
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52
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00:03:24,880 --> 00:03:27,960
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It's quite late into the evening at this point, it's nighttime.
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53
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00:03:27,960 --> 00:03:31,520
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And yeah, take it from there.
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54
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00:03:31,520 --> 00:03:33,960
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Has anybody got a place to start?
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55
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00:03:33,960 --> 00:03:41,160
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>> Jockel should probably climb out from under the woman.
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56
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00:03:41,160 --> 00:03:42,600
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>> Never.
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57
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00:03:42,600 --> 00:03:44,360
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>> Fair point.
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58
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00:03:44,360 --> 00:03:46,320
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>> Never, he screams underneath her.
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59
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00:03:47,280 --> 00:03:49,840
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Lady Highhill rolls off of you.
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60
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00:03:49,840 --> 00:03:52,960
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You have, hold on, let me get us back outside.
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61
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00:03:52,960 --> 00:03:57,760
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>> Was that as good for you as it is for me?
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62
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00:03:57,760 --> 00:04:04,640
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>> Stop it, she pushes off of you and she goes, he's climbing back up the wall.
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63
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00:04:04,640 --> 00:04:05,600
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>> Who?
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64
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00:04:05,600 --> 00:04:09,360
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>> Your inspector friend, do you even know this guy?
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65
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00:04:09,360 --> 00:04:11,120
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>> The red one?
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66
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00:04:13,520 --> 00:04:18,560
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You know, sidebar, she says in character, I'm also red.
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67
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00:04:18,560 --> 00:04:20,800
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A lot of demons are red.
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68
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00:04:20,800 --> 00:04:22,960
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>> Yeah, yeah, racist.
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69
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00:04:22,960 --> 00:04:23,680
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>> Yeah, red.
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70
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00:04:23,680 --> 00:04:28,160
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>> I don't know, I think that's a loaded term.
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71
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00:04:28,160 --> 00:04:30,720
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>> What?
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72
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00:04:30,720 --> 00:04:34,800
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>> Yeah, no, we're, yeah, he's just a safety inspector.
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73
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00:04:34,800 --> 00:04:36,720
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And by the way, what the hell is that noise?
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74
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00:04:36,720 --> 00:04:40,000
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>> But those are the alarm systems that are going off.
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75
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00:04:40,000 --> 00:04:43,200
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The security system you were supposed to check in on, it's now going off.
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76
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00:04:43,680 --> 00:04:44,160
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>> Oh, shit.
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77
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00:04:44,160 --> 00:04:48,560
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It's not a fire alarm, is it?
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78
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00:04:48,560 --> 00:04:52,160
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>> It's an everything alarm, something's going on.
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79
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00:04:52,160 --> 00:04:55,600
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My dad's still in there, my father, and she starts running into the house.
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80
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00:04:55,600 --> 00:04:59,440
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She's planning on going through the front or the side door.
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81
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00:04:59,440 --> 00:05:02,000
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I guess you're close enough to the kitchen, so you could probably sneak into the back.
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82
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00:05:02,000 --> 00:05:04,640
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She can get into the back door and into the house.
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83
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00:05:04,640 --> 00:05:06,160
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>> Can I grab her before she runs away?
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84
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00:05:06,160 --> 00:05:07,120
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>> Yes.
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85
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00:05:07,120 --> 00:05:11,120
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>> I grab her like on the back and I say, you can't just go running in there.
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86
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00:05:11,120 --> 00:05:12,320
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That's an everything alarm.
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87
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00:05:12,400 --> 00:05:15,120
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>> It is an everything alarm.
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88
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>> Yeah, no, we can't just go barging in the front.
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89
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00:05:17,920 --> 00:05:18,240
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>> What am I supposed to do?
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90
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00:05:18,240 --> 00:05:20,640
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>> Do you want to go through the back door?
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91
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00:05:20,640 --> 00:05:21,120
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>> No.
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92
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00:05:21,120 --> 00:05:22,720
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>> Your dad can get out on his own.
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93
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00:05:22,720 --> 00:05:24,400
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You know what can't get out on his own?
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94
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00:05:24,400 --> 00:05:26,400
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Black harps, or probably any harp.
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95
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00:05:26,400 --> 00:05:29,200
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>> What are you saying?
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96
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00:05:29,200 --> 00:05:31,040
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>> We should save the harp.
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97
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00:05:31,040 --> 00:05:37,440
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>> Okay, well, we still have to get inside the house for that.
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98
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00:05:37,440 --> 00:05:38,560
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>> Well, how do we do that?
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99
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00:05:40,560 --> 00:05:43,440
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So if we take a look at a character.
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100
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00:05:43,440 --> 00:05:47,840
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So you have fallen.
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101
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00:05:47,840 --> 00:05:49,680
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Actually, let me just delete a few people here.
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102
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00:05:49,680 --> 00:05:51,440
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He'll get you guys out of here.
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103
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00:05:51,440 --> 00:05:58,960
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So you have fallen.
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104
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00:05:58,960 --> 00:06:02,400
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You fell out of the bedroom window, which is here on the side of the house.
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105
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00:06:02,400 --> 00:06:05,200
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I've placed you there.
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106
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00:06:05,200 --> 00:06:08,800
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>> All right.
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107
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00:06:08,800 --> 00:06:10,800
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>> I can't stack you on.
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108
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00:06:10,800 --> 00:06:12,240
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Oh, yeah, there you go.
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109
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00:06:12,240 --> 00:06:12,720
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You're stacked.
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110
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00:06:12,720 --> 00:06:15,200
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You guys have fallen up here.
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111
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00:06:15,200 --> 00:06:20,720
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There is a door to the kitchens, which is on the right side of the screen.
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112
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00:06:20,720 --> 00:06:23,200
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There's also a door in the front of the house.
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113
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00:06:23,200 --> 00:06:25,520
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So she's going to make her way over towards the kitchens.
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114
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00:06:25,520 --> 00:06:27,920
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>> All right, so we're going to go to the kitchen then.
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115
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00:06:27,920 --> 00:06:34,160
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>> Yes, so you start heading towards the kitchen, chasing after Lady High Hill.
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116
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00:06:36,320 --> 00:06:38,960
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Squish, you are climbing up the side of the wall.
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117
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00:06:38,960 --> 00:06:40,160
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What are you doing?
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118
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00:06:40,160 --> 00:06:42,000
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>> I'm on the first level though, still.
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119
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00:06:42,000 --> 00:06:43,040
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I didn't get very far.
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120
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00:06:43,040 --> 00:06:45,760
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>> Yeah. No, you didn't get very far.
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121
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00:06:45,760 --> 00:06:47,200
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You kicked her down, actually.
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122
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00:06:47,200 --> 00:06:49,680
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>> That sounds about right.
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123
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00:06:49,680 --> 00:06:52,480
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>> But I also kick Squish.
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124
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00:06:52,480 --> 00:06:53,120
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Let's not forget.
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125
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00:06:53,120 --> 00:06:55,040
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>> Yeah, no, I did not.
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126
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00:06:55,040 --> 00:06:58,800
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>> Yeah, Squish never forgets.
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127
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00:06:58,800 --> 00:07:01,920
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>> Squish does not like to be squished.
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128
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00:07:01,920 --> 00:07:05,760
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>> Are you coming up back to the top of the floor then?
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129
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00:07:05,760 --> 00:07:10,240
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>> No, I want to try because I won't be able to get out of that door because there's a turnip jammed in the lock.
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130
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00:07:10,240 --> 00:07:12,960
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>> Oh, there is a turnip jammed in the lock.
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131
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00:07:12,960 --> 00:07:13,520
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What did that?
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132
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00:07:13,520 --> 00:07:15,680
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>> I think that was me.
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133
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00:07:15,680 --> 00:07:22,000
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So no, I would just like to look for an open window on the first floor to try to get in.
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134
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00:07:22,000 --> 00:07:24,400
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>> Go ahead and roll your survey.
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135
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00:07:24,400 --> 00:07:31,920
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>> It's pretty good.
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136
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00:07:31,920 --> 00:07:32,560
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>> Oops, sorry.
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137
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00:07:32,560 --> 00:07:32,960
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>> Looped.
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138
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00:07:35,120 --> 00:07:35,520
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There you go.
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139
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00:07:35,520 --> 00:07:40,000
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Yeah, so I'm going to just quickly, I'm bouncing around here.
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140
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00:07:40,000 --> 00:07:40,880
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I apologize for that.
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141
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00:07:40,880 --> 00:07:49,840
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So this is where you guys were before.
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142
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00:07:49,840 --> 00:07:51,920
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I'm just going to give you an idea of Squish.
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143
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Let me put you in here.
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144
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00:07:52,800 --> 00:07:57,920
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So this room right here with the bed where you're standing at now,
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145
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00:07:57,920 --> 00:08:01,440
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that's the room you guys came in on or went out the window of.
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146
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00:08:03,680 --> 00:08:11,200
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I'm going to say probably at the very end here where the captain is like he's in the guard tower,
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147
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00:08:11,200 --> 00:08:15,280
|
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the room before that where the smoke is really billowing out of and where
|
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148
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00:08:15,280 --> 00:08:17,600
|
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Hotman is going around flaming things.
|
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149
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00:08:17,600 --> 00:08:19,200
|
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That window is also open.
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150
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00:08:19,200 --> 00:08:20,160
|
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So there's smoke.
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151
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00:08:20,160 --> 00:08:24,240
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You can see the smoke billowing out of the house from this open window.
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152
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00:08:24,240 --> 00:08:30,400
|
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>> I bet I know who I'm going to say hi to when I go into that window.
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153
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00:08:33,440 --> 00:08:35,040
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So I would like to climb through that window.
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154
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00:08:35,040 --> 00:08:40,080
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>> You climb in and it's really hard to see anything.
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155
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00:08:40,080 --> 00:08:42,480
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It's just thick, thick smoke at this point.
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156
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00:08:42,480 --> 00:08:46,480
|
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He has started, Hotman has lit some of the chairs on fire,
|
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157
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00:08:46,480 --> 00:08:50,320
|
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just like the furnishings, the walls, everything is starting to get ablaze.
|
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158
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00:08:50,320 --> 00:08:51,840
|
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It's not like a rip roaring flame.
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159
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00:08:51,840 --> 00:08:54,320
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Not everything is like it's not like completely on fire.
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160
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00:08:54,320 --> 00:08:57,040
|
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They're like engulfed in flames.
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161
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00:08:57,040 --> 00:09:01,200
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But there's a lot of smoke billowing out and you see within the smoke,
|
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162
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00:09:01,200 --> 00:09:07,680
|
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just this red figure just like laughing gidiously, just like having the time of his life.
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163
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00:09:07,680 --> 00:09:10,480
|
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And you just see like fire just shooting out of his fingertips.
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164
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00:09:10,480 --> 00:09:12,640
|
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And he sees you and he goes, hey.
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165
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|
00:09:12,640 --> 00:09:14,160
|
|
>> Hey, hey, Hotman.
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166
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|
00:09:14,160 --> 00:09:19,200
|
|
Hotman, let's, do you tone it down just a little bit for right now?
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|
167
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|
00:09:19,200 --> 00:09:21,520
|
|
>> Control me.
|
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|
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168
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|
00:09:21,520 --> 00:09:23,680
|
|
>> No, that's why I asked.
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169
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|
00:09:23,680 --> 00:09:26,320
|
|
>> Well, no way.
|
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|
170
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|
00:09:26,320 --> 00:09:29,760
|
|
He is not listening to you.
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|
171
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00:09:29,760 --> 00:09:32,640
|
|
As I recall, he was told to, what was it?
|
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|
172
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|
00:09:32,640 --> 00:09:33,280
|
|
Go for it?
|
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|
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173
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|
00:09:33,280 --> 00:09:34,320
|
|
What was it?
|
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|
174
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00:09:34,320 --> 00:09:35,200
|
|
>> I told him to relax.
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|
175
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|
00:09:35,200 --> 00:09:36,480
|
|
>> Cut loose.
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|
176
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|
00:09:36,480 --> 00:09:38,960
|
|
He said cut loose just a little bit.
|
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177
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00:09:38,960 --> 00:09:40,640
|
|
>> I said get exactly what I said.
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178
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00:09:40,640 --> 00:09:42,400
|
|
Cut loose just a little bit.
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|
179
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00:09:42,400 --> 00:09:43,840
|
|
>> That should work.
|
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180
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00:09:43,840 --> 00:09:46,080
|
|
>> I, just a little bit.
|
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181
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00:09:46,080 --> 00:09:50,320
|
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Well, he's not listening to the little bit.
|
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182
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|
00:09:50,320 --> 00:09:52,880
|
|
He is completely not listening to anything.
|
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183
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00:09:52,880 --> 00:09:54,640
|
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>> Is he listening to the cut loose part?
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184
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00:09:54,640 --> 00:09:57,920
|
|
>> Well, you guys, maybe keep the bottle up all the time.
|
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185
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|
00:09:57,920 --> 00:10:00,480
|
|
He's got, kids got to cut loose every now and then.
|
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186
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|
00:10:00,480 --> 00:10:05,120
|
|
>> Yeah, you can take him out of the bottle to play with at any point in time.
|
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187
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|
00:10:05,120 --> 00:10:06,000
|
|
Doesn't have to be words.
|
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|
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188
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|
00:10:06,000 --> 00:10:06,960
|
|
>> On a cool dad.
|
|
|
|
189
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|
00:10:06,960 --> 00:10:08,720
|
|
>> On a cool, inside the mansion.
|
|
|
|
190
|
|
00:10:08,720 --> 00:10:11,840
|
|
We were just in a forest.
|
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|
|
191
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|
00:10:11,840 --> 00:10:14,240
|
|
You could have brought him out there and burned down the jump for it.
|
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|
|
192
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|
00:10:14,240 --> 00:10:18,400
|
|
>> Listen, I know we make jokes about how I let a lot of fires,
|
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|
|
193
|
|
00:10:18,400 --> 00:10:24,960
|
|
but I do want you guys to recognize that I have a hot fire demon as my go-to option here.
|
|
|
|
194
|
|
00:10:27,280 --> 00:10:29,120
|
|
>> Who could have foreseen this comment?
|
|
|
|
195
|
|
00:10:29,120 --> 00:10:33,760
|
|
>> Yeah, I didn't ask you how big the house was.
|
|
|
|
196
|
|
00:10:33,760 --> 00:10:35,280
|
|
I said cut him loose.
|
|
|
|
197
|
|
00:10:35,280 --> 00:10:42,560
|
|
Yeah, so, Hotman's not listening.
|
|
|
|
198
|
|
00:10:42,560 --> 00:10:46,720
|
|
He is completely oblivious to your concerns whatsoever.
|
|
|
|
199
|
|
00:10:46,720 --> 00:10:48,400
|
|
>> All right, well, I tried.
|
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|
|
200
|
|
00:10:48,400 --> 00:10:56,240
|
|
All right, I would just like to walk past that and try to go to the, where the harp is.
|
|
|
|
201
|
|
00:10:56,960 --> 00:11:02,480
|
|
>> You walk up the steps and you see, as you do.
|
|
|
|
202
|
|
00:11:02,480 --> 00:11:12,560
|
|
As you walk in, you see this round room.
|
|
|
|
203
|
|
00:11:12,560 --> 00:11:13,840
|
|
We've been here before.
|
|
|
|
204
|
|
00:11:13,840 --> 00:11:16,480
|
|
At the center of it is a very large chest.
|
|
|
|
205
|
|
00:11:16,480 --> 00:11:19,520
|
|
It is a chest that requires two people to lift and to maneuver.
|
|
|
|
206
|
|
00:11:19,520 --> 00:11:20,400
|
|
It's not big.
|
|
|
|
207
|
|
00:11:20,400 --> 00:11:22,000
|
|
Like it's not super heavy, but you can't.
|
|
|
|
208
|
|
00:11:22,000 --> 00:11:25,040
|
|
Like it's too wide for one person to hold and walk at the same time.
|
|
|
|
209
|
|
00:11:26,160 --> 00:11:29,120
|
|
There are five guards around this.
|
|
|
|
210
|
|
00:11:29,120 --> 00:11:30,720
|
|
They back to the chest.
|
|
|
|
211
|
|
00:11:30,720 --> 00:11:32,480
|
|
They're swords out.
|
|
|
|
212
|
|
00:11:32,480 --> 00:11:35,360
|
|
They are ready to defend this chest.
|
|
|
|
213
|
|
00:11:35,360 --> 00:11:38,640
|
|
You also see the captain in a similar position,
|
|
|
|
214
|
|
00:11:38,640 --> 00:11:40,160
|
|
not in any military uniform.
|
|
|
|
215
|
|
00:11:40,160 --> 00:11:42,960
|
|
He's just standing there, sword out.
|
|
|
|
216
|
|
00:11:42,960 --> 00:11:45,280
|
|
Well, you didn't tell me.
|
|
|
|
217
|
|
00:11:45,280 --> 00:11:45,520
|
|
>> Grey as hell.
|
|
|
|
218
|
|
00:11:45,520 --> 00:11:47,040
|
|
>> Grey as hell.
|
|
|
|
219
|
|
00:11:47,040 --> 00:11:48,400
|
|
Pact, did you tell me what you're doing?
|
|
|
|
220
|
|
00:11:48,400 --> 00:11:53,680
|
|
>> I imagine Squish is just kind of looking from guard to guard to guard.
|
|
|
|
221
|
|
00:11:53,680 --> 00:11:54,960
|
|
And it's pan air claws.
|
|
|
|
222
|
|
00:11:54,960 --> 00:11:56,560
|
|
And all of a sudden he just kind of sees me.
|
|
|
|
223
|
|
00:11:56,560 --> 00:12:05,680
|
|
And I hope he doesn't draw attention to me.
|
|
|
|
224
|
|
00:12:05,680 --> 00:12:09,200
|
|
>> I see this.
|
|
|
|
225
|
|
00:12:09,200 --> 00:12:11,760
|
|
I go, oh, I slowly closed the door.
|
|
|
|
226
|
|
00:12:11,760 --> 00:12:15,440
|
|
>> All right.
|
|
|
|
227
|
|
00:12:15,440 --> 00:12:18,080
|
|
No, don't cancel.
|
|
|
|
228
|
|
00:12:18,080 --> 00:12:18,720
|
|
What am I doing?
|
|
|
|
229
|
|
00:12:18,720 --> 00:12:19,680
|
|
All right.
|
|
|
|
230
|
|
00:12:19,680 --> 00:12:23,600
|
|
Downstairs.
|
|
|
|
231
|
|
00:12:23,600 --> 00:12:30,320
|
|
>> Chuckles, you are in the kitchens now with Lady Highhill.
|
|
|
|
232
|
|
00:12:30,320 --> 00:12:32,240
|
|
>> All right.
|
|
|
|
233
|
|
00:12:32,240 --> 00:12:35,680
|
|
Now we got to get up to that harp and we got to save it from fire.
|
|
|
|
234
|
|
00:12:35,680 --> 00:12:37,360
|
|
I have to assume it's very flammable.
|
|
|
|
235
|
|
00:12:37,360 --> 00:12:39,040
|
|
It's made of bones I hear.
|
|
|
|
236
|
|
00:12:39,040 --> 00:12:41,920
|
|
>> It is made of bones.
|
|
|
|
237
|
|
00:12:41,920 --> 00:12:42,480
|
|
How did you know?
|
|
|
|
238
|
|
00:12:42,480 --> 00:12:44,320
|
|
Did I tell you that it was made out of bones?
|
|
|
|
239
|
|
00:12:44,320 --> 00:12:46,960
|
|
>> I know, I've just learned books.
|
|
|
|
240
|
|
00:12:46,960 --> 00:12:51,920
|
|
>> She is, despite in this moment, slightly impressed with you.
|
|
|
|
241
|
|
00:12:53,120 --> 00:12:55,840
|
|
You're either my listening or my reading.
|
|
|
|
242
|
|
00:12:55,840 --> 00:13:00,400
|
|
>> Both at this point are pretty admirable for her.
|
|
|
|
243
|
|
00:13:00,400 --> 00:13:02,160
|
|
>> Let's hope this never comes up again.
|
|
|
|
244
|
|
00:13:02,160 --> 00:13:07,920
|
|
>> She's had a bit of a shock being pushed out of the window,
|
|
|
|
245
|
|
00:13:07,920 --> 00:13:09,520
|
|
or not being pushed out of the window,
|
|
|
|
246
|
|
00:13:09,520 --> 00:13:12,000
|
|
falling off of the wall and landing on you.
|
|
|
|
247
|
|
00:13:12,000 --> 00:13:14,240
|
|
So she is a little shook up.
|
|
|
|
248
|
|
00:13:14,240 --> 00:13:18,960
|
|
So, you know, but she's a bit concussed and I'm about to take advantage.
|
|
|
|
249
|
|
00:13:18,960 --> 00:13:21,360
|
|
Yeah, this may surprise you, ma'am,
|
|
|
|
250
|
|
00:13:21,360 --> 00:13:25,440
|
|
but I am quite accustomed to burning buildings.
|
|
|
|
251
|
|
00:13:25,440 --> 00:13:27,120
|
|
This is not my first rodeo.
|
|
|
|
252
|
|
00:13:27,120 --> 00:13:32,400
|
|
But what we can't do is go in here and start running around.
|
|
|
|
253
|
|
00:13:32,400 --> 00:13:35,920
|
|
We have to go in here orderly and with a plan.
|
|
|
|
254
|
|
00:13:35,920 --> 00:13:37,840
|
|
And the plan is to get that harp.
|
|
|
|
255
|
|
00:13:37,840 --> 00:13:41,280
|
|
>> Yes, you're absolutely right.
|
|
|
|
256
|
|
00:13:41,280 --> 00:13:42,880
|
|
And she shakes her head and she's like,
|
|
|
|
257
|
|
00:13:42,880 --> 00:13:44,640
|
|
of course, of course, right this way.
|
|
|
|
258
|
|
00:13:44,640 --> 00:13:47,200
|
|
>> It's the only irreplaceable thing in here.
|
|
|
|
259
|
|
00:13:47,200 --> 00:13:51,680
|
|
>> Yes, that might my father.
|
|
|
|
260
|
|
00:13:51,680 --> 00:13:53,280
|
|
Do you mind if we check in on him real quick?
|
|
|
|
261
|
|
00:13:53,280 --> 00:13:54,640
|
|
>> He'll be fine.
|
|
|
|
262
|
|
00:13:54,640 --> 00:13:55,760
|
|
He has feet.
|
|
|
|
263
|
|
00:13:55,760 --> 00:13:56,960
|
|
I bet he's pretty nimble.
|
|
|
|
264
|
|
00:13:56,960 --> 00:14:01,040
|
|
>> I'm not saying that.
|
|
|
|
265
|
|
00:14:01,040 --> 00:14:01,600
|
|
I've grown.
|
|
|
|
266
|
|
00:14:01,600 --> 00:14:06,400
|
|
>> She leads you from the hallway,
|
|
|
|
267
|
|
00:14:06,400 --> 00:14:08,640
|
|
from the kitchen into the hallway,
|
|
|
|
268
|
|
00:14:08,640 --> 00:14:13,920
|
|
the stairs that lead, you know, ironically upstairs.
|
|
|
|
269
|
|
00:14:13,920 --> 00:14:16,640
|
|
You get to the top of the stairs.
|
|
|
|
270
|
|
00:14:16,640 --> 00:14:20,320
|
|
Now, this is where a picture of her and her mother
|
|
|
|
271
|
|
00:14:20,320 --> 00:14:24,240
|
|
and her father are, you know, the two big pictures side by side,
|
|
|
|
272
|
|
00:14:24,240 --> 00:14:26,240
|
|
right, where you insulted and said her mom was a whore.
|
|
|
|
273
|
|
00:14:26,240 --> 00:14:29,520
|
|
>> Well, I mean, I didn't say in so many words.
|
|
|
|
274
|
|
00:14:29,520 --> 00:14:34,640
|
|
I just said that there is no way that, you know,
|
|
|
|
275
|
|
00:14:34,640 --> 00:14:36,240
|
|
she would have sex with a little goblin man.
|
|
|
|
276
|
|
00:14:36,240 --> 00:14:38,320
|
|
>> And it's wiki.
|
|
|
|
277
|
|
00:14:38,320 --> 00:14:39,680
|
|
>> But I would never say that again.
|
|
|
|
278
|
|
00:14:39,680 --> 00:14:42,880
|
|
>> Right, right.
|
|
|
|
279
|
|
00:14:42,880 --> 00:14:47,040
|
|
The flames are heavier in this part of the house, right?
|
|
|
|
280
|
|
00:14:47,040 --> 00:14:48,320
|
|
Because it's the top part of the house,
|
|
|
|
281
|
|
00:14:48,320 --> 00:14:49,760
|
|
and you guys are heading towards the area
|
|
|
|
282
|
|
00:14:49,760 --> 00:14:51,360
|
|
where there is the most flames.
|
|
|
|
283
|
|
00:14:51,360 --> 00:14:54,400
|
|
At this point, it is very difficult to see,
|
|
|
|
284
|
|
00:14:54,400 --> 00:14:56,480
|
|
and you guys start coughing and you're like,
|
|
|
|
285
|
|
00:14:56,480 --> 00:14:58,320
|
|
like, the house is burning, you know?
|
|
|
|
286
|
|
00:14:58,320 --> 00:15:02,960
|
|
In fact, the photo, the picture that she was admiring earlier
|
|
|
|
287
|
|
00:15:02,960 --> 00:15:06,320
|
|
has now started to like burn and crisp at the edges.
|
|
|
|
288
|
|
00:15:06,320 --> 00:15:07,600
|
|
Yeah, and she's coughing and she's like,
|
|
|
|
289
|
|
00:15:07,600 --> 00:15:10,560
|
|
[COUGHING]
|
|
|
|
290
|
|
00:15:10,560 --> 00:15:10,960
|
|
>> See.
|
|
|
|
291
|
|
00:15:11,920 --> 00:15:14,320
|
|
All right, here's where you got to bend over.
|
|
|
|
292
|
|
00:15:14,320 --> 00:15:16,400
|
|
>> What?
|
|
|
|
293
|
|
00:15:16,400 --> 00:15:17,680
|
|
>> Get on all fours, woman.
|
|
|
|
294
|
|
00:15:17,680 --> 00:15:22,480
|
|
>> That sounds like a command.
|
|
|
|
295
|
|
00:15:22,480 --> 00:15:27,360
|
|
>> Yeah, are you commanding her to get on all fours?
|
|
|
|
296
|
|
00:15:27,360 --> 00:15:28,800
|
|
>> Well, I am, but I don't care if she lives.
|
|
|
|
297
|
|
00:15:28,800 --> 00:15:30,960
|
|
I'm going to go on all fours.
|
|
|
|
298
|
|
00:15:30,960 --> 00:15:33,280
|
|
I love to crawl around, as we all know.
|
|
|
|
299
|
|
00:15:33,280 --> 00:15:34,880
|
|
>> Okay.
|
|
|
|
300
|
|
00:15:34,880 --> 00:15:37,840
|
|
>> Most people have fight or flight.
|
|
|
|
301
|
|
00:15:37,840 --> 00:15:39,440
|
|
I have fight or get on all fours.
|
|
|
|
302
|
|
00:15:39,440 --> 00:15:41,360
|
|
Fight or four, that they call it.
|
|
|
|
303
|
|
00:15:42,080 --> 00:15:43,840
|
|
>> Fight or four is very nice.
|
|
|
|
304
|
|
00:15:43,840 --> 00:15:48,640
|
|
You drop to all fours, and are you going to keep heading towards the vault?
|
|
|
|
305
|
|
00:15:48,640 --> 00:15:55,760
|
|
>> Yeah, I'm going to crawl through her legs and just go forward.
|
|
|
|
306
|
|
00:15:55,760 --> 00:15:57,440
|
|
Now let's go.
|
|
|
|
307
|
|
00:15:57,440 --> 00:16:01,200
|
|
>> She sees you and she watches you for a minute
|
|
|
|
308
|
|
00:16:01,200 --> 00:16:04,320
|
|
before she realizes what you're doing.
|
|
|
|
309
|
|
00:16:04,320 --> 00:16:05,920
|
|
And she in turn actually does too.
|
|
|
|
310
|
|
00:16:05,920 --> 00:16:08,640
|
|
She drops onto her knees, onto her all fours.
|
|
|
|
311
|
|
00:16:08,640 --> 00:16:10,720
|
|
She has to hike up her skirts a little bit
|
|
|
|
312
|
|
00:16:10,720 --> 00:16:12,080
|
|
so she doesn't step on them.
|
|
|
|
313
|
|
00:16:12,080 --> 00:16:17,600
|
|
And she follows you as you walk into the room at the base of this tower.
|
|
|
|
314
|
|
00:16:17,600 --> 00:16:21,360
|
|
When you walk in there, the room is like hot.
|
|
|
|
315
|
|
00:16:21,360 --> 00:16:23,920
|
|
It is burning at this point.
|
|
|
|
316
|
|
00:16:23,920 --> 00:16:26,800
|
|
You can feel the flames hit your face.
|
|
|
|
317
|
|
00:16:26,800 --> 00:16:32,560
|
|
And you hear this like cackling, just gleeful after as Hotman sees you like walking
|
|
|
|
318
|
|
00:16:32,560 --> 00:16:33,920
|
|
through the smoke.
|
|
|
|
319
|
|
00:16:33,920 --> 00:16:35,280
|
|
And she goes, hey, here he goes.
|
|
|
|
320
|
|
00:16:35,280 --> 00:16:40,560
|
|
>> God damn it, haven't added again.
|
|
|
|
321
|
|
00:16:40,560 --> 00:16:41,760
|
|
Did someone cut you loose?
|
|
|
|
322
|
|
00:16:41,760 --> 00:16:46,400
|
|
>> Lady in high heels between con things.
|
|
|
|
323
|
|
00:16:46,400 --> 00:16:48,560
|
|
She's like, do you know this?
|
|
|
|
324
|
|
00:16:48,560 --> 00:16:51,920
|
|
Is this part of the test?
|
|
|
|
325
|
|
00:16:51,920 --> 00:16:56,480
|
|
>> Yes, this is our fire auditor and I wink at Hotman.
|
|
|
|
326
|
|
00:16:56,480 --> 00:16:59,280
|
|
>> And Hotman just goes, whew.
|
|
|
|
327
|
|
00:16:59,280 --> 00:17:03,360
|
|
>> Fire, fire, fire.
|
|
|
|
328
|
|
00:17:03,360 --> 00:17:05,680
|
|
>> Absolutely.
|
|
|
|
329
|
|
00:17:05,680 --> 00:17:07,920
|
|
He goes, am I doing a good job?
|
|
|
|
330
|
|
00:17:07,920 --> 00:17:10,320
|
|
>> Yes, you're doing great.
|
|
|
|
331
|
|
00:17:10,320 --> 00:17:13,200
|
|
But you don't need so much fire.
|
|
|
|
332
|
|
00:17:13,200 --> 00:17:14,480
|
|
I think you're doing a great job.
|
|
|
|
333
|
|
00:17:14,480 --> 00:17:18,800
|
|
>> Did you say more fire?
|
|
|
|
334
|
|
00:17:18,800 --> 00:17:20,480
|
|
>> No, I said cut back.
|
|
|
|
335
|
|
00:17:20,480 --> 00:17:22,000
|
|
I just a little bit.
|
|
|
|
336
|
|
00:17:22,000 --> 00:17:22,720
|
|
Just cut back.
|
|
|
|
337
|
|
00:17:22,720 --> 00:17:24,080
|
|
>> That was maybe, yeah.
|
|
|
|
338
|
|
00:17:24,080 --> 00:17:25,040
|
|
>> No, no.
|
|
|
|
339
|
|
00:17:25,040 --> 00:17:26,160
|
|
>> Cut back, let it go.
|
|
|
|
340
|
|
00:17:26,160 --> 00:17:27,520
|
|
>> Oh boy, yeah.
|
|
|
|
341
|
|
00:17:27,520 --> 00:17:29,360
|
|
This is the problem with these fire auditors.
|
|
|
|
342
|
|
00:17:29,360 --> 00:17:31,360
|
|
They are real pyromaniacs.
|
|
|
|
343
|
|
00:17:31,360 --> 00:17:33,600
|
|
We really need to get another one.
|
|
|
|
344
|
|
00:17:33,600 --> 00:17:39,520
|
|
>> You make it to the stairs.
|
|
|
|
345
|
|
00:17:40,240 --> 00:17:42,240
|
|
Let's do this be easier.
|
|
|
|
346
|
|
00:17:42,240 --> 00:17:47,840
|
|
You make it to the base of the stairs and when you climb up the stairs,
|
|
|
|
347
|
|
00:17:47,840 --> 00:17:54,080
|
|
you see squishes there already and patches who is standing with you.
|
|
|
|
348
|
|
00:17:54,080 --> 00:17:55,680
|
|
>> No, no, squishes.
|
|
|
|
349
|
|
00:17:55,680 --> 00:17:57,120
|
|
Yeah, squishes on the other side of the door.
|
|
|
|
350
|
|
00:17:57,120 --> 00:17:58,640
|
|
>> Right, the door is closed.
|
|
|
|
351
|
|
00:17:58,640 --> 00:17:59,280
|
|
Did you lock it?
|
|
|
|
352
|
|
00:17:59,280 --> 00:18:00,320
|
|
>> No.
|
|
|
|
353
|
|
00:18:00,320 --> 00:18:02,400
|
|
>> Oh, squish.
|
|
|
|
354
|
|
00:18:02,400 --> 00:18:03,280
|
|
You're here already.
|
|
|
|
355
|
|
00:18:03,280 --> 00:18:06,400
|
|
>> I look down and you go, oh, it's on the floor.
|
|
|
|
356
|
|
00:18:06,400 --> 00:18:07,360
|
|
What is it?
|
|
|
|
357
|
|
00:18:07,360 --> 00:18:13,040
|
|
>> I crawled through his legs and I cracked the door open and take a look inside.
|
|
|
|
358
|
|
00:18:13,040 --> 00:18:17,520
|
|
>> I looked down at just your ass between my legs.
|
|
|
|
359
|
|
00:18:17,520 --> 00:18:23,280
|
|
And then I wind up and I punch him right in the ass.
|
|
|
|
360
|
|
00:18:23,280 --> 00:18:26,080
|
|
>> Oh, what was that for?
|
|
|
|
361
|
|
00:18:26,080 --> 00:18:28,080
|
|
>> You kicked me, you dick.
|
|
|
|
362
|
|
00:18:28,080 --> 00:18:30,560
|
|
>> Well, that was all part of the audit.
|
|
|
|
363
|
|
00:18:30,560 --> 00:18:33,680
|
|
>> You don't do it to another auditor.
|
|
|
|
364
|
|
00:18:35,680 --> 00:18:37,280
|
|
Just let the man cook.
|
|
|
|
365
|
|
00:18:37,280 --> 00:18:38,400
|
|
And by the man, I mean me.
|
|
|
|
366
|
|
00:18:38,400 --> 00:18:46,720
|
|
Can I scan the room and look at all of the guards and then also see the captain
|
|
|
|
367
|
|
00:18:46,720 --> 00:18:52,320
|
|
and his electrical hook just proudly in the air, just ready.
|
|
|
|
368
|
|
00:18:52,320 --> 00:18:55,760
|
|
And then I close the door.
|
|
|
|
369
|
|
00:18:55,760 --> 00:19:00,800
|
|
>> You want to gain some insight from looking at all of these guards?
|
|
|
|
370
|
|
00:19:00,800 --> 00:19:03,360
|
|
>> Is that a possibility?
|
|
|
|
371
|
|
00:19:03,360 --> 00:19:04,880
|
|
>> Yes, of course.
|
|
|
|
372
|
|
00:19:04,880 --> 00:19:05,760
|
|
>> All right.
|
|
|
|
373
|
|
00:19:05,760 --> 00:19:09,920
|
|
You're not going to make me roll for that, are you?
|
|
|
|
374
|
|
00:19:09,920 --> 00:19:10,800
|
|
>> Yes, I would.
|
|
|
|
375
|
|
00:19:10,800 --> 00:19:13,520
|
|
I would make you roll a, we'll say, survey.
|
|
|
|
376
|
|
00:19:13,520 --> 00:19:16,240
|
|
>> Survey says.
|
|
|
|
377
|
|
00:19:16,240 --> 00:19:19,040
|
|
>> How about Tinker?
|
|
|
|
378
|
|
00:19:19,040 --> 00:19:20,240
|
|
>> Heard.
|
|
|
|
379
|
|
00:19:20,240 --> 00:19:30,320
|
|
>> You take a look around at these guards and you're not able to discern much about the guards
|
|
|
|
380
|
|
00:19:30,320 --> 00:19:34,400
|
|
themselves like any particular weakness.
|
|
|
|
381
|
|
00:19:34,400 --> 00:19:39,440
|
|
But they do seem relatively fit, very strong, well-equipped guards.
|
|
|
|
382
|
|
00:19:39,440 --> 00:19:42,160
|
|
These are not new.
|
|
|
|
383
|
|
00:19:42,160 --> 00:19:45,840
|
|
They were put here specifically for this purpose to guard this harp.
|
|
|
|
384
|
|
00:19:45,840 --> 00:19:53,040
|
|
It's clear that they are not going to be easily pushed over or convinced or anything like that.
|
|
|
|
385
|
|
00:19:53,040 --> 00:19:57,600
|
|
And in fact, as you survey them, they're looking at you.
|
|
|
|
386
|
|
00:20:01,760 --> 00:20:05,760
|
|
Because one inspector just came in with a key and now the building's on fire.
|
|
|
|
387
|
|
00:20:05,760 --> 00:20:08,240
|
|
Now there are two more people here as well.
|
|
|
|
388
|
|
00:20:08,240 --> 00:20:13,200
|
|
>> You got some honky guards out there, Lady Isle.
|
|
|
|
389
|
|
00:20:13,200 --> 00:20:15,600
|
|
>> Aren't they the best?
|
|
|
|
390
|
|
00:20:15,600 --> 00:20:19,840
|
|
These are some of the most well-trained demon guards that you can find outside of T.
|
|
|
|
391
|
|
00:20:19,840 --> 00:20:20,320
|
|
T. Ros.
|
|
|
|
392
|
|
00:20:20,320 --> 00:20:21,520
|
|
I'm so proud of them.
|
|
|
|
393
|
|
00:20:21,520 --> 00:20:24,640
|
|
>> Really passing this audit.
|
|
|
|
394
|
|
00:20:27,440 --> 00:20:36,080
|
|
The guards are aware, let me put this way, they are only not attacking the two of you
|
|
|
|
395
|
|
00:20:36,080 --> 00:20:38,000
|
|
because Lady High Hill is standing there.
|
|
|
|
396
|
|
00:20:38,000 --> 00:20:43,600
|
|
Patches managed to convince them he was part of the audit, but you two have not.
|
|
|
|
397
|
|
00:20:43,600 --> 00:20:48,640
|
|
But they can't really leave their post at this point.
|
|
|
|
398
|
|
00:20:48,640 --> 00:20:52,480
|
|
So they turned you and they look at both of you in squish and truffles and the one in the front
|
|
|
|
399
|
|
00:20:52,480 --> 00:20:52,720
|
|
here.
|
|
|
|
400
|
|
00:20:52,720 --> 00:20:55,840
|
|
He says, what are you two doing here?
|
|
|
|
401
|
|
00:20:56,800 --> 00:20:58,000
|
|
>> You don't have authorization.
|
|
|
|
402
|
|
00:20:58,000 --> 00:20:59,120
|
|
You need to be downstairs.
|
|
|
|
403
|
|
00:20:59,120 --> 00:21:01,360
|
|
>> We're yelling through the closed door.
|
|
|
|
404
|
|
00:21:01,360 --> 00:21:02,640
|
|
>> Yes, you are.
|
|
|
|
405
|
|
00:21:02,640 --> 00:21:05,200
|
|
>> What are you doing here?
|
|
|
|
406
|
|
00:21:05,200 --> 00:21:06,560
|
|
>> I do a flashback real quick.
|
|
|
|
407
|
|
00:21:06,560 --> 00:21:07,840
|
|
>> Yeah, of course.
|
|
|
|
408
|
|
00:21:07,840 --> 00:21:09,040
|
|
>> All right.
|
|
|
|
409
|
|
00:21:09,040 --> 00:21:15,040
|
|
I'd like to be on the ship and I go up to Juckles and I go, hey, I know exactly what's
|
|
|
|
410
|
|
00:21:15,040 --> 00:21:16,080
|
|
going to happen on this heist.
|
|
|
|
411
|
|
00:21:16,080 --> 00:21:20,240
|
|
>> It's almost as if you can see the future.
|
|
|
|
412
|
|
00:21:20,240 --> 00:21:22,480
|
|
>> It's almost like you've lived through it already.
|
|
|
|
413
|
|
00:21:24,080 --> 00:21:28,480
|
|
If our past heist had taught me anything, there will be fire.
|
|
|
|
414
|
|
00:21:28,480 --> 00:21:30,640
|
|
>> Yeah.
|
|
|
|
415
|
|
00:21:30,640 --> 00:21:34,320
|
|
>> Can you make us some smoke masks?
|
|
|
|
416
|
|
00:21:34,320 --> 00:21:36,400
|
|
>> I'll do you one better.
|
|
|
|
417
|
|
00:21:36,400 --> 00:21:38,000
|
|
How about some explosion masks?
|
|
|
|
418
|
|
00:21:38,000 --> 00:21:44,000
|
|
>> Are those ones that explode or protect you from explosions?
|
|
|
|
419
|
|
00:21:44,000 --> 00:21:45,120
|
|
>> No, they explode.
|
|
|
|
420
|
|
00:21:45,120 --> 00:21:48,640
|
|
They're like masks, but when you put them on, they explode.
|
|
|
|
421
|
|
00:21:48,640 --> 00:21:49,520
|
|
>> You know what?
|
|
|
|
422
|
|
00:21:49,520 --> 00:21:56,240
|
|
Make five of those and three regular gas masks.
|
|
|
|
423
|
|
00:21:56,240 --> 00:22:01,440
|
|
>> I'm starting to think these flashbacks are a little crazy.
|
|
|
|
424
|
|
00:22:01,440 --> 00:22:06,480
|
|
>> I mean, I could do that, I guess.
|
|
|
|
425
|
|
00:22:06,480 --> 00:22:09,120
|
|
So exploding masks.
|
|
|
|
426
|
|
00:22:09,120 --> 00:22:16,480
|
|
>> Yes, we'll need around five, but if you can't make that many, that's fine.
|
|
|
|
427
|
|
00:22:17,920 --> 00:22:19,520
|
|
>> But definitely the three smoke.
|
|
|
|
428
|
|
00:22:19,520 --> 00:22:20,480
|
|
>> I'll make 10.
|
|
|
|
429
|
|
00:22:20,480 --> 00:22:21,760
|
|
I'll make 15 or 20.
|
|
|
|
430
|
|
00:22:21,760 --> 00:22:22,960
|
|
It doesn't matter to me.
|
|
|
|
431
|
|
00:22:22,960 --> 00:22:24,480
|
|
I got enough of a time on this boat.
|
|
|
|
432
|
|
00:22:24,480 --> 00:22:24,880
|
|
I'm bored.
|
|
|
|
433
|
|
00:22:24,880 --> 00:22:26,080
|
|
I've been just playing solitaire.
|
|
|
|
434
|
|
00:22:26,080 --> 00:22:27,040
|
|
I don't even have a full deck.
|
|
|
|
435
|
|
00:22:27,040 --> 00:22:28,640
|
|
I mean that in two ways.
|
|
|
|
436
|
|
00:22:28,640 --> 00:22:31,920
|
|
>> How does that even work?
|
|
|
|
437
|
|
00:22:31,920 --> 00:22:34,000
|
|
Do you ever win?
|
|
|
|
438
|
|
00:22:34,000 --> 00:22:36,320
|
|
>> Rarely.
|
|
|
|
439
|
|
00:22:36,320 --> 00:22:37,200
|
|
Also, I can't read.
|
|
|
|
440
|
|
00:22:37,200 --> 00:22:39,680
|
|
>> Yeah, that would help.
|
|
|
|
441
|
|
00:22:39,680 --> 00:22:41,920
|
|
>> It's been an ongoing thing.
|
|
|
|
442
|
|
00:22:41,920 --> 00:22:44,000
|
|
>> I'll learn someday.
|
|
|
|
443
|
|
00:22:44,000 --> 00:22:46,400
|
|
>> Not today.
|
|
|
|
444
|
|
00:22:46,400 --> 00:22:49,600
|
|
>> Are you timing us?
|
|
|
|
445
|
|
00:22:49,600 --> 00:22:50,080
|
|
>> No.
|
|
|
|
446
|
|
00:22:50,080 --> 00:22:52,640
|
|
>> You brought a little sand timer.
|
|
|
|
447
|
|
00:22:52,640 --> 00:22:54,640
|
|
Like is that our improv timer?
|
|
|
|
448
|
|
00:22:54,640 --> 00:22:57,280
|
|
>> No, it's just on the table.
|
|
|
|
449
|
|
00:22:57,280 --> 00:22:58,400
|
|
I was just fiddling with it.
|
|
|
|
450
|
|
00:22:58,400 --> 00:23:04,240
|
|
If you want to make these masks, I will let you, but you're going to have to roll your
|
|
|
|
451
|
|
00:23:04,240 --> 00:23:09,600
|
|
tanker and it's going to be increased difficulty since this is a highly specific flashback.
|
|
|
|
452
|
|
00:23:09,600 --> 00:23:14,400
|
|
>> Well, it's funny because I just meant to this a joke that he wanted like a smoke bomb.
|
|
|
|
453
|
|
00:23:14,400 --> 00:23:18,240
|
|
And I said, yeah, because I thought it was a nonsensical thing, a mask that explodes
|
|
|
|
454
|
|
00:23:18,240 --> 00:23:18,960
|
|
when you put it on.
|
|
|
|
455
|
|
00:23:18,960 --> 00:23:20,160
|
|
That doesn't make any sense.
|
|
|
|
456
|
|
00:23:20,160 --> 00:23:21,040
|
|
Why would you do that?
|
|
|
|
457
|
|
00:23:21,040 --> 00:23:23,600
|
|
>> You'll find out.
|
|
|
|
458
|
|
00:23:23,600 --> 00:23:25,280
|
|
>> All right.
|
|
|
|
459
|
|
00:23:25,280 --> 00:23:29,920
|
|
This is what I get for joking.
|
|
|
|
460
|
|
00:23:29,920 --> 00:23:33,440
|
|
So which one do I change?
|
|
|
|
461
|
|
00:23:33,440 --> 00:23:37,760
|
|
Position to desperate or effects to, that's not going to be it.
|
|
|
|
462
|
|
00:23:37,760 --> 00:23:40,000
|
|
A modifier minus 1D?
|
|
|
|
463
|
|
00:23:40,000 --> 00:23:42,240
|
|
>> Yeah, let's do that one.
|
|
|
|
464
|
|
00:23:42,240 --> 00:23:43,280
|
|
>> All right.
|
|
|
|
465
|
|
00:23:43,280 --> 00:23:45,920
|
|
Let's do 1D because this is a highly specific.
|
|
|
|
466
|
|
00:23:45,920 --> 00:24:00,080
|
|
>> That's perfect.
|
|
|
|
467
|
|
00:24:00,080 --> 00:24:01,600
|
|
>> Okay.
|
|
|
|
468
|
|
00:24:01,600 --> 00:24:06,240
|
|
How many masks did you make?
|
|
|
|
469
|
|
00:24:06,240 --> 00:24:10,640
|
|
>> I don't know because I also have to carry them.
|
|
|
|
470
|
|
00:24:10,640 --> 00:24:12,560
|
|
>> Yeah.
|
|
|
|
471
|
|
00:24:12,560 --> 00:24:12,800
|
|
>> Yeah.
|
|
|
|
472
|
|
00:24:12,800 --> 00:24:14,560
|
|
>> I'll carry some too.
|
|
|
|
473
|
|
00:24:14,560 --> 00:24:16,720
|
|
>> Okay.
|
|
|
|
474
|
|
00:24:16,720 --> 00:24:17,520
|
|
Let's see what you got.
|
|
|
|
475
|
|
00:24:17,520 --> 00:24:20,240
|
|
You don't have much.
|
|
|
|
476
|
|
00:24:20,240 --> 00:24:24,960
|
|
I would say that feasibly because you also have to hide these on your person, right?
|
|
|
|
477
|
|
00:24:24,960 --> 00:24:25,760
|
|
>> Right.
|
|
|
|
478
|
|
00:24:25,760 --> 00:24:27,200
|
|
No one noticed them up until now.
|
|
|
|
479
|
|
00:24:27,200 --> 00:24:28,320
|
|
>> Right.
|
|
|
|
480
|
|
00:24:28,320 --> 00:24:31,920
|
|
>> I'm going to say you can each carry two.
|
|
|
|
481
|
|
00:24:31,920 --> 00:24:34,080
|
|
>> Yeah, that makes sense.
|
|
|
|
482
|
|
00:24:34,080 --> 00:24:34,960
|
|
I got two pockets.
|
|
|
|
483
|
|
00:24:34,960 --> 00:24:35,840
|
|
>> Right.
|
|
|
|
484
|
|
00:24:35,840 --> 00:24:38,720
|
|
>> Two of the exploding ones.
|
|
|
|
485
|
|
00:24:38,720 --> 00:24:40,080
|
|
Or did you make the smoke ones?
|
|
|
|
486
|
|
00:24:40,080 --> 00:24:42,160
|
|
Or just the explode ones?
|
|
|
|
487
|
|
00:24:42,720 --> 00:24:45,360
|
|
>> Oh, it's a grab bag.
|
|
|
|
488
|
|
00:24:45,360 --> 00:24:46,400
|
|
I didn't label them either.
|
|
|
|
489
|
|
00:24:46,400 --> 00:24:48,960
|
|
>> Yeah, I like this.
|
|
|
|
490
|
|
00:24:48,960 --> 00:24:49,760
|
|
I like this.
|
|
|
|
491
|
|
00:24:49,760 --> 00:24:51,280
|
|
>> Why would you not label them?
|
|
|
|
492
|
|
00:24:51,280 --> 00:24:53,840
|
|
>> You have four masks.
|
|
|
|
493
|
|
00:24:53,840 --> 00:24:55,440
|
|
Some of them are exploding.
|
|
|
|
494
|
|
00:24:55,440 --> 00:24:59,600
|
|
Some of them are gas masks and you are unaware of which is which.
|
|
|
|
495
|
|
00:24:59,600 --> 00:25:00,480
|
|
I like this.
|
|
|
|
496
|
|
00:25:00,480 --> 00:25:01,520
|
|
This will work.
|
|
|
|
497
|
|
00:25:01,520 --> 00:25:02,560
|
|
>> Wait a second.
|
|
|
|
498
|
|
00:25:02,560 --> 00:25:03,440
|
|
That could kill us.
|
|
|
|
499
|
|
00:25:03,440 --> 00:25:05,040
|
|
>> It could.
|
|
|
|
500
|
|
00:25:05,040 --> 00:25:08,240
|
|
>> Or horribly disfigure one of us.
|
|
|
|
501
|
|
00:25:08,240 --> 00:25:09,280
|
|
One of us is hands up.
|
|
|
|
502
|
|
00:25:11,360 --> 00:25:13,040
|
|
>> Yeah, and the other one is chuckles.
|
|
|
|
503
|
|
00:25:13,040 --> 00:25:16,080
|
|
>> Oh, boy.
|
|
|
|
504
|
|
00:25:16,080 --> 00:25:16,320
|
|
>> Okay.
|
|
|
|
505
|
|
00:25:16,320 --> 00:25:17,600
|
|
Four masks.
|
|
|
|
506
|
|
00:25:17,600 --> 00:25:20,960
|
|
>> Oh, when you said gas mask, you mean a mask that protects you from gas?
|
|
|
|
507
|
|
00:25:20,960 --> 00:25:22,400
|
|
>> Yes.
|
|
|
|
508
|
|
00:25:22,400 --> 00:25:23,920
|
|
>> Not one that makes gas?
|
|
|
|
509
|
|
00:25:23,920 --> 00:25:25,680
|
|
>> Yes.
|
|
|
|
510
|
|
00:25:25,680 --> 00:25:29,040
|
|
>> We should do another flashback.
|
|
|
|
511
|
|
00:25:29,040 --> 00:25:31,600
|
|
I say this as we're standing there before the door.
|
|
|
|
512
|
|
00:25:31,600 --> 00:25:36,080
|
|
>> And you pull out your masks.
|
|
|
|
513
|
|
00:25:36,080 --> 00:25:36,880
|
|
What goes which?
|
|
|
|
514
|
|
00:25:37,280 --> 00:25:39,280
|
|
>> Ooh.
|
|
|
|
515
|
|
00:25:39,280 --> 00:25:46,560
|
|
I would have labeled that if I had some sort of writing.
|
|
|
|
516
|
|
00:25:46,560 --> 00:25:48,160
|
|
>> And some of them emit smoke?
|
|
|
|
517
|
|
00:25:48,160 --> 00:25:56,480
|
|
>> No, I'm going to say some of them explode and some of them function as regular gas masks.
|
|
|
|
518
|
|
00:25:56,480 --> 00:25:57,760
|
|
But which is which?
|
|
|
|
519
|
|
00:25:57,760 --> 00:25:59,680
|
|
We're not sure yet.
|
|
|
|
520
|
|
00:25:59,680 --> 00:26:04,160
|
|
>> All right.
|
|
|
|
521
|
|
00:26:04,160 --> 00:26:06,640
|
|
Flash forward.
|
|
|
|
522
|
|
00:26:06,640 --> 00:26:08,400
|
|
>> Okay.
|
|
|
|
523
|
|
00:26:08,400 --> 00:26:08,960
|
|
>> Future?
|
|
|
|
524
|
|
00:26:08,960 --> 00:26:10,800
|
|
To the press.
|
|
|
|
525
|
|
00:26:10,800 --> 00:26:11,840
|
|
>> Flash forward.
|
|
|
|
526
|
|
00:26:11,840 --> 00:26:12,880
|
|
We die of old age.
|
|
|
|
527
|
|
00:26:12,880 --> 00:26:15,200
|
|
>> Turns out.
|
|
|
|
528
|
|
00:26:15,200 --> 00:26:16,560
|
|
>> Turns out.
|
|
|
|
529
|
|
00:26:16,560 --> 00:26:23,040
|
|
I have surrounded by tiny little green goblins.
|
|
|
|
530
|
|
00:26:23,040 --> 00:26:24,080
|
|
Yes?
|
|
|
|
531
|
|
00:26:24,080 --> 00:26:25,840
|
|
>> Yes, because they lynched you.
|
|
|
|
532
|
|
00:26:25,840 --> 00:26:29,680
|
|
Give me those masks.
|
|
|
|
533
|
|
00:26:29,680 --> 00:26:31,200
|
|
>> Well, all right.
|
|
|
|
534
|
|
00:26:31,200 --> 00:26:34,080
|
|
The ones that I have, yeah, here's the ones that I've been carrying.
|
|
|
|
535
|
|
00:26:34,080 --> 00:26:34,800
|
|
There are two here.
|
|
|
|
536
|
|
00:26:34,800 --> 00:26:36,160
|
|
>> Do you know what they do?
|
|
|
|
537
|
|
00:26:36,160 --> 00:26:40,880
|
|
>> No.
|
|
|
|
538
|
|
00:26:40,880 --> 00:26:42,320
|
|
>> Okay.
|
|
|
|
539
|
|
00:26:42,320 --> 00:26:43,840
|
|
So they, okay.
|
|
|
|
540
|
|
00:26:43,840 --> 00:26:44,240
|
|
All right.
|
|
|
|
541
|
|
00:26:44,240 --> 00:26:48,560
|
|
>> They either protect you or kill you.
|
|
|
|
542
|
|
00:26:48,560 --> 00:26:50,960
|
|
It's a real Russian roulette situation here.
|
|
|
|
543
|
|
00:26:50,960 --> 00:26:53,600
|
|
I would have labeled them if only I knew how to write.
|
|
|
|
544
|
|
00:26:53,600 --> 00:26:57,680
|
|
>> You could have made them look different.
|
|
|
|
545
|
|
00:26:57,680 --> 00:27:01,440
|
|
>> Yeah, but then they would clash.
|
|
|
|
546
|
|
00:27:04,560 --> 00:27:08,720
|
|
>> We're going to have to have a long talk, but all right.
|
|
|
|
547
|
|
00:27:08,720 --> 00:27:18,320
|
|
I open the door and I, I can't hear you.
|
|
|
|
548
|
|
00:27:18,320 --> 00:27:21,680
|
|
>> Can't hear you.
|
|
|
|
549
|
|
00:27:21,680 --> 00:27:28,240
|
|
>> Oh, I thought it was just noise.
|
|
|
|
550
|
|
00:27:28,240 --> 00:27:30,880
|
|
Canceling at first, but now, oh my gosh, she looks worried.
|
|
|
|
551
|
|
00:27:30,880 --> 00:27:31,520
|
|
Oh, she's gone.
|
|
|
|
552
|
|
00:27:31,520 --> 00:27:32,320
|
|
We're on our own.
|
|
|
|
553
|
|
00:27:32,320 --> 00:27:34,320
|
|
Let loose, boys.
|
|
|
|
554
|
|
00:27:34,720 --> 00:27:38,960
|
|
Meet time and then you start throwing fireballs.
|
|
|
|
555
|
|
00:27:38,960 --> 00:27:42,320
|
|
Turns out I made 15 masks.
|
|
|
|
556
|
|
00:27:42,320 --> 00:27:43,280
|
|
Mask for everyone.
|
|
|
|
557
|
|
00:27:43,280 --> 00:27:44,000
|
|
Who knows what they do.
|
|
|
|
558
|
|
00:27:44,000 --> 00:27:45,280
|
|
No, she's back.
|
|
|
|
559
|
|
00:27:45,280 --> 00:27:49,280
|
|
Oh, I know she's not.
|
|
|
|
560
|
|
00:27:49,280 --> 00:27:52,560
|
|
>> No.
|
|
|
|
561
|
|
00:27:52,560 --> 00:27:57,680
|
|
>> Be still.
|
|
|
|
562
|
|
00:27:57,680 --> 00:27:59,360
|
|
>> Now?
|
|
|
|
563
|
|
00:27:59,360 --> 00:28:00,400
|
|
>> Yeah.
|
|
|
|
564
|
|
00:28:00,400 --> 00:28:00,880
|
|
A little bit.
|
|
|
|
565
|
|
00:28:00,880 --> 00:28:01,280
|
|
>> Okay.
|
|
|
|
566
|
|
00:28:01,280 --> 00:28:02,400
|
|
>> Okay.
|
|
|
|
567
|
|
00:28:02,400 --> 00:28:02,960
|
|
Yeah.
|
|
|
|
568
|
|
00:28:02,960 --> 00:28:03,760
|
|
I don't know what happened.
|
|
|
|
569
|
|
00:28:03,760 --> 00:28:06,160
|
|
I didn't do anything, but anyway.
|
|
|
|
570
|
|
00:28:06,160 --> 00:28:11,840
|
|
So you open the door and I heard yelling from the other room.
|
|
|
|
571
|
|
00:28:11,840 --> 00:28:14,400
|
|
You forget, Bryn and I are in the same physical location.
|
|
|
|
572
|
|
00:28:14,400 --> 00:28:15,680
|
|
>> Allegedly.
|
|
|
|
573
|
|
00:28:15,680 --> 00:28:17,840
|
|
>> Allegedly.
|
|
|
|
574
|
|
00:28:17,840 --> 00:28:19,440
|
|
All right.
|
|
|
|
575
|
|
00:28:19,440 --> 00:28:20,400
|
|
Uh, yeah.
|
|
|
|
576
|
|
00:28:20,400 --> 00:28:21,600
|
|
So you open the door.
|
|
|
|
577
|
|
00:28:21,600 --> 00:28:22,640
|
|
>> All right.
|
|
|
|
578
|
|
00:28:22,640 --> 00:28:26,320
|
|
And then I start passing out the masks to all the guards.
|
|
|
|
579
|
|
00:28:26,320 --> 00:28:30,880
|
|
>> There's five guards in there.
|
|
|
|
580
|
|
00:28:30,880 --> 00:28:31,600
|
|
>> Yeah.
|
|
|
|
581
|
|
00:28:31,600 --> 00:28:32,800
|
|
So one of them is screwed.
|
|
|
|
582
|
|
00:28:32,800 --> 00:28:33,920
|
|
>> Well, well.
|
|
|
|
583
|
|
00:28:33,920 --> 00:28:35,520
|
|
>> Three of them are screwed.
|
|
|
|
584
|
|
00:28:35,520 --> 00:28:38,960
|
|
The two are probably going to be healthier if we have to fight them.
|
|
|
|
585
|
|
00:28:38,960 --> 00:28:44,640
|
|
>> There's five guards and one captain.
|
|
|
|
586
|
|
00:28:44,640 --> 00:28:49,280
|
|
So you pass out four of the masks to the guard, the four guards.
|
|
|
|
587
|
|
00:28:49,280 --> 00:28:49,920
|
|
>> Are you telling them?
|
|
|
|
588
|
|
00:28:49,920 --> 00:28:50,080
|
|
>> Yeah.
|
|
|
|
589
|
|
00:28:50,080 --> 00:28:51,120
|
|
>> You kind of have to.
|
|
|
|
590
|
|
00:28:51,120 --> 00:28:54,240
|
|
>> You have to convince them to put these masks on.
|
|
|
|
591
|
|
00:28:54,240 --> 00:28:54,720
|
|
>> Well, yeah.
|
|
|
|
592
|
|
00:28:54,720 --> 00:28:55,440
|
|
Yeah.
|
|
|
|
593
|
|
00:28:55,440 --> 00:28:56,560
|
|
So I'm kind of rolling.
|
|
|
|
594
|
|
00:28:56,560 --> 00:28:58,000
|
|
>> I'm running and passing them on going,
|
|
|
|
595
|
|
00:28:58,000 --> 00:28:59,040
|
|
there's fire over there.
|
|
|
|
596
|
|
00:28:59,040 --> 00:28:59,840
|
|
There's a lot of smoke.
|
|
|
|
597
|
|
00:28:59,840 --> 00:29:00,400
|
|
We're used to it.
|
|
|
|
598
|
|
00:29:00,400 --> 00:29:01,440
|
|
We're fire out-inners.
|
|
|
|
599
|
|
00:29:01,440 --> 00:29:01,920
|
|
It's fine.
|
|
|
|
600
|
|
00:29:01,920 --> 00:29:02,480
|
|
We'll be okay.
|
|
|
|
601
|
|
00:29:03,200 --> 00:29:05,600
|
|
Just put the masks on so you guys will be safe.
|
|
|
|
602
|
|
00:29:05,600 --> 00:29:10,400
|
|
>> They take the mask and they look at them.
|
|
|
|
603
|
|
00:29:10,400 --> 00:29:13,680
|
|
They are highly suspicious of this whole thing.
|
|
|
|
604
|
|
00:29:13,680 --> 00:29:18,720
|
|
They look to Lady Hyatt Hill who kind of just is like shrugs.
|
|
|
|
605
|
|
00:29:18,720 --> 00:29:20,720
|
|
She's like, I don't know.
|
|
|
|
606
|
|
00:29:20,720 --> 00:29:23,120
|
|
>> Come on.
|
|
|
|
607
|
|
00:29:23,120 --> 00:29:24,800
|
|
It's going to save your guys' life.
|
|
|
|
608
|
|
00:29:24,800 --> 00:29:26,880
|
|
I would like to sway them to do it.
|
|
|
|
609
|
|
00:29:26,880 --> 00:29:28,240
|
|
>> All right.
|
|
|
|
610
|
|
00:29:28,240 --> 00:29:30,240
|
|
>> I sway.
|
|
|
|
611
|
|
00:29:30,240 --> 00:29:36,240
|
|
>> Okay.
|
|
|
|
612
|
|
00:29:36,240 --> 00:29:36,720
|
|
>> Success.
|
|
|
|
613
|
|
00:29:36,720 --> 00:29:44,960
|
|
>> Did you succeed?
|
|
|
|
614
|
|
00:29:44,960 --> 00:29:45,280
|
|
Sorry.
|
|
|
|
615
|
|
00:29:45,280 --> 00:29:47,120
|
|
It's just showing on Ticker is the last thing I did.
|
|
|
|
616
|
|
00:29:47,120 --> 00:29:47,280
|
|
Okay.
|
|
|
|
617
|
|
00:29:47,280 --> 00:29:49,360
|
|
>> I see it.
|
|
|
|
618
|
|
00:29:49,360 --> 00:29:50,160
|
|
>> Yeah.
|
|
|
|
619
|
|
00:29:50,160 --> 00:29:51,040
|
|
Six, four and three.
|
|
|
|
620
|
|
00:29:51,040 --> 00:29:52,240
|
|
>> Okay.
|
|
|
|
621
|
|
00:29:52,240 --> 00:29:55,920
|
|
Awesome.
|
|
|
|
622
|
|
00:29:55,920 --> 00:30:01,040
|
|
>> So they look to you patches and they say, commander,
|
|
|
|
623
|
|
00:30:01,040 --> 00:30:05,360
|
|
could you convince them that you're a high-ranking military officer?
|
|
|
|
624
|
|
00:30:05,360 --> 00:30:07,520
|
|
One of them hands a tunes.
|
|
|
|
625
|
|
00:30:07,520 --> 00:30:11,040
|
|
He says, commander, I beg of you please for your own life.
|
|
|
|
626
|
|
00:30:11,040 --> 00:30:13,360
|
|
>> No, I'm good.
|
|
|
|
627
|
|
00:30:13,360 --> 00:30:24,400
|
|
>> Lady Hyatt Hill and he hands one of the masks to Lady Hyatt Hill who does put it on her face.
|
|
|
|
628
|
|
00:30:24,880 --> 00:30:32,560
|
|
>> So three of the guards have the mask and Lady Hyatt Hill has the mask.
|
|
|
|
629
|
|
00:30:32,560 --> 00:30:36,320
|
|
>> Does the great captain, does he know about this?
|
|
|
|
630
|
|
00:30:36,320 --> 00:30:37,920
|
|
Because he wasn't in the flashback.
|
|
|
|
631
|
|
00:30:37,920 --> 00:30:42,720
|
|
He just didn't want to wear the mask because he thought we were up to no good.
|
|
|
|
632
|
|
00:30:42,720 --> 00:30:43,120
|
|
>> Mask.
|
|
|
|
633
|
|
00:30:43,120 --> 00:30:45,200
|
|
>> No, those things look different.
|
|
|
|
634
|
|
00:30:45,200 --> 00:30:46,320
|
|
>> They interfere with your mustache.
|
|
|
|
635
|
|
00:30:46,320 --> 00:30:50,480
|
|
>> They don't clash or they do clash.
|
|
|
|
636
|
|
00:30:50,480 --> 00:30:54,160
|
|
>> I think I've been doing pretty well.
|
|
|
|
637
|
|
00:30:54,160 --> 00:30:59,760
|
|
I mean, I've since being here, I'm now part of this nice little charter guarding crew.
|
|
|
|
638
|
|
00:30:59,760 --> 00:31:04,960
|
|
>> I imagine Squish and I look at each other when Lady Amoria puts a mask on and we both suck
|
|
|
|
639
|
|
00:31:04,960 --> 00:31:05,760
|
|
air through our teeth.
|
|
|
|
640
|
|
00:31:05,760 --> 00:31:10,960
|
|
>> I don't know.
|
|
|
|
641
|
|
00:31:10,960 --> 00:31:11,360
|
|
>> No, this.
|
|
|
|
642
|
|
00:31:11,360 --> 00:31:13,120
|
|
>> I do not like these odds.
|
|
|
|
643
|
|
00:31:13,120 --> 00:31:16,560
|
|
>> Hopefully she didn't hear you say that though.
|
|
|
|
644
|
|
00:31:16,560 --> 00:31:20,960
|
|
>> No, I'm sure she didn't.
|
|
|
|
645
|
|
00:31:20,960 --> 00:31:23,680
|
|
>> She's sleeping.
|
|
|
|
646
|
|
00:31:24,640 --> 00:31:26,160
|
|
>> That was just a thought.
|
|
|
|
647
|
|
00:31:26,160 --> 00:31:28,560
|
|
>> Visually with our face.
|
|
|
|
648
|
|
00:31:28,560 --> 00:31:30,240
|
|
Face thoughts.
|
|
|
|
649
|
|
00:31:30,240 --> 00:31:30,560
|
|
>> Yeah.
|
|
|
|
650
|
|
00:31:30,560 --> 00:31:33,840
|
|
All right, so are you going to make them explode now?
|
|
|
|
651
|
|
00:31:33,840 --> 00:31:35,520
|
|
Are we going to fight these guys or?
|
|
|
|
652
|
|
00:31:35,520 --> 00:31:36,000
|
|
>> What do you mean?
|
|
|
|
653
|
|
00:31:36,000 --> 00:31:36,880
|
|
>> Yeah, blah, blah, blah.
|
|
|
|
654
|
|
00:31:36,880 --> 00:31:44,480
|
|
>> How do you convince Lady Hyatt to convince them to move it out for us?
|
|
|
|
655
|
|
00:31:44,480 --> 00:31:46,640
|
|
>> Oh my God, I would love not to have to carry this.
|
|
|
|
656
|
|
00:31:53,120 --> 00:31:55,040
|
|
>> You could try to convince Lady Highhill.
|
|
|
|
657
|
|
00:31:55,040 --> 00:32:00,240
|
|
Sidebar, how do the masks explode if they work to work?
|
|
|
|
658
|
|
00:32:00,240 --> 00:32:03,920
|
|
Just with the exploding mechanism.
|
|
|
|
659
|
|
00:32:03,920 --> 00:32:06,560
|
|
Just my own education.
|
|
|
|
660
|
|
00:32:06,560 --> 00:32:09,120
|
|
>> Just so I know what's going to happen here.
|
|
|
|
661
|
|
00:32:09,120 --> 00:32:13,920
|
|
>> Well, they look like those World War II or like painters masks.
|
|
|
|
662
|
|
00:32:13,920 --> 00:32:16,000
|
|
You know, they have like the two cylinders on the side.
|
|
|
|
663
|
|
00:32:16,000 --> 00:32:21,520
|
|
Well, some of those cylinders are filters and the other ones are fire.
|
|
|
|
664
|
|
00:32:22,480 --> 00:32:22,960
|
|
>> Bombs.
|
|
|
|
665
|
|
00:32:22,960 --> 00:32:25,040
|
|
>> Bombs in the face, yeah.
|
|
|
|
666
|
|
00:32:25,040 --> 00:32:25,040
|
|
>> Bombs.
|
|
|
|
667
|
|
00:32:25,040 --> 00:32:33,120
|
|
Are they triggered by like a timer or is it like a pressure?
|
|
|
|
668
|
|
00:32:33,120 --> 00:32:33,520
|
|
>> A talky walky.
|
|
|
|
669
|
|
00:32:33,520 --> 00:32:35,040
|
|
>> Or what triggers the explosion?
|
|
|
|
670
|
|
00:32:35,040 --> 00:32:37,680
|
|
Okay, a talky walky, perfect.
|
|
|
|
671
|
|
00:32:37,680 --> 00:32:39,440
|
|
Let me just.
|
|
|
|
672
|
|
00:32:39,440 --> 00:32:44,480
|
|
So they're triggered by airwaves.
|
|
|
|
673
|
|
00:32:44,480 --> 00:32:50,400
|
|
>> Yes, radio waves to be specific, which in this world I think are filled with ghosts.
|
|
|
|
674
|
|
00:32:50,400 --> 00:32:53,280
|
|
>> That is true.
|
|
|
|
675
|
|
00:32:53,280 --> 00:32:59,280
|
|
Okay, so through the guard to have masks on, Lady Highhill has put her mask on.
|
|
|
|
676
|
|
00:32:59,280 --> 00:33:04,960
|
|
To say regardless of whether or not you have an exploding mask, it does allow you to probably
|
|
|
|
677
|
|
00:33:04,960 --> 00:33:06,560
|
|
breathe a little bit easier.
|
|
|
|
678
|
|
00:33:06,560 --> 00:33:10,560
|
|
So she is not aware if she has a mask and no one can tell who has what kind of mask on.
|
|
|
|
679
|
|
00:33:10,560 --> 00:33:15,280
|
|
>> I just want to take a break and just say, man, what a strange situation to be in.
|
|
|
|
680
|
|
00:33:15,280 --> 00:33:20,160
|
|
The house is on fire, we're in a treasure trove and we have a series of masks that
|
|
|
|
681
|
|
00:33:20,160 --> 00:33:22,160
|
|
we're not sure which ones are going to blow up or not.
|
|
|
|
682
|
|
00:33:22,160 --> 00:33:23,280
|
|
>> Yeah, the Russian roulette masks.
|
|
|
|
683
|
|
00:33:23,280 --> 00:33:23,920
|
|
>> Yeah.
|
|
|
|
684
|
|
00:33:23,920 --> 00:33:26,480
|
|
>> This is like really strange.
|
|
|
|
685
|
|
00:33:26,480 --> 00:33:30,800
|
|
>> What's strange is I'm not even either.
|
|
|
|
686
|
|
00:33:30,800 --> 00:33:34,880
|
|
>> Chuckles, you're literally screwed us again.
|
|
|
|
687
|
|
00:33:34,880 --> 00:33:40,880
|
|
>> I've got to get you hooked on phonics, man.
|
|
|
|
688
|
|
00:33:40,880 --> 00:33:42,560
|
|
>> Hooked on monkey phonics.
|
|
|
|
689
|
|
00:33:42,560 --> 00:33:45,120
|
|
>> Hooked on monkey phonics.
|
|
|
|
690
|
|
00:33:45,840 --> 00:33:51,200
|
|
>> Flashback, there's Dee Dee with Chuckles trying to point to a picture book.
|
|
|
|
691
|
|
00:33:51,200 --> 00:34:01,120
|
|
All right, yeah, so you're going to convince Lady Highhill, that's the plan.
|
|
|
|
692
|
|
00:34:01,120 --> 00:34:03,440
|
|
>> Yeah.
|
|
|
|
693
|
|
00:34:03,440 --> 00:34:06,400
|
|
>> Chuckles, how good is your sway?
|
|
|
|
694
|
|
00:34:06,400 --> 00:34:07,600
|
|
>> Not very good, I don't think.
|
|
|
|
695
|
|
00:34:07,600 --> 00:34:15,040
|
|
I have really maxed my tinker to the detriment of everything else.
|
|
|
|
696
|
|
00:34:15,040 --> 00:34:19,440
|
|
>> Yeah, we love it though.
|
|
|
|
697
|
|
00:34:19,440 --> 00:34:23,040
|
|
>> My sway is zero, but she loves me.
|
|
|
|
698
|
|
00:34:23,040 --> 00:34:23,040
|
|
>> Okay, why?
|
|
|
|
699
|
|
00:34:23,040 --> 00:34:28,640
|
|
>> She really does like you now, actually, her feelings has changed.
|
|
|
|
700
|
|
00:34:28,640 --> 00:34:29,280
|
|
>> Wow.
|
|
|
|
701
|
|
00:34:29,280 --> 00:34:30,560
|
|
>> All that nagging has paid off.
|
|
|
|
702
|
|
00:34:30,560 --> 00:34:33,680
|
|
>> As does.
|
|
|
|
703
|
|
00:34:33,680 --> 00:34:37,840
|
|
>> Yeah, then you yelled at her to get on all floors.
|
|
|
|
704
|
|
00:34:37,840 --> 00:34:40,160
|
|
>> I told her to bend over and then she didn't.
|
|
|
|
705
|
|
00:34:40,160 --> 00:34:40,400
|
|
>> Oh, I called her.
|
|
|
|
706
|
|
00:34:40,400 --> 00:34:44,320
|
|
>> And so I crawled through her legs and then she bent over, so get your fact strike.
|
|
|
|
707
|
|
00:34:45,120 --> 00:34:50,240
|
|
>> Boy, I'm sure this is going to sound all great when I clip it out of context.
|
|
|
|
708
|
|
00:34:50,240 --> 00:34:52,320
|
|
>> Do we get memes this week?
|
|
|
|
709
|
|
00:34:52,320 --> 00:34:53,120
|
|
I don't think we did.
|
|
|
|
710
|
|
00:34:53,120 --> 00:34:57,520
|
|
>> I have some, but they were like a minute and a half.
|
|
|
|
711
|
|
00:34:57,520 --> 00:35:00,800
|
|
The Bloomer conversation was great.
|
|
|
|
712
|
|
00:35:00,800 --> 00:35:04,240
|
|
>> Now, I got to defend myself on the Bloomer thing.
|
|
|
|
713
|
|
00:35:04,240 --> 00:35:07,360
|
|
I said Bloomer, okay, because that's what I thought Bloomers were.
|
|
|
|
714
|
|
00:35:07,360 --> 00:35:11,360
|
|
I was talking about those short pants that George Washington wears.
|
|
|
|
715
|
|
00:35:11,360 --> 00:35:13,520
|
|
That's what I was talking about.
|
|
|
|
716
|
|
00:35:13,520 --> 00:35:14,880
|
|
>> But he wears Bloomers.
|
|
|
|
717
|
|
00:35:14,880 --> 00:35:16,640
|
|
>> Yeah, I don't know.
|
|
|
|
718
|
|
00:35:16,640 --> 00:35:22,800
|
|
>> All I'm saying is that my clip ended with, why are you even talking to me?
|
|
|
|
719
|
|
00:35:22,800 --> 00:35:25,280
|
|
Somebody talk to somebody else.
|
|
|
|
720
|
|
00:35:25,280 --> 00:35:31,840
|
|
>> All right, now I forgot where we were.
|
|
|
|
721
|
|
00:35:31,840 --> 00:35:33,920
|
|
Oh, I'm talking to Lady High Hill.
|
|
|
|
722
|
|
00:35:33,920 --> 00:35:36,560
|
|
And oh, I'm Lady High Hill.
|
|
|
|
723
|
|
00:35:36,560 --> 00:35:37,760
|
|
>> Do you think I should try this?
|
|
|
|
724
|
|
00:35:37,760 --> 00:35:39,680
|
|
>> No, she's not going to listen to you.
|
|
|
|
725
|
|
00:35:39,680 --> 00:35:43,200
|
|
She's only going to listen to me because she's my girlfriend now.
|
|
|
|
726
|
|
00:35:43,200 --> 00:35:46,080
|
|
>> Lady High Hill.
|
|
|
|
727
|
|
00:35:46,080 --> 00:35:47,040
|
|
>> She's my girlfriend.
|
|
|
|
728
|
|
00:35:47,040 --> 00:35:48,800
|
|
>> Lady High Hill, babe.
|
|
|
|
729
|
|
00:35:48,800 --> 00:35:50,960
|
|
We got to get this out of here.
|
|
|
|
730
|
|
00:35:50,960 --> 00:35:55,040
|
|
This is your legacy.
|
|
|
|
731
|
|
00:35:55,040 --> 00:35:57,680
|
|
This is your family heirloom.
|
|
|
|
732
|
|
00:35:57,680 --> 00:36:00,960
|
|
And we need to get out of this burning money pit.
|
|
|
|
733
|
|
00:36:00,960 --> 00:36:03,040
|
|
Treasure house.
|
|
|
|
734
|
|
00:36:03,040 --> 00:36:06,080
|
|
>> The inspection.
|
|
|
|
735
|
|
00:36:06,080 --> 00:36:07,600
|
|
Is their house really on fire?
|
|
|
|
736
|
|
00:36:07,600 --> 00:36:12,800
|
|
>> Sometimes you got to burn a few eggs to make a scrambled egg.
|
|
|
|
737
|
|
00:36:12,800 --> 00:36:18,160
|
|
>> Sometimes you got to peel a couple of onions.
|
|
|
|
738
|
|
00:36:18,160 --> 00:36:23,040
|
|
>> Sometimes you got to eat a rutabaga to have fun.
|
|
|
|
739
|
|
00:36:23,040 --> 00:36:24,240
|
|
>> Sometimes you got to nut punch.
|
|
|
|
740
|
|
00:36:24,240 --> 00:36:29,440
|
|
>> Don't even get me started.
|
|
|
|
741
|
|
00:36:29,440 --> 00:36:33,600
|
|
>> Amphibly, that's not going to work.
|
|
|
|
742
|
|
00:36:33,600 --> 00:36:37,360
|
|
Lady High Hill, as you can see, she has no testicles.
|
|
|
|
743
|
|
00:36:37,360 --> 00:36:38,640
|
|
>> How could I see that?
|
|
|
|
744
|
|
00:36:38,640 --> 00:36:39,840
|
|
Oh my God, is she wearing-
|
|
|
|
745
|
|
00:36:39,840 --> 00:36:41,360
|
|
>> They didn't run in between their legs.
|
|
|
|
746
|
|
00:36:41,360 --> 00:36:42,880
|
|
>> She did fall.
|
|
|
|
747
|
|
00:36:42,880 --> 00:36:45,520
|
|
You did go between her legs and she also fell on you.
|
|
|
|
748
|
|
00:36:45,520 --> 00:36:46,720
|
|
So I'm sure you have to feel.
|
|
|
|
749
|
|
00:36:46,720 --> 00:36:51,840
|
|
Okay, go if you want to- >> Claws over that.
|
|
|
|
750
|
|
00:36:51,840 --> 00:36:54,240
|
|
>> If you want to sway, you can sway.
|
|
|
|
751
|
|
00:36:54,240 --> 00:36:57,680
|
|
I'll also give you a plus one since you've built up a rapport with your girlfriend.
|
|
|
|
752
|
|
00:36:57,680 --> 00:36:58,560
|
|
>> Plus one for love.
|
|
|
|
753
|
|
00:36:58,560 --> 00:37:01,200
|
|
>> Plus one for love.
|
|
|
|
754
|
|
00:37:01,200 --> 00:37:02,880
|
|
>> Sway.
|
|
|
|
755
|
|
00:37:02,880 --> 00:37:07,200
|
|
>> Is there a way I can help them out or that'll give me stress, right?
|
|
|
|
756
|
|
00:37:07,200 --> 00:37:09,440
|
|
>> Yes, it'll give you some stress.
|
|
|
|
757
|
|
00:37:09,440 --> 00:37:12,240
|
|
So if you want to give a stress, you can give them another plus one for that.
|
|
|
|
758
|
|
00:37:12,240 --> 00:37:15,840
|
|
>> How is he going to stress to help me do better on this role?
|
|
|
|
759
|
|
00:37:15,840 --> 00:37:18,640
|
|
>> Yeah.
|
|
|
|
760
|
|
00:37:18,640 --> 00:37:20,160
|
|
>> That doesn't make any sense.
|
|
|
|
761
|
|
00:37:20,160 --> 00:37:21,520
|
|
>> What can you say that will add to-
|
|
|
|
762
|
|
00:37:21,520 --> 00:37:22,960
|
|
>> Because of the implication?
|
|
|
|
763
|
|
00:37:22,960 --> 00:37:29,680
|
|
>> No, I could just back up your claims
|
|
|
|
764
|
|
00:37:29,680 --> 00:37:36,000
|
|
of telling her that there's a real fire there.
|
|
|
|
765
|
|
00:37:36,000 --> 00:37:38,720
|
|
Like, yeah, I just walked by, there's a demon back there.
|
|
|
|
766
|
|
00:37:38,720 --> 00:37:43,520
|
|
He set fire to everything and giggling while doing it.
|
|
|
|
767
|
|
00:37:43,520 --> 00:37:44,400
|
|
>> We saw the fire.
|
|
|
|
768
|
|
00:37:44,400 --> 00:37:46,240
|
|
>> I did see a good length fire demon.
|
|
|
|
769
|
|
00:37:46,240 --> 00:37:49,280
|
|
>> Yeah, that's the auditor.
|
|
|
|
770
|
|
00:37:49,280 --> 00:37:52,480
|
|
He goes a little crazy sometimes with the test,
|
|
|
|
771
|
|
00:37:52,480 --> 00:37:55,760
|
|
but we really need to get that harp out of here if that's what you really want to say.
|
|
|
|
772
|
|
00:37:55,760 --> 00:37:58,080
|
|
And not your father.
|
|
|
|
773
|
|
00:37:58,080 --> 00:37:58,800
|
|
>> Oh, screw that guy.
|
|
|
|
774
|
|
00:37:58,800 --> 00:37:59,760
|
|
He's almost dead already.
|
|
|
|
775
|
|
00:37:59,760 --> 00:38:02,640
|
|
I don't say aloud.
|
|
|
|
776
|
|
00:38:02,640 --> 00:38:09,360
|
|
>> Yeah, you can get another plus, so it'll be plus two for your sway.
|
|
|
|
777
|
|
00:38:09,360 --> 00:38:13,200
|
|
And then, yeah, Squish, take a stress.
|
|
|
|
778
|
|
00:38:13,200 --> 00:38:14,160
|
|
>> No way, I'll lose that.
|
|
|
|
779
|
|
00:38:14,160 --> 00:38:15,760
|
|
He takes so much stress.
|
|
|
|
780
|
|
00:38:15,760 --> 00:38:17,280
|
|
He must have like 100 stresses.
|
|
|
|
781
|
|
00:38:17,280 --> 00:38:19,360
|
|
>> I'm the only one that does.
|
|
|
|
782
|
|
00:38:19,360 --> 00:38:23,840
|
|
>> That's one for love.
|
|
|
|
783
|
|
00:38:23,840 --> 00:38:24,880
|
|
>> That's one for love.
|
|
|
|
784
|
|
00:38:24,880 --> 00:38:25,120
|
|
>> Okay.
|
|
|
|
785
|
|
00:38:25,120 --> 00:38:28,000
|
|
>> Sounds like a darkness song.
|
|
|
|
786
|
|
00:38:30,880 --> 00:38:33,120
|
|
He hesitantly agrees.
|
|
|
|
787
|
|
00:38:33,120 --> 00:38:36,640
|
|
She goes, okay, you four.
|
|
|
|
788
|
|
00:38:36,640 --> 00:38:40,880
|
|
She points to the four guards sitting at kind of the cardinal points.
|
|
|
|
789
|
|
00:38:40,880 --> 00:38:46,320
|
|
Take this, yes, take the chest.
|
|
|
|
790
|
|
00:38:46,320 --> 00:38:49,120
|
|
We're going to go to my rooms and we're going to move it there.
|
|
|
|
791
|
|
00:38:49,120 --> 00:38:55,200
|
|
If the house truly is on fire, it's easier to get out from that place
|
|
|
|
792
|
|
00:38:55,200 --> 00:38:57,680
|
|
rather than this death trap of a tower.
|
|
|
|
793
|
|
00:38:58,960 --> 00:39:06,320
|
|
So she orders the four guards to pick up the chest.
|
|
|
|
794
|
|
00:39:06,320 --> 00:39:08,880
|
|
They are going to walk it down the stairs.
|
|
|
|
795
|
|
00:39:08,880 --> 00:39:15,120
|
|
>> Captain, I'm assuming she's gonna, no, she's gonna lead you guys all to her personal bedroom.
|
|
|
|
796
|
|
00:39:15,120 --> 00:39:24,320
|
|
It's gonna be her, Chuckles, Squish, the four guards, Captain, and then one other guard behind
|
|
|
|
797
|
|
00:39:24,320 --> 00:39:24,480
|
|
him.
|
|
|
|
798
|
|
00:39:24,480 --> 00:39:27,840
|
|
So that's kind of the lay out here as they walk down the stairs.
|
|
|
|
799
|
|
00:39:28,720 --> 00:39:33,600
|
|
She leads you through this smoking area.
|
|
|
|
800
|
|
00:39:33,600 --> 00:39:37,360
|
|
Now the rest of the house is starting to also catch a blaze at this point.
|
|
|
|
801
|
|
00:39:37,360 --> 00:39:42,400
|
|
But beyond her dad's room, there is another bedroom.
|
|
|
|
802
|
|
00:39:42,400 --> 00:39:45,200
|
|
I'm just going to go ahead and put her there so you guys can see where that's at.
|
|
|
|
803
|
|
00:39:45,200 --> 00:39:49,280
|
|
Oops.
|
|
|
|
804
|
|
00:39:49,280 --> 00:39:49,760
|
|
>> Nice.
|
|
|
|
805
|
|
00:39:49,760 --> 00:39:56,560
|
|
>> So her bedroom is going to be in the center area and there are going to be
|
|
|
|
806
|
|
00:39:56,960 --> 00:40:01,680
|
|
all of the guards, hold on.
|
|
|
|
807
|
|
00:40:01,680 --> 00:40:03,120
|
|
>> Swing.
|
|
|
|
808
|
|
00:40:03,120 --> 00:40:12,320
|
|
>> One, three, four, five, Chuckles.
|
|
|
|
809
|
|
00:40:12,320 --> 00:40:17,840
|
|
And the captain.
|
|
|
|
810
|
|
00:40:17,840 --> 00:40:19,120
|
|
Oops.
|
|
|
|
811
|
|
00:40:19,120 --> 00:40:24,000
|
|
And the mission.
|
|
|
|
812
|
|
00:40:24,800 --> 00:40:30,080
|
|
Okay, so she leads you down to her bedroom and she opens the door and it is the most like bright,
|
|
|
|
813
|
|
00:40:30,080 --> 00:40:39,600
|
|
really pink, like velveteen for poster bed. Just like tons of lace and kind of just,
|
|
|
|
814
|
|
00:40:39,600 --> 00:40:44,800
|
|
it's really at odds with her up to this point, very kind of like stiff personality.
|
|
|
|
815
|
|
00:40:44,800 --> 00:40:50,400
|
|
And it's a large enough bedroom that you guys aren't cramped, but there are like
|
|
|
|
816
|
|
00:40:50,400 --> 00:40:53,120
|
|
nine of you in here at this point.
|
|
|
|
817
|
|
00:40:53,120 --> 00:40:56,240
|
|
So it is pretty plus this very large chest.
|
|
|
|
818
|
|
00:40:56,240 --> 00:40:59,680
|
|
She's moved you into the bedroom where there is less smoke.
|
|
|
|
819
|
|
00:40:59,680 --> 00:41:03,600
|
|
She still has her mask on and the guards still have their masks on,
|
|
|
|
820
|
|
00:41:03,600 --> 00:41:06,560
|
|
but you're not in immediate danger of burning.
|
|
|
|
821
|
|
00:41:06,560 --> 00:41:12,720
|
|
>> So this is your room.
|
|
|
|
822
|
|
00:41:12,720 --> 00:41:17,440
|
|
>> Yes, this is my room.
|
|
|
|
823
|
|
00:41:17,440 --> 00:41:19,120
|
|
>> Wow, I see.
|
|
|
|
824
|
|
00:41:19,520 --> 00:41:25,280
|
|
>> Okay, well, yes.
|
|
|
|
825
|
|
00:41:25,280 --> 00:41:29,040
|
|
I'm gonna have the guards stay here.
|
|
|
|
826
|
|
00:41:29,040 --> 00:41:33,760
|
|
Would one of you be able to go check on my father and make sure that he's okay or
|
|
|
|
827
|
|
00:41:33,760 --> 00:41:38,560
|
|
we probably should evacuate the house or something?
|
|
|
|
828
|
|
00:41:38,560 --> 00:41:39,360
|
|
I don't know what to do.
|
|
|
|
829
|
|
00:41:39,360 --> 00:41:41,280
|
|
>> Yeah, we should evacuate.
|
|
|
|
830
|
|
00:41:41,280 --> 00:41:42,960
|
|
>> Right.
|
|
|
|
831
|
|
00:41:42,960 --> 00:41:45,920
|
|
You're right.
|
|
|
|
832
|
|
00:41:45,920 --> 00:41:48,400
|
|
I'm sure the chest will be fine here during the fire.
|
|
|
|
833
|
|
00:41:48,400 --> 00:41:51,360
|
|
>> No, I mean, we should toss it out the window.
|
|
|
|
834
|
|
00:41:51,360 --> 00:41:54,240
|
|
>> Toss the chest out the window.
|
|
|
|
835
|
|
00:41:54,240 --> 00:41:55,600
|
|
I like this plan.
|
|
|
|
836
|
|
00:41:55,600 --> 00:41:56,800
|
|
>> I don't like that plan.
|
|
|
|
837
|
|
00:41:56,800 --> 00:42:00,240
|
|
>> We can't break the heart.
|
|
|
|
838
|
|
00:42:00,240 --> 00:42:02,160
|
|
>> It's in a chest.
|
|
|
|
839
|
|
00:42:02,160 --> 00:42:06,160
|
|
>> The chest is not made out of bubble wrap.
|
|
|
|
840
|
|
00:42:06,160 --> 00:42:09,280
|
|
>> It's probably a heart made from the chest you're made from.
|
|
|
|
841
|
|
00:42:09,280 --> 00:42:12,000
|
|
>> Yeah, it's not made out of glass.
|
|
|
|
842
|
|
00:42:12,000 --> 00:42:14,000
|
|
It's bones.
|
|
|
|
843
|
|
00:42:14,000 --> 00:42:17,680
|
|
>> It is bones in delicate wood.
|
|
|
|
844
|
|
00:42:17,680 --> 00:42:19,200
|
|
>> In delicate wood.
|
|
|
|
845
|
|
00:42:19,200 --> 00:42:24,640
|
|
>> Can I pull juggles aside?
|
|
|
|
846
|
|
00:42:24,640 --> 00:42:26,080
|
|
Well, actually juggles in, Captain.
|
|
|
|
847
|
|
00:42:26,080 --> 00:42:26,960
|
|
>> Oh, God.
|
|
|
|
848
|
|
00:42:26,960 --> 00:42:27,600
|
|
>> All patches.
|
|
|
|
849
|
|
00:42:27,600 --> 00:42:27,920
|
|
Sorry.
|
|
|
|
850
|
|
00:42:27,920 --> 00:42:28,800
|
|
>> All right.
|
|
|
|
851
|
|
00:42:28,800 --> 00:42:29,440
|
|
No, it's all right.
|
|
|
|
852
|
|
00:42:29,440 --> 00:42:30,560
|
|
I'm Captain Patches now.
|
|
|
|
853
|
|
00:42:30,560 --> 00:42:31,600
|
|
>> Should I engage?
|
|
|
|
854
|
|
00:42:31,600 --> 00:42:34,000
|
|
Should I blow the masks?
|
|
|
|
855
|
|
00:42:34,000 --> 00:42:36,320
|
|
>> Yeah, when do you think we should?
|
|
|
|
856
|
|
00:42:36,320 --> 00:42:38,640
|
|
>> Should I go rob the old man?
|
|
|
|
857
|
|
00:42:38,640 --> 00:42:45,040
|
|
>> What you should do is rob my girlfriend of her mask and then put it on and then I'll
|
|
|
|
858
|
|
00:42:45,040 --> 00:42:46,000
|
|
blow the masks.
|
|
|
|
859
|
|
00:42:46,880 --> 00:42:51,680
|
|
>> What are you talking about?
|
|
|
|
860
|
|
00:42:51,680 --> 00:42:54,480
|
|
>> He doesn't know about the masks.
|
|
|
|
861
|
|
00:42:54,480 --> 00:42:56,880
|
|
>> What mask?
|
|
|
|
862
|
|
00:42:56,880 --> 00:42:58,960
|
|
Why is everyone wearing masks?
|
|
|
|
863
|
|
00:42:58,960 --> 00:43:00,160
|
|
Where's my mask?
|
|
|
|
864
|
|
00:43:00,160 --> 00:43:01,360
|
|
Why are you checking my mask?
|
|
|
|
865
|
|
00:43:01,360 --> 00:43:01,360
|
|
>> Get down.
|
|
|
|
866
|
|
00:43:01,360 --> 00:43:03,680
|
|
>> I didn't, I turned it because it looked silly.
|
|
|
|
867
|
|
00:43:03,680 --> 00:43:04,400
|
|
>> You know what?
|
|
|
|
868
|
|
00:43:04,400 --> 00:43:07,360
|
|
Go take yours off the lady high, or go take Lady Hiles.
|
|
|
|
869
|
|
00:43:07,360 --> 00:43:08,960
|
|
>> No, no, I don't want it.
|
|
|
|
870
|
|
00:43:08,960 --> 00:43:09,760
|
|
No, I don't want it.
|
|
|
|
871
|
|
00:43:09,760 --> 00:43:10,640
|
|
No, no, no.
|
|
|
|
872
|
|
00:43:10,640 --> 00:43:11,120
|
|
>> I'm upset.
|
|
|
|
873
|
|
00:43:11,120 --> 00:43:12,880
|
|
>> I don't know what your contents--
|
|
|
|
874
|
|
00:43:12,880 --> 00:43:14,400
|
|
>> I want to go rob children.
|
|
|
|
875
|
|
00:43:14,400 --> 00:43:15,840
|
|
>> Children can't get those.
|
|
|
|
876
|
|
00:43:15,840 --> 00:43:17,840
|
|
>> Masks are exploding.
|
|
|
|
877
|
|
00:43:17,840 --> 00:43:19,120
|
|
They're exploding masks.
|
|
|
|
878
|
|
00:43:19,120 --> 00:43:20,160
|
|
It's my new invention.
|
|
|
|
879
|
|
00:43:20,160 --> 00:43:20,160
|
|
>> Sure.
|
|
|
|
880
|
|
00:43:20,160 --> 00:43:23,040
|
|
And why would you give one to the broad?
|
|
|
|
881
|
|
00:43:23,040 --> 00:43:25,120
|
|
>> Well, here's the other thing.
|
|
|
|
882
|
|
00:43:25,120 --> 00:43:30,080
|
|
Two of them don't explode, and two of them do explode.
|
|
|
|
883
|
|
00:43:30,080 --> 00:43:31,200
|
|
We just don't know which.
|
|
|
|
884
|
|
00:43:31,200 --> 00:43:31,840
|
|
>> Oh, thank God.
|
|
|
|
885
|
|
00:43:31,840 --> 00:43:33,040
|
|
What?
|
|
|
|
886
|
|
00:43:33,040 --> 00:43:40,080
|
|
>> I would have labeled them, but I don't know how to write.
|
|
|
|
887
|
|
00:43:40,080 --> 00:43:45,280
|
|
>> Do you know how to put a piece of string of a different color?
|
|
|
|
888
|
|
00:43:45,760 --> 00:43:47,600
|
|
On that so you know which one would be different?
|
|
|
|
889
|
|
00:43:47,600 --> 00:43:50,800
|
|
You know, do you know how to make any distinguishing marks at all?
|
|
|
|
890
|
|
00:43:50,800 --> 00:43:52,640
|
|
>> High-Tide is 2020.
|
|
|
|
891
|
|
00:43:52,640 --> 00:43:54,400
|
|
Yes, there's a hundred things I could have done,
|
|
|
|
892
|
|
00:43:54,400 --> 00:43:55,120
|
|
but I didn't.
|
|
|
|
893
|
|
00:43:55,120 --> 00:43:58,480
|
|
I was too busy being excited for making an exploding mask.
|
|
|
|
894
|
|
00:43:58,480 --> 00:44:00,640
|
|
I invented the exploding mask.
|
|
|
|
895
|
|
00:44:00,640 --> 00:44:01,600
|
|
>> Don't stay there too long.
|
|
|
|
896
|
|
00:44:01,600 --> 00:44:03,040
|
|
>> All I'm going to say, all I'm going to say,
|
|
|
|
897
|
|
00:44:03,040 --> 00:44:07,120
|
|
all I'm going to say is you better get your exploding mask off that hot mama over there,
|
|
|
|
898
|
|
00:44:07,120 --> 00:44:07,680
|
|
or she's going to explode.
|
|
|
|
899
|
|
00:44:07,680 --> 00:44:08,240
|
|
>> Excuse me.
|
|
|
|
900
|
|
00:44:08,240 --> 00:44:09,840
|
|
You will address her with respect.
|
|
|
|
901
|
|
00:44:09,840 --> 00:44:11,600
|
|
That is my girlfriend and future wife.
|
|
|
|
902
|
|
00:44:11,600 --> 00:44:12,720
|
|
And probably--
|
|
|
|
903
|
|
00:44:12,720 --> 00:44:14,080
|
|
>> I am trained to save her life.
|
|
|
|
904
|
|
00:44:14,080 --> 00:44:16,480
|
|
>> Mother of my future goblin children.
|
|
|
|
905
|
|
00:44:16,480 --> 00:44:19,280
|
|
You take it back.
|
|
|
|
906
|
|
00:44:19,280 --> 00:44:21,680
|
|
>> It's fine.
|
|
|
|
907
|
|
00:44:21,680 --> 00:44:24,800
|
|
I'm just telling you, you need to save him.
|
|
|
|
908
|
|
00:44:24,800 --> 00:44:28,560
|
|
You need to get that mask off of her before it explodes,
|
|
|
|
909
|
|
00:44:28,560 --> 00:44:30,080
|
|
because our luck is not good.
|
|
|
|
910
|
|
00:44:30,080 --> 00:44:31,360
|
|
>> All right.
|
|
|
|
911
|
|
00:44:31,360 --> 00:44:35,440
|
|
But we got to save the harp,
|
|
|
|
912
|
|
00:44:35,440 --> 00:44:37,680
|
|
or we got to check on that stupid goblin man.
|
|
|
|
913
|
|
00:44:37,680 --> 00:44:38,880
|
|
He's probably dead already, right?
|
|
|
|
914
|
|
00:44:38,880 --> 00:44:40,320
|
|
Let's just tell her he's dead.
|
|
|
|
915
|
|
00:44:40,320 --> 00:44:40,800
|
|
>> Yeah, probably.
|
|
|
|
916
|
|
00:44:40,800 --> 00:44:46,400
|
|
>> No, we probably should not tell her that.
|
|
|
|
917
|
|
00:44:46,400 --> 00:44:48,560
|
|
>> Okay, then let's just lie to her and tell her that he's safe.
|
|
|
|
918
|
|
00:44:48,560 --> 00:44:50,960
|
|
Wait, no, I feel like that's going to blow up in my face later.
|
|
|
|
919
|
|
00:44:50,960 --> 00:44:52,160
|
|
No pun intended.
|
|
|
|
920
|
|
00:44:52,160 --> 00:44:52,320
|
|
>> Yeah.
|
|
|
|
921
|
|
00:44:52,320 --> 00:44:53,440
|
|
>> Let's grab the old man.
|
|
|
|
922
|
|
00:44:53,440 --> 00:44:53,680
|
|
>> Grab the old man.
|
|
|
|
923
|
|
00:44:53,680 --> 00:44:54,080
|
|
>> Grab the hot mama.
|
|
|
|
924
|
|
00:44:54,080 --> 00:44:56,000
|
|
>> He might literally blow up in her face too.
|
|
|
|
925
|
|
00:44:56,000 --> 00:44:59,360
|
|
>> Let's grab the old man, take the mask off the hot mama,
|
|
|
|
926
|
|
00:44:59,360 --> 00:45:00,960
|
|
hope give it to one of these other guards,
|
|
|
|
927
|
|
00:45:00,960 --> 00:45:03,280
|
|
and just assume that all the masks are bad.
|
|
|
|
928
|
|
00:45:03,280 --> 00:45:05,360
|
|
Grab her father, get his key,
|
|
|
|
929
|
|
00:45:05,360 --> 00:45:07,360
|
|
and then ditch both and get the harp.
|
|
|
|
930
|
|
00:45:07,360 --> 00:45:07,920
|
|
>> I have the key.
|
|
|
|
931
|
|
00:45:07,920 --> 00:45:09,040
|
|
>> You have the key.
|
|
|
|
932
|
|
00:45:09,040 --> 00:45:09,920
|
|
>> Yeah, you have the key.
|
|
|
|
933
|
|
00:45:09,920 --> 00:45:14,640
|
|
>> What are the chances that the harp has fire extinguishing features
|
|
|
|
934
|
|
00:45:14,640 --> 00:45:15,440
|
|
if we just play it?
|
|
|
|
935
|
|
00:45:15,440 --> 00:45:18,160
|
|
>> Does it talk the harp?
|
|
|
|
936
|
|
00:45:18,160 --> 00:45:18,640
|
|
Can we really look at it?
|
|
|
|
937
|
|
00:45:18,640 --> 00:45:20,160
|
|
>> Can I sew it into my jacket?
|
|
|
|
938
|
|
00:45:20,160 --> 00:45:26,320
|
|
>> Can it give us any advice at all about the do what to do here?
|
|
|
|
939
|
|
00:45:26,320 --> 00:45:27,600
|
|
>> Yeah, let's ask the lion.
|
|
|
|
940
|
|
00:45:27,600 --> 00:45:29,680
|
|
Does the lion have any thoughts?
|
|
|
|
941
|
|
00:45:29,680 --> 00:45:32,080
|
|
>> Paul, can I ask Paul what's going on?
|
|
|
|
942
|
|
00:45:32,080 --> 00:45:34,480
|
|
Paul, what any advice on the situation?
|
|
|
|
943
|
|
00:45:34,480 --> 00:45:38,400
|
|
>> Did you look at the chest that it's in?
|
|
|
|
944
|
|
00:45:39,520 --> 00:45:41,360
|
|
>> Let's go look at the chest real quick.
|
|
|
|
945
|
|
00:45:41,360 --> 00:45:42,720
|
|
>> I've been looking at her chest.
|
|
|
|
946
|
|
00:45:42,720 --> 00:45:46,240
|
|
>> That's not what I meant, and you know it.
|
|
|
|
947
|
|
00:45:46,240 --> 00:45:55,200
|
|
>> So when you were in the keep or the treasure room patches,
|
|
|
|
948
|
|
00:45:55,200 --> 00:46:03,200
|
|
you did notice there were a lot of incantations and things written on the walls and on certain things.
|
|
|
|
949
|
|
00:46:03,200 --> 00:46:08,000
|
|
You can see that these are also on the chest as well.
|
|
|
|
950
|
|
00:46:08,000 --> 00:46:10,960
|
|
>> A lot of incantations on this chest, boys.
|
|
|
|
951
|
|
00:46:10,960 --> 00:46:12,480
|
|
>> So what?
|
|
|
|
952
|
|
00:46:12,480 --> 00:46:12,960
|
|
>> Yeah.
|
|
|
|
953
|
|
00:46:12,960 --> 00:46:14,160
|
|
>> You're going to read it?
|
|
|
|
954
|
|
00:46:14,160 --> 00:46:16,240
|
|
>> No, no, no.
|
|
|
|
955
|
|
00:46:16,240 --> 00:46:21,440
|
|
I just think a lot of warning signs here, a lot of maybe stay out.
|
|
|
|
956
|
|
00:46:21,440 --> 00:46:22,480
|
|
>> Stay out of the--
|
|
|
|
957
|
|
00:46:22,480 --> 00:46:23,760
|
|
>> Guys think we should go in?
|
|
|
|
958
|
|
00:46:23,760 --> 00:46:24,960
|
|
>> Go into the harp?
|
|
|
|
959
|
|
00:46:24,960 --> 00:46:25,440
|
|
>> Maybe.
|
|
|
|
960
|
|
00:46:25,440 --> 00:46:28,240
|
|
>> No, take a look into the chest of the harp.
|
|
|
|
961
|
|
00:46:28,240 --> 00:46:33,760
|
|
>> Are you saying you want to open up the chest and see the harp that's inside?
|
|
|
|
962
|
|
00:46:33,760 --> 00:46:34,480
|
|
>> Yeah.
|
|
|
|
963
|
|
00:46:34,480 --> 00:46:35,040
|
|
>> Okay.
|
|
|
|
964
|
|
00:46:36,880 --> 00:46:41,440
|
|
You walk towards the chest where the four men are still holding onto it,
|
|
|
|
965
|
|
00:46:41,440 --> 00:46:45,200
|
|
and they immediately take their bayonets and cross it in front of them, and they say,
|
|
|
|
966
|
|
00:46:45,200 --> 00:46:47,120
|
|
"Sorry, sir, under orders."
|
|
|
|
967
|
|
00:46:47,120 --> 00:46:50,080
|
|
There's no one allowed to touch this chest except for Lord High Hill.
|
|
|
|
968
|
|
00:46:50,080 --> 00:46:52,240
|
|
>> What about Lady High Hill?
|
|
|
|
969
|
|
00:46:52,240 --> 00:46:52,880
|
|
He's right here.
|
|
|
|
970
|
|
00:46:52,880 --> 00:46:58,080
|
|
>> They look at Lady High Hill and she looks back at them, and she just,
|
|
|
|
971
|
|
00:46:58,080 --> 00:47:00,160
|
|
you don't need to see that.
|
|
|
|
972
|
|
00:47:00,160 --> 00:47:02,800
|
|
>> All right, let's get the goblin, man.
|
|
|
|
973
|
|
00:47:05,200 --> 00:47:07,200
|
|
>> I am really wanting to open this harp now.
|
|
|
|
974
|
|
00:47:07,200 --> 00:47:10,400
|
|
>> I want to know what's up with this.
|
|
|
|
975
|
|
00:47:10,400 --> 00:47:12,160
|
|
This is my new mission.
|
|
|
|
976
|
|
00:47:12,160 --> 00:47:12,560
|
|
We got to get this chest guys.
|
|
|
|
977
|
|
00:47:12,560 --> 00:47:13,760
|
|
>> All right, the question, what are we doing?
|
|
|
|
978
|
|
00:47:13,760 --> 00:47:20,480
|
|
>> Let's blow up the masks, kill all the guards, and steal the chest.
|
|
|
|
979
|
|
00:47:20,480 --> 00:47:21,120
|
|
>> Possibly, my girl.
|
|
|
|
980
|
|
00:47:21,120 --> 00:47:22,160
|
|
>> So I'm assuming the masks--
|
|
|
|
981
|
|
00:47:22,160 --> 00:47:22,880
|
|
>> I am.
|
|
|
|
982
|
|
00:47:22,880 --> 00:47:24,240
|
|
>> I'm assuming the masks have a--
|
|
|
|
983
|
|
00:47:24,240 --> 00:47:24,960
|
|
>> I know you are.
|
|
|
|
984
|
|
00:47:24,960 --> 00:47:27,680
|
|
>> Are the masks timed?
|
|
|
|
985
|
|
00:47:27,680 --> 00:47:28,560
|
|
Do they have a button?
|
|
|
|
986
|
|
00:47:28,560 --> 00:47:29,120
|
|
That nation's--
|
|
|
|
987
|
|
00:47:29,120 --> 00:47:30,000
|
|
>> That's radio.
|
|
|
|
988
|
|
00:47:30,000 --> 00:47:30,960
|
|
>> Yeah, it's my talky walky.
|
|
|
|
989
|
|
00:47:30,960 --> 00:47:31,280
|
|
>> Radio.
|
|
|
|
990
|
|
00:47:31,280 --> 00:47:33,680
|
|
It's the talky walky.
|
|
|
|
991
|
|
00:47:33,680 --> 00:47:36,400
|
|
So if he says whatever over the talky walky,
|
|
|
|
992
|
|
00:47:36,400 --> 00:47:40,480
|
|
we'll-- the air radio waves will make the masks explode.
|
|
|
|
993
|
|
00:47:40,480 --> 00:47:43,760
|
|
And again, we have four masks.
|
|
|
|
994
|
|
00:47:43,760 --> 00:47:47,120
|
|
We don't know how many explode and how many are safe or who has what.
|
|
|
|
995
|
|
00:47:47,120 --> 00:47:49,120
|
|
>> Oh, so it could be all four of them are exploding.
|
|
|
|
996
|
|
00:47:49,120 --> 00:47:51,520
|
|
>> It could be.
|
|
|
|
997
|
|
00:47:51,520 --> 00:47:53,680
|
|
It could be all four of them are just regular masks.
|
|
|
|
998
|
|
00:47:53,680 --> 00:47:55,200
|
|
>> Boy, I am real stupid.
|
|
|
|
999
|
|
00:47:55,200 --> 00:47:58,320
|
|
>> You are really, yeah, you really fucked us up.
|
|
|
|
1000
|
|
00:47:58,320 --> 00:48:02,480
|
|
>> I say we need Lady High Hill out of here.
|
|
|
|
1001
|
|
00:48:02,480 --> 00:48:07,600
|
|
We tell the four guard-- the five guards to get out of here with the harp,
|
|
|
|
1002
|
|
00:48:07,600 --> 00:48:12,080
|
|
make them take her mask, lead her out of here, and then, you know,
|
|
|
|
1003
|
|
00:48:12,080 --> 00:48:14,800
|
|
just hopefully those and then blow those little suckers up.
|
|
|
|
1004
|
|
00:48:14,800 --> 00:48:16,800
|
|
>> Why can't we just blow them up now?
|
|
|
|
1005
|
|
00:48:16,800 --> 00:48:19,360
|
|
>> Because Lady High Hill, you know,
|
|
|
|
1006
|
|
00:48:19,360 --> 00:48:20,880
|
|
Juckle seems to be fine with her.
|
|
|
|
1007
|
|
00:48:20,880 --> 00:48:21,360
|
|
>> Yes.
|
|
|
|
1008
|
|
00:48:21,360 --> 00:48:25,280
|
|
>> Yeah, he's fine of anything that stands on two feet
|
|
|
|
1009
|
|
00:48:25,280 --> 00:48:27,440
|
|
as not testicles he can punch.
|
|
|
|
1010
|
|
00:48:27,440 --> 00:48:29,360
|
|
>> Wow, that's awfully reductive.
|
|
|
|
1011
|
|
00:48:29,360 --> 00:48:32,800
|
|
>> I don't--
|
|
|
|
1012
|
|
00:48:32,800 --> 00:48:33,600
|
|
>> But you know--
|
|
|
|
1013
|
|
00:48:33,600 --> 00:48:35,360
|
|
>> No, don't squish.
|
|
|
|
1014
|
|
00:48:35,360 --> 00:48:36,000
|
|
Look what you did.
|
|
|
|
1015
|
|
00:48:36,000 --> 00:48:37,120
|
|
You hurt the lad's feelings.
|
|
|
|
1016
|
|
00:48:37,120 --> 00:48:37,760
|
|
Look at his face.
|
|
|
|
1017
|
|
00:48:37,760 --> 00:48:38,640
|
|
He's upset about that.
|
|
|
|
1018
|
|
00:48:38,640 --> 00:48:38,640
|
|
>> Yeah.
|
|
|
|
1019
|
|
00:48:38,640 --> 00:48:39,920
|
|
>> He knows his feelings.
|
|
|
|
1020
|
|
00:48:39,920 --> 00:48:40,800
|
|
>> Yeah, I'm a sensitive boy.
|
|
|
|
1021
|
|
00:48:40,800 --> 00:48:41,520
|
|
>> It's fine.
|
|
|
|
1022
|
|
00:48:41,520 --> 00:48:41,840
|
|
>> All right.
|
|
|
|
1023
|
|
00:48:41,840 --> 00:48:45,840
|
|
Lady High Hill, babe, darling,
|
|
|
|
1024
|
|
00:48:45,840 --> 00:48:49,200
|
|
have you ever seen one of those movies
|
|
|
|
1025
|
|
00:48:49,200 --> 00:48:52,400
|
|
where they toss someone out the window to save them from fire?
|
|
|
|
1026
|
|
00:48:52,400 --> 00:48:57,760
|
|
>> I've heard stories about this, yes.
|
|
|
|
1027
|
|
00:48:57,760 --> 00:48:59,440
|
|
>> We're going to do that to you right now.
|
|
|
|
1028
|
|
00:48:59,440 --> 00:49:02,320
|
|
Yes, it's the only way to save you.
|
|
|
|
1029
|
|
00:49:02,320 --> 00:49:05,360
|
|
>> We have to demonstrate you.
|
|
|
|
1030
|
|
00:49:05,360 --> 00:49:06,160
|
|
>> I just go down the stairs.
|
|
|
|
1031
|
|
00:49:06,160 --> 00:49:07,680
|
|
The side of the house is an--
|
|
|
|
1032
|
|
00:49:07,680 --> 00:49:09,520
|
|
>> There's no time.
|
|
|
|
1033
|
|
00:49:09,520 --> 00:49:10,480
|
|
You're hysterical.
|
|
|
|
1034
|
|
00:49:10,480 --> 00:49:10,960
|
|
>> No time.
|
|
|
|
1035
|
|
00:49:10,960 --> 00:49:11,760
|
|
>> I have a mask.
|
|
|
|
1036
|
|
00:49:11,760 --> 00:49:12,480
|
|
I should be fine.
|
|
|
|
1037
|
|
00:49:12,480 --> 00:49:13,840
|
|
>> Jesus, everyone grab her.
|
|
|
|
1038
|
|
00:49:13,840 --> 00:49:14,720
|
|
Toss out the window.
|
|
|
|
1039
|
|
00:49:14,720 --> 00:49:15,600
|
|
>> Yeah, and give me that mask.
|
|
|
|
1040
|
|
00:49:15,600 --> 00:49:17,200
|
|
We got to save it for the guards.
|
|
|
|
1041
|
|
00:49:17,200 --> 00:49:18,960
|
|
Because we got to carry this out of here,
|
|
|
|
1042
|
|
00:49:18,960 --> 00:49:20,880
|
|
and you're just going to slow everyone down.
|
|
|
|
1043
|
|
00:49:20,880 --> 00:49:21,760
|
|
Listen, it's for your own good.
|
|
|
|
1044
|
|
00:49:21,760 --> 00:49:22,960
|
|
>> Is there a window nearby?
|
|
|
|
1045
|
|
00:49:22,960 --> 00:49:24,960
|
|
Is there a window nearby?
|
|
|
|
1046
|
|
00:49:24,960 --> 00:49:26,960
|
|
>> Yes, there is.
|
|
|
|
1047
|
|
00:49:26,960 --> 00:49:28,000
|
|
I don't know if you guys saw it.
|
|
|
|
1048
|
|
00:49:28,000 --> 00:49:29,040
|
|
Hold on.
|
|
|
|
1049
|
|
00:49:29,040 --> 00:49:30,560
|
|
Let me put this in the--
|
|
|
|
1050
|
|
00:49:30,560 --> 00:49:32,240
|
|
This is her bedroom.
|
|
|
|
1051
|
|
00:49:32,240 --> 00:49:33,120
|
|
>> All right.
|
|
|
|
1052
|
|
00:49:33,120 --> 00:49:33,920
|
|
Define a straighter.
|
|
|
|
1053
|
|
00:49:33,920 --> 00:49:34,480
|
|
>> Yep.
|
|
|
|
1054
|
|
00:49:34,480 --> 00:49:35,360
|
|
>> Toss her out the window.
|
|
|
|
1055
|
|
00:49:35,360 --> 00:49:35,600
|
|
That's what I mean.
|
|
|
|
1056
|
|
00:49:35,600 --> 00:49:36,240
|
|
>> Squish.
|
|
|
|
1057
|
|
00:49:36,240 --> 00:49:37,280
|
|
That's your job.
|
|
|
|
1058
|
|
00:49:37,280 --> 00:49:38,720
|
|
And make sure you take the mask off of her,
|
|
|
|
1059
|
|
00:49:38,720 --> 00:49:39,920
|
|
because we need to give it to the other--
|
|
|
|
1060
|
|
00:49:39,920 --> 00:49:40,960
|
|
You have to give it to the guards
|
|
|
|
1061
|
|
00:49:40,960 --> 00:49:42,560
|
|
so they can carry out this.
|
|
|
|
1062
|
|
00:49:42,560 --> 00:49:43,680
|
|
They can carry this harp out.
|
|
|
|
1063
|
|
00:49:43,680 --> 00:49:44,480
|
|
This is through the--
|
|
|
|
1064
|
|
00:49:44,480 --> 00:49:45,840
|
|
>> She's got a team effort.
|
|
|
|
1065
|
|
00:49:45,840 --> 00:49:47,040
|
|
We got to throw her out the window.
|
|
|
|
1066
|
|
00:49:47,040 --> 00:49:48,880
|
|
>> Yeah, that's why you're bigger than she is.
|
|
|
|
1067
|
|
00:49:48,880 --> 00:49:51,200
|
|
>> Am I?
|
|
|
|
1068
|
|
00:49:51,200 --> 00:49:51,520
|
|
>> Yes.
|
|
|
|
1069
|
|
00:49:51,520 --> 00:49:53,440
|
|
>> All three of us should do this.
|
|
|
|
1070
|
|
00:49:53,440 --> 00:49:54,400
|
|
This is a team effort.
|
|
|
|
1071
|
|
00:49:54,400 --> 00:49:56,080
|
|
Just throw it out the window.
|
|
|
|
1072
|
|
00:49:56,080 --> 00:49:56,560
|
|
>> Yes.
|
|
|
|
1073
|
|
00:49:56,560 --> 00:49:58,160
|
|
>> If all three of you want to do this,
|
|
|
|
1074
|
|
00:49:58,160 --> 00:50:00,000
|
|
you all have to roll your finesse roll,
|
|
|
|
1075
|
|
00:50:00,000 --> 00:50:02,160
|
|
and you have to work together to pick her up
|
|
|
|
1076
|
|
00:50:02,160 --> 00:50:03,360
|
|
and chuck her out the window.
|
|
|
|
1077
|
|
00:50:03,360 --> 00:50:03,360
|
|
>> All right.
|
|
|
|
1078
|
|
00:50:03,360 --> 00:50:05,920
|
|
>> Group roll it.
|
|
|
|
1079
|
|
00:50:05,920 --> 00:50:06,880
|
|
>> You'll thank me someday.
|
|
|
|
1080
|
|
00:50:06,880 --> 00:50:09,920
|
|
>> I do not like this idea.
|
|
|
|
1081
|
|
00:50:09,920 --> 00:50:13,280
|
|
I really don't like this idea.
|
|
|
|
1082
|
|
00:50:13,280 --> 00:50:14,400
|
|
>> Oh, no.
|
|
|
|
1083
|
|
00:50:14,400 --> 00:50:14,880
|
|
>> What do you mean?
|
|
|
|
1084
|
|
00:50:14,880 --> 00:50:16,240
|
|
You were ready to blow her up.
|
|
|
|
1085
|
|
00:50:16,240 --> 00:50:17,920
|
|
>> Yes.
|
|
|
|
1086
|
|
00:50:17,920 --> 00:50:20,560
|
|
It would have been a lot simpler.
|
|
|
|
1087
|
|
00:50:20,560 --> 00:50:22,320
|
|
>> Did we all fail?
|
|
|
|
1088
|
|
00:50:22,320 --> 00:50:22,960
|
|
>> Did you roll?
|
|
|
|
1089
|
|
00:50:22,960 --> 00:50:23,440
|
|
>> Oh.
|
|
|
|
1090
|
|
00:50:23,440 --> 00:50:24,800
|
|
>> Yeah, we all failed.
|
|
|
|
1091
|
|
00:50:24,800 --> 00:50:25,600
|
|
>> Oh, no.
|
|
|
|
1092
|
|
00:50:25,600 --> 00:50:26,560
|
|
>> Excellent.
|
|
|
|
1093
|
|
00:50:26,560 --> 00:50:27,440
|
|
>> So you all like--
|
|
|
|
1094
|
|
00:50:27,440 --> 00:50:30,080
|
|
>> She punches off the window.
|
|
|
|
1095
|
|
00:50:30,080 --> 00:50:30,560
|
|
>> She like wraps her.
|
|
|
|
1096
|
|
00:50:30,560 --> 00:50:31,840
|
|
[laughter]
|
|
|
|
1097
|
|
00:50:31,840 --> 00:50:35,760
|
|
>> And all she does is scream and just bats you away.
|
|
|
|
1098
|
|
00:50:35,760 --> 00:50:38,080
|
|
Like, you know, just like, "Pah!"
|
|
|
|
1099
|
|
00:50:38,080 --> 00:50:40,560
|
|
"Sing with you!"
|
|
|
|
1100
|
|
00:50:40,560 --> 00:50:41,200
|
|
>> All right.
|
|
|
|
1101
|
|
00:50:41,200 --> 00:50:43,200
|
|
>> "No, seriously, that pisses me right the hell off."
|
|
|
|
1102
|
|
00:50:43,200 --> 00:50:44,880
|
|
>> No, I was hugging you.
|
|
|
|
1103
|
|
00:50:44,880 --> 00:50:47,360
|
|
Because I'm so scared.
|
|
|
|
1104
|
|
00:50:47,360 --> 00:50:48,000
|
|
>> Lady.
|
|
|
|
1105
|
|
00:50:48,000 --> 00:50:49,280
|
|
>> Lady, hold on.
|
|
|
|
1106
|
|
00:50:49,280 --> 00:50:50,880
|
|
>> Did you just bone brush me?
|
|
|
|
1107
|
|
00:50:50,880 --> 00:50:52,480
|
|
>> Can you lady--
|
|
|
|
1108
|
|
00:50:52,480 --> 00:50:55,200
|
|
Lady, can we open those windows for a second?
|
|
|
|
1109
|
|
00:50:55,760 --> 00:50:56,960
|
|
Let me tell you this.
|
|
|
|
1110
|
|
00:50:56,960 --> 00:50:58,240
|
|
This plan of ours is a good one.
|
|
|
|
1111
|
|
00:50:58,240 --> 00:51:00,560
|
|
We just need to recalibrate.
|
|
|
|
1112
|
|
00:51:00,560 --> 00:51:01,760
|
|
Can these windows open?
|
|
|
|
1113
|
|
00:51:01,760 --> 00:51:02,560
|
|
>> Listen, all right.
|
|
|
|
1114
|
|
00:51:02,560 --> 00:51:04,240
|
|
You see, are you afraid of it?
|
|
|
|
1115
|
|
00:51:04,240 --> 00:51:04,960
|
|
>> Open their windows.
|
|
|
|
1116
|
|
00:51:04,960 --> 00:51:05,600
|
|
>> Yes.
|
|
|
|
1117
|
|
00:51:05,600 --> 00:51:06,160
|
|
Okay, fine.
|
|
|
|
1118
|
|
00:51:06,160 --> 00:51:07,280
|
|
I'll go first.
|
|
|
|
1119
|
|
00:51:07,280 --> 00:51:09,840
|
|
Throw me out first, and I'll show you how safe it is
|
|
|
|
1120
|
|
00:51:09,840 --> 00:51:11,040
|
|
to be thrown out the window.
|
|
|
|
1121
|
|
00:51:11,040 --> 00:51:13,280
|
|
>> All right.
|
|
|
|
1122
|
|
00:51:13,280 --> 00:51:13,840
|
|
I grabbed--
|
|
|
|
1123
|
|
00:51:13,840 --> 00:51:15,280
|
|
>> Who's throwing him out the window?
|
|
|
|
1124
|
|
00:51:15,280 --> 00:51:18,160
|
|
>> I grabbed chuckles to throw him out the window.
|
|
|
|
1125
|
|
00:51:18,160 --> 00:51:19,040
|
|
[laughter]
|
|
|
|
1126
|
|
00:51:19,040 --> 00:51:19,280
|
|
>> All right.
|
|
|
|
1127
|
|
00:51:19,280 --> 00:51:20,880
|
|
>> Who's throwing this sack of cabin boy?
|
|
|
|
1128
|
|
00:51:20,880 --> 00:51:23,680
|
|
>> All right.
|
|
|
|
1129
|
|
00:51:23,680 --> 00:51:24,000
|
|
Go ahead.
|
|
|
|
1130
|
|
00:51:24,800 --> 00:51:25,360
|
|
>> Can I ask--
|
|
|
|
1131
|
|
00:51:25,360 --> 00:51:25,840
|
|
>> Let's--
|
|
|
|
1132
|
|
00:51:25,840 --> 00:51:27,600
|
|
>> Wreck it.
|
|
|
|
1133
|
|
00:51:27,600 --> 00:51:28,080
|
|
You're right.
|
|
|
|
1134
|
|
00:51:28,080 --> 00:51:30,640
|
|
>> Well, the window is open now.
|
|
|
|
1135
|
|
00:51:30,640 --> 00:51:33,600
|
|
>> Yeah, the window is open.
|
|
|
|
1136
|
|
00:51:33,600 --> 00:51:36,320
|
|
I'm going to say that you two--
|
|
|
|
1137
|
|
00:51:36,320 --> 00:51:38,000
|
|
Are you two working together to show her
|
|
|
|
1138
|
|
00:51:38,000 --> 00:51:40,560
|
|
how easy it is to throw her out the window to be safe?
|
|
|
|
1139
|
|
00:51:40,560 --> 00:51:42,240
|
|
>> I'm doing my best plank.
|
|
|
|
1140
|
|
00:51:42,240 --> 00:51:44,240
|
|
I'm just being real straight and real easy to throw.
|
|
|
|
1141
|
|
00:51:44,240 --> 00:51:47,600
|
|
>> I think Andy's frozen.
|
|
|
|
1142
|
|
00:51:47,600 --> 00:51:50,240
|
|
>> Oh, no, he needs to come back.
|
|
|
|
1143
|
|
00:51:50,240 --> 00:51:51,440
|
|
>> He's really-- he needs to come back.
|
|
|
|
1144
|
|
00:51:54,240 --> 00:51:57,200
|
|
I just thought he was really annoyed with us for the last one.
|
|
|
|
1145
|
|
00:51:57,200 --> 00:51:58,240
|
|
[laughter]
|
|
|
|
1146
|
|
00:51:58,240 --> 00:52:00,240
|
|
>> Okay.
|
|
|
|
1147
|
|
00:52:00,240 --> 00:52:04,560
|
|
So what I'm going to say is you're not going to throw your finesse.
|
|
|
|
1148
|
|
00:52:04,560 --> 00:52:06,160
|
|
Instead, when you are going to roll chuckles,
|
|
|
|
1149
|
|
00:52:06,160 --> 00:52:07,760
|
|
since you need to survive this,
|
|
|
|
1150
|
|
00:52:07,760 --> 00:52:12,400
|
|
is I'm going to have you try to roll your prowess, which is three,
|
|
|
|
1151
|
|
00:52:12,400 --> 00:52:16,080
|
|
to see how well you survive getting thrown out the window.
|
|
|
|
1152
|
|
00:52:16,080 --> 00:52:16,880
|
|
>> Wait, wait, wait.
|
|
|
|
1153
|
|
00:52:16,880 --> 00:52:17,360
|
|
Prowess?
|
|
|
|
1154
|
|
00:52:17,360 --> 00:52:18,800
|
|
Oh.
|
|
|
|
1155
|
|
00:52:18,800 --> 00:52:21,680
|
|
>> Yeah, so that's like a defensive roll.
|
|
|
|
1156
|
|
00:52:21,680 --> 00:52:22,560
|
|
>> Okay.
|
|
|
|
1157
|
|
00:52:22,560 --> 00:52:23,760
|
|
>> We never use--
|
|
|
|
1158
|
|
00:52:23,760 --> 00:52:25,440
|
|
>> But it's just three.
|
|
|
|
1159
|
|
00:52:25,440 --> 00:52:26,960
|
|
So just throw three, 3D.
|
|
|
|
1160
|
|
00:52:26,960 --> 00:52:41,280
|
|
>> Right.
|
|
|
|
1161
|
|
00:52:41,280 --> 00:52:46,560
|
|
So Captain picks you up.
|
|
|
|
1162
|
|
00:52:46,560 --> 00:52:48,320
|
|
He tosses you out the window.
|
|
|
|
1163
|
|
00:52:48,320 --> 00:52:49,600
|
|
chuckles, how do you land?
|
|
|
|
1164
|
|
00:52:49,600 --> 00:52:51,280
|
|
You survived the landing.
|
|
|
|
1165
|
|
00:52:51,280 --> 00:52:52,000
|
|
How do you land?
|
|
|
|
1166
|
|
00:52:52,000 --> 00:52:53,920
|
|
[laughter]
|
|
|
|
1167
|
|
00:52:53,920 --> 00:52:54,720
|
|
>> I don't know.
|
|
|
|
1168
|
|
00:52:54,720 --> 00:52:56,960
|
|
I was going to say, I land right on my head.
|
|
|
|
1169
|
|
00:52:56,960 --> 00:53:00,960
|
|
I need to take some damage from being thrown out the window.
|
|
|
|
1170
|
|
00:53:00,960 --> 00:53:06,080
|
|
I don't know if I knocked out or like just injury.
|
|
|
|
1171
|
|
00:53:06,080 --> 00:53:07,200
|
|
I'm definitely--
|
|
|
|
1172
|
|
00:53:07,200 --> 00:53:10,160
|
|
>> No, no, you landed on a-- you landed on a rose bush.
|
|
|
|
1173
|
|
00:53:10,160 --> 00:53:11,200
|
|
>> Oh my god.
|
|
|
|
1174
|
|
00:53:11,200 --> 00:53:14,240
|
|
You're-- I land-- you throw me right onto a cactus.
|
|
|
|
1175
|
|
00:53:14,240 --> 00:53:18,160
|
|
>> No, like some kind of easy bush that's going to catch you.
|
|
|
|
1176
|
|
00:53:18,160 --> 00:53:20,720
|
|
>> Yeah, rose bushes, famous for being full of thorns.
|
|
|
|
1177
|
|
00:53:20,720 --> 00:53:22,160
|
|
[laughter]
|
|
|
|
1178
|
|
00:53:22,160 --> 00:53:23,200
|
|
Oh wow.
|
|
|
|
1179
|
|
00:53:23,200 --> 00:53:25,520
|
|
>> All right, I'm in a rose bush.
|
|
|
|
1180
|
|
00:53:25,520 --> 00:53:26,480
|
|
I'm going to fetch it.
|
|
|
|
1181
|
|
00:53:26,480 --> 00:53:32,720
|
|
>> He looks-- Lady Highhill looks out over you and she goes,
|
|
|
|
1182
|
|
00:53:32,720 --> 00:53:35,840
|
|
"Yeah, I mean, I guess-- are you okay?"
|
|
|
|
1183
|
|
00:53:35,840 --> 00:53:36,560
|
|
>> Well, look how--
|
|
|
|
1184
|
|
00:53:36,560 --> 00:53:37,120
|
|
>> You're next.
|
|
|
|
1185
|
|
00:53:37,120 --> 00:53:38,880
|
|
>> Look how brave I was.
|
|
|
|
1186
|
|
00:53:38,880 --> 00:53:41,040
|
|
[laughter]
|
|
|
|
1187
|
|
00:53:41,040 --> 00:53:45,200
|
|
>> When you pop your head out, you have like a rose between your teeth,
|
|
|
|
1188
|
|
00:53:45,200 --> 00:53:46,640
|
|
like real romantic life,
|
|
|
|
1189
|
|
00:53:46,640 --> 00:53:48,960
|
|
but really it's just your mouth is full of thorns.
|
|
|
|
1190
|
|
00:53:48,960 --> 00:53:50,400
|
|
>> You have covered in blood.
|
|
|
|
1191
|
|
00:53:50,400 --> 00:53:52,320
|
|
[laughter]
|
|
|
|
1192
|
|
00:53:52,320 --> 00:53:53,840
|
|
>> Yeah, you're real cut up.
|
|
|
|
1193
|
|
00:53:53,840 --> 00:53:58,320
|
|
But she is smitten.
|
|
|
|
1194
|
|
00:53:58,320 --> 00:54:02,640
|
|
She goes, "Okay, well, if you promise it won't hurt."
|
|
|
|
1195
|
|
00:54:02,640 --> 00:54:03,680
|
|
>> Oh, it's going to hurt.
|
|
|
|
1196
|
|
00:54:03,680 --> 00:54:05,440
|
|
I mean, it's not-- you'll be fine.
|
|
|
|
1197
|
|
00:54:05,440 --> 00:54:06,720
|
|
>> I promise.
|
|
|
|
1198
|
|
00:54:06,720 --> 00:54:11,120
|
|
>> All right, who's going to throw Lady Highhill off-- out of the window?
|
|
|
|
1199
|
|
00:54:11,120 --> 00:54:14,640
|
|
Because she will be convinced now that she saw chuckles do it.
|
|
|
|
1200
|
|
00:54:14,640 --> 00:54:16,640
|
|
>> Squish, you want the honors?
|
|
|
|
1201
|
|
00:54:16,640 --> 00:54:17,520
|
|
You want me to do it?
|
|
|
|
1202
|
|
00:54:17,520 --> 00:54:21,280
|
|
[silence]
|
|
|
|
1203
|
|
00:54:21,280 --> 00:54:22,480
|
|
>> Oh.
|
|
|
|
1204
|
|
00:54:22,480 --> 00:54:24,160
|
|
>> Oh, that's not his listening face.
|
|
|
|
1205
|
|
00:54:24,160 --> 00:54:28,080
|
|
[laughter]
|
|
|
|
1206
|
|
00:54:28,080 --> 00:54:30,560
|
|
>> Well, I guess this is all up to me.
|
|
|
|
1207
|
|
00:54:30,560 --> 00:54:31,920
|
|
[laughter]
|
|
|
|
1208
|
|
00:54:31,920 --> 00:54:34,800
|
|
All right, Lady Highhill, get on my shoulders.
|
|
|
|
1209
|
|
00:54:34,800 --> 00:54:39,760
|
|
[laughter]
|
|
|
|
1210
|
|
00:54:39,760 --> 00:54:41,120
|
|
>> Do I toss her?
|
|
|
|
1211
|
|
00:54:41,120 --> 00:54:43,760
|
|
>> I didn't go back.
|
|
|
|
1212
|
|
00:54:43,760 --> 00:54:45,680
|
|
>> What did you say you broke up?
|
|
|
|
1213
|
|
00:54:45,680 --> 00:54:46,800
|
|
>> Nope.
|
|
|
|
1214
|
|
00:54:46,800 --> 00:54:48,160
|
|
>> You're going to wait for Andy to come back?
|
|
|
|
1215
|
|
00:54:48,160 --> 00:54:48,880
|
|
>> Maybe we should.
|
|
|
|
1216
|
|
00:54:48,880 --> 00:54:49,120
|
|
>> Oh.
|
|
|
|
1217
|
|
00:54:49,120 --> 00:54:50,480
|
|
>> Yeah.
|
|
|
|
1218
|
|
00:54:50,480 --> 00:54:53,920
|
|
>> Fine.
|
|
|
|
1219
|
|
00:54:53,920 --> 00:54:57,040
|
|
>> But you can toss her if you want.
|
|
|
|
1220
|
|
00:54:57,040 --> 00:54:58,880
|
|
>> No, I'm good.
|
|
|
|
1221
|
|
00:54:58,880 --> 00:54:59,280
|
|
I'll wait.
|
|
|
|
1222
|
|
00:54:59,280 --> 00:55:07,120
|
|
[laughter]
|
|
|
|
1223
|
|
00:55:07,120 --> 00:55:10,560
|
|
>> Strange that tossing someone out of window has happened, like occurred twice.
|
|
|
|
1224
|
|
00:55:10,560 --> 00:55:13,760
|
|
[laughter]
|
|
|
|
1225
|
|
00:55:13,760 --> 00:55:14,400
|
|
>> Oh, he's back.
|
|
|
|
1226
|
|
00:55:14,400 --> 00:55:14,960
|
|
>> There he is.
|
|
|
|
1227
|
|
00:55:14,960 --> 00:55:15,600
|
|
>> He's pissed.
|
|
|
|
1228
|
|
00:55:15,600 --> 00:55:17,120
|
|
He hates this plan.
|
|
|
|
1229
|
|
00:55:17,120 --> 00:55:19,680
|
|
>> All right.
|
|
|
|
1230
|
|
00:55:19,680 --> 00:55:22,160
|
|
>> I went head first and go at Rose Bush.
|
|
|
|
1231
|
|
00:55:22,160 --> 00:55:31,440
|
|
>> Yes, and so now Lady Highhill has been convinced to let someone else toss her.
|
|
|
|
1232
|
|
00:55:31,440 --> 00:55:32,000
|
|
Capt.
|
|
|
|
1233
|
|
00:55:32,000 --> 00:55:34,240
|
|
Patches, were you going to truck her over?
|
|
|
|
1234
|
|
00:55:34,240 --> 00:55:36,880
|
|
>> I think Squish would help me out if he can.
|
|
|
|
1235
|
|
00:55:36,880 --> 00:55:40,560
|
|
>> Do you both want to assist her out the window?
|
|
|
|
1236
|
|
00:55:40,560 --> 00:55:44,400
|
|
>> Yeah, Squish, you want to assist me with tossing the lady out the window?
|
|
|
|
1237
|
|
00:55:44,720 --> 00:55:50,000
|
|
>> The lady's never going to get thrown out of window.
|
|
|
|
1238
|
|
00:55:50,000 --> 00:55:51,600
|
|
>> He's frozen again.
|
|
|
|
1239
|
|
00:55:51,600 --> 00:55:53,520
|
|
>> Oh, no.
|
|
|
|
1240
|
|
00:55:53,520 --> 00:55:54,720
|
|
>> All right.
|
|
|
|
1241
|
|
00:55:54,720 --> 00:55:57,360
|
|
We're, all right, I'm pulling rank here.
|
|
|
|
1242
|
|
00:55:57,360 --> 00:55:58,720
|
|
I'm throwing her out the window.
|
|
|
|
1243
|
|
00:55:58,720 --> 00:56:00,240
|
|
Like it's like a fireman toss.
|
|
|
|
1244
|
|
00:56:00,240 --> 00:56:01,600
|
|
It's not graceful or anything.
|
|
|
|
1245
|
|
00:56:01,600 --> 00:56:05,360
|
|
It's just me throwing her out the fucking second cabin boy.
|
|
|
|
1246
|
|
00:56:05,360 --> 00:56:07,680
|
|
>> So no skill whatsoever?
|
|
|
|
1247
|
|
00:56:07,680 --> 00:56:08,720
|
|
>> No.
|
|
|
|
1248
|
|
00:56:08,720 --> 00:56:10,400
|
|
>> Okay, roll your wreck.
|
|
|
|
1249
|
|
00:56:10,400 --> 00:56:14,400
|
|
>> Roll your wreck.
|
|
|
|
1250
|
|
00:56:14,400 --> 00:56:17,520
|
|
>> Hell yeah.
|
|
|
|
1251
|
|
00:56:17,520 --> 00:56:19,520
|
|
>> No.
|
|
|
|
1252
|
|
00:56:19,520 --> 00:56:21,040
|
|
No.
|
|
|
|
1253
|
|
00:56:21,040 --> 00:56:21,920
|
|
It's real bad.
|
|
|
|
1254
|
|
00:56:21,920 --> 00:56:29,680
|
|
>> Instead of you suffering harm, you just like push her essentially out the window.
|
|
|
|
1255
|
|
00:56:29,680 --> 00:56:33,520
|
|
And she goes screaming into the Rose Bush.
|
|
|
|
1256
|
|
00:56:33,520 --> 00:56:35,200
|
|
Were you able to take her mask?
|
|
|
|
1257
|
|
00:56:35,200 --> 00:56:36,960
|
|
Did you decide if you're taking her mask?
|
|
|
|
1258
|
|
00:56:36,960 --> 00:56:38,080
|
|
>> He was supposed to.
|
|
|
|
1259
|
|
00:56:38,080 --> 00:56:39,040
|
|
He was supposed to.
|
|
|
|
1260
|
|
00:56:39,120 --> 00:56:43,200
|
|
>> I looked at her and I go, well, your turn.
|
|
|
|
1261
|
|
00:56:43,200 --> 00:56:45,600
|
|
Grab her mask off and give her a good push out the window.
|
|
|
|
1262
|
|
00:56:45,600 --> 00:56:48,880
|
|
>> You only this where you're going, right in the Rose Bush.
|
|
|
|
1263
|
|
00:56:48,880 --> 00:56:53,200
|
|
>> But if this is a failure of a push, I like fall over as I'm pushing her.
|
|
|
|
1264
|
|
00:56:53,200 --> 00:56:56,880
|
|
Like it's like, it's like if like, it's like if Kramer pushed somebody out of a window.
|
|
|
|
1265
|
|
00:56:56,880 --> 00:56:57,920
|
|
>> Yeah.
|
|
|
|
1266
|
|
00:56:57,920 --> 00:57:01,760
|
|
So here's what your complications going to be.
|
|
|
|
1267
|
|
00:57:01,760 --> 00:57:07,840
|
|
The guards have seen this and they are absolutely no longer convinced by your bullshit anymore.
|
|
|
|
1268
|
|
00:57:08,080 --> 00:57:11,600
|
|
They've watched this shenanigan go on long enough.
|
|
|
|
1269
|
|
00:57:11,600 --> 00:57:12,960
|
|
They saw you push.
|
|
|
|
1270
|
|
00:57:12,960 --> 00:57:17,360
|
|
They saw you all attempt to gang rush her and push her out the window.
|
|
|
|
1271
|
|
00:57:17,360 --> 00:57:20,000
|
|
They saw chuckles go in head first over the window.
|
|
|
|
1272
|
|
00:57:20,000 --> 00:57:22,960
|
|
They just saw you just biff her out.
|
|
|
|
1273
|
|
00:57:22,960 --> 00:57:26,720
|
|
Guards absolutely do not believe anything.
|
|
|
|
1274
|
|
00:57:26,720 --> 00:57:28,080
|
|
>> All right.
|
|
|
|
1275
|
|
00:57:28,080 --> 00:57:28,800
|
|
>> You're about to say.
|
|
|
|
1276
|
|
00:57:28,800 --> 00:57:30,080
|
|
>> It's time for the explosions.
|
|
|
|
1277
|
|
00:57:30,080 --> 00:57:35,920
|
|
>> I say I throw the mask I have in my hand right at whoever doesn't have one.
|
|
|
|
1278
|
|
00:57:35,920 --> 00:57:38,480
|
|
Hey catch and then juggles.
|
|
|
|
1279
|
|
00:57:38,480 --> 00:57:40,960
|
|
It's time for some spottables.
|
|
|
|
1280
|
|
00:57:40,960 --> 00:57:42,560
|
|
>> All right.
|
|
|
|
1281
|
|
00:57:42,560 --> 00:57:48,320
|
|
>> Should we take a break, let Andy get back to this and everyone can go get a drink.
|
|
|
|
1282
|
|
00:57:48,320 --> 00:57:48,560
|
|
>> Yeah.
|
|
|
|
1283
|
|
00:57:48,560 --> 00:57:57,760
|
|
[MUSIC]
|
|
|
|
1284
|
|
00:57:57,760 --> 00:58:01,520
|
|
>> Oh, she threw 4D D2s.
|
|
|
|
1285
|
|
00:58:01,520 --> 00:58:04,480
|
|
>> 4D2s.
|
|
|
|
1286
|
|
00:58:04,480 --> 00:58:05,280
|
|
>> Yeah.
|
|
|
|
1287
|
|
00:58:05,280 --> 00:58:10,720
|
|
If you double click the D2, it'll tell you what the answer was.
|
|
|
|
1288
|
|
00:58:10,720 --> 00:58:15,840
|
|
You can see there are three twos and one one, which means.
|
|
|
|
1289
|
|
00:58:15,840 --> 00:58:19,280
|
|
>> These are really good or really bad.
|
|
|
|
1290
|
|
00:58:19,280 --> 00:58:22,160
|
|
Did you convince Lady High Hill to take her mask off?
|
|
|
|
1291
|
|
00:58:22,160 --> 00:58:31,040
|
|
>> Thankfully, Boo remembers to take her mask off after he was reminded that that was what he
|
|
|
|
1292
|
|
00:58:31,040 --> 00:58:32,000
|
|
was supposed to have done.
|
|
|
|
1293
|
|
00:58:32,000 --> 00:58:34,320
|
|
And he ripped it off of her face.
|
|
|
|
1294
|
|
00:58:34,320 --> 00:58:35,600
|
|
>> And then he tucked her out the window.
|
|
|
|
1295
|
|
00:58:35,600 --> 00:58:36,160
|
|
>> Oh yeah.
|
|
|
|
1296
|
|
00:58:36,160 --> 00:58:42,160
|
|
Yeah, he just pushed her and she flipped over and hit her head on the side of the building.
|
|
|
|
1297
|
|
00:58:42,160 --> 00:58:45,680
|
|
Fell into the roast.
|
|
|
|
1298
|
|
00:58:45,680 --> 00:58:47,280
|
|
>> Mask over tea kettle.
|
|
|
|
1299
|
|
00:58:47,280 --> 00:58:53,520
|
|
>> It was ungraceful and now we're both bloody.
|
|
|
|
1300
|
|
00:58:53,520 --> 00:58:54,320
|
|
It's not a good way.
|
|
|
|
1301
|
|
00:58:54,320 --> 00:58:57,760
|
|
>> Did she lay it on top of you?
|
|
|
|
1302
|
|
00:58:57,760 --> 00:58:59,760
|
|
>> Indetermined at this point.
|
|
|
|
1303
|
|
00:58:59,760 --> 00:59:01,520
|
|
All I know is I'm out of time.
|
|
|
|
1304
|
|
00:59:01,520 --> 00:59:09,680
|
|
>> So you just want me and Patches to take these guys on?
|
|
|
|
1305
|
|
00:59:09,680 --> 00:59:15,520
|
|
>> When you say it that way, it makes me sound cowardly, but I feel like I was being really brave.
|
|
|
|
1306
|
|
00:59:15,520 --> 00:59:20,400
|
|
>> You were a real Mac right then.
|
|
|
|
1307
|
|
00:59:20,400 --> 00:59:21,280
|
|
>> Real Mac.
|
|
|
|
1308
|
|
00:59:21,280 --> 00:59:24,080
|
|
I told you, hey, I got us out of that jam.
|
|
|
|
1309
|
|
00:59:24,080 --> 00:59:29,200
|
|
You've got the masks on the guards now and I am covered in blood and thistles.
|
|
|
|
1310
|
|
00:59:29,200 --> 00:59:34,480
|
|
>> Yeah, and we might be covered in more than blood when we got a fight.
|
|
|
|
1311
|
|
00:59:34,480 --> 00:59:39,200
|
|
Possibly five of these guys.
|
|
|
|
1312
|
|
00:59:39,200 --> 00:59:41,440
|
|
>> They're all going to explode.
|
|
|
|
1313
|
|
00:59:41,440 --> 00:59:47,040
|
|
>> Well, one's going to do something different.
|
|
|
|
1314
|
|
00:59:47,040 --> 00:59:51,120
|
|
>> And that's the one we punch.
|
|
|
|
1315
|
|
00:59:51,120 --> 00:59:56,080
|
|
>> I'm just going to have you roll a quick tinker throw for me if you don't mind.
|
|
|
|
1316
|
|
00:59:56,080 --> 00:59:56,560
|
|
>> Juckles?
|
|
|
|
1317
|
|
00:59:57,200 --> 00:59:59,600
|
|
>> Yes, chuggles.
|
|
|
|
1318
|
|
00:59:59,600 --> 01:00:01,600
|
|
>> I talked with a wrong tinker.
|
|
|
|
1319
|
|
01:00:01,600 --> 01:00:13,600
|
|
>> Just standard, nothing fancy.
|
|
|
|
1320
|
|
01:00:25,760 --> 01:00:26,800
|
|
Partial.
|
|
|
|
1321
|
|
01:00:26,800 --> 01:00:32,960
|
|
>> Can't hear you.
|
|
|
|
1322
|
|
01:00:32,960 --> 01:00:35,600
|
|
>> Can you hear me now?
|
|
|
|
1323
|
|
01:00:35,600 --> 01:00:35,840
|
|
>> Yes.
|
|
|
|
1324
|
|
01:00:35,840 --> 01:00:37,600
|
|
>> Okay, sorry.
|
|
|
|
1325
|
|
01:00:37,600 --> 01:00:41,120
|
|
All right, yeah, so just to recap, yes.
|
|
|
|
1326
|
|
01:00:41,120 --> 01:00:43,920
|
|
Chuggles went over the...
|
|
|
|
1327
|
|
01:00:43,920 --> 01:00:54,480
|
|
Chuggles went over the window into the rose bush.
|
|
|
|
1328
|
|
01:00:55,520 --> 01:01:02,560
|
|
And then moments later, he had Lady High Hill just again land straight on top of him.
|
|
|
|
1329
|
|
01:01:02,560 --> 01:01:07,280
|
|
Because it was such a bad roll of a failure.
|
|
|
|
1330
|
|
01:01:07,280 --> 01:01:11,680
|
|
Chuggles, I'm going to have you take, yeah, level two love concussion, perfect.
|
|
|
|
1331
|
|
01:01:11,680 --> 01:01:18,000
|
|
Because you are, this is the second time this woman has landed on you.
|
|
|
|
1332
|
|
01:01:18,000 --> 01:01:20,640
|
|
But this time you were not at all prepared for it.
|
|
|
|
1333
|
|
01:01:20,640 --> 01:01:22,960
|
|
And she hits you hard.
|
|
|
|
1334
|
|
01:01:22,960 --> 01:01:25,120
|
|
You do get a little bit of a concussion, but she's fine.
|
|
|
|
1335
|
|
01:01:26,000 --> 01:01:28,320
|
|
And her love for you grows day by day.
|
|
|
|
1336
|
|
01:01:28,320 --> 01:01:38,560
|
|
So I figured out the mask situation, or is that what you're going to do now?
|
|
|
|
1337
|
|
01:01:38,560 --> 01:01:40,640
|
|
You're going to make these masks explode?
|
|
|
|
1338
|
|
01:01:40,640 --> 01:01:40,880
|
|
>> Yeah.
|
|
|
|
1339
|
|
01:01:40,880 --> 01:01:49,200
|
|
>> Okay, so as a reminder, Captain Squish, you are in a room with five armed guards.
|
|
|
|
1340
|
|
01:01:49,200 --> 01:01:52,640
|
|
Four of them are attending to the crate.
|
|
|
|
1341
|
|
01:01:52,640 --> 01:01:54,080
|
|
They have one hand on the crate.
|
|
|
|
1342
|
|
01:01:54,080 --> 01:01:57,040
|
|
All four of them are wearing masks.
|
|
|
|
1343
|
|
01:01:57,040 --> 01:02:01,040
|
|
One of them is holding the mask that Lady High Hill just tossed them, or tossed you.
|
|
|
|
1344
|
|
01:02:01,040 --> 01:02:02,560
|
|
You tossed it to him.
|
|
|
|
1345
|
|
01:02:02,560 --> 01:02:06,000
|
|
So let me know what do you do next?
|
|
|
|
1346
|
|
01:02:06,000 --> 01:02:09,680
|
|
>> That's going to be a exploding juggles.
|
|
|
|
1347
|
|
01:02:09,680 --> 01:02:11,040
|
|
>> Oh, so you're going to radio down to me?
|
|
|
|
1348
|
|
01:02:11,040 --> 01:02:13,120
|
|
>> Yeah.
|
|
|
|
1349
|
|
01:02:13,120 --> 01:02:16,400
|
|
Juggles, explode.
|
|
|
|
1350
|
|
01:02:16,400 --> 01:02:17,920
|
|
>> All right.
|
|
|
|
1351
|
|
01:02:17,920 --> 01:02:21,600
|
|
I pull out my, yeah, I hear that coming from my pocket.
|
|
|
|
1352
|
|
01:02:21,600 --> 01:02:26,400
|
|
And yeah, I'm a little slow because I'm, can cost.
|
|
|
|
1353
|
|
01:02:26,400 --> 01:02:30,480
|
|
And I pull out my radio and I push the button.
|
|
|
|
1354
|
|
01:02:30,480 --> 01:02:38,160
|
|
>> When he pushes the button, three of the men wearing the mask,
|
|
|
|
1355
|
|
01:02:38,160 --> 01:02:42,240
|
|
so three of the people holding the crate, their masks explode.
|
|
|
|
1356
|
|
01:02:42,240 --> 01:02:45,120
|
|
>> Okay.
|
|
|
|
1357
|
|
01:02:45,120 --> 01:02:47,280
|
|
>> It's a pretty sizable damage.
|
|
|
|
1358
|
|
01:02:47,280 --> 01:02:52,320
|
|
These are pretty strong guards, but you have done some significant damage to them.
|
|
|
|
1359
|
|
01:02:52,320 --> 01:02:55,600
|
|
So I'm going to just move the, thank you.
|
|
|
|
1360
|
|
01:02:55,600 --> 01:03:01,040
|
|
Do you see these clocks on the sides of the screen?
|
|
|
|
1361
|
|
01:03:01,040 --> 01:03:01,520
|
|
Perfect.
|
|
|
|
1362
|
|
01:03:01,520 --> 01:03:07,840
|
|
So your explosion is they are, these are like level, or they have six, I should say.
|
|
|
|
1363
|
|
01:03:07,840 --> 01:03:11,040
|
|
Explox, oops.
|
|
|
|
1364
|
|
01:03:15,200 --> 01:03:20,240
|
|
So of the three wearing explosions, they are immediately like not to the ground.
|
|
|
|
1365
|
|
01:03:20,240 --> 01:03:26,640
|
|
They're just between a mixture of the explosions in their face,
|
|
|
|
1366
|
|
01:03:26,640 --> 01:03:29,920
|
|
they're concussed, they drop the chest, they drop to the ground.
|
|
|
|
1367
|
|
01:03:29,920 --> 01:03:34,240
|
|
They're not completely dead, but they have been severely immobilized.
|
|
|
|
1368
|
|
01:03:34,240 --> 01:03:42,800
|
|
The other two see what has happened and they look at you and their swords are already drawn,
|
|
|
|
1369
|
|
01:03:42,800 --> 01:03:44,640
|
|
but now they've come into attack.
|
|
|
|
1370
|
|
01:03:44,640 --> 01:03:49,840
|
|
They go to attack both you, one takes captain, one takes squish.
|
|
|
|
1371
|
|
01:03:49,840 --> 01:03:51,920
|
|
What are you two doing?
|
|
|
|
1372
|
|
01:03:51,920 --> 01:03:53,200
|
|
>> I'm going to shoot him.
|
|
|
|
1373
|
|
01:03:53,200 --> 01:03:54,960
|
|
>> Awesome.
|
|
|
|
1374
|
|
01:03:54,960 --> 01:03:55,520
|
|
>> I got a gun.
|
|
|
|
1375
|
|
01:03:55,520 --> 01:03:58,320
|
|
>> Yeah.
|
|
|
|
1376
|
|
01:03:58,320 --> 01:04:00,000
|
|
>> You might have helped me out, but.
|
|
|
|
1377
|
|
01:04:00,000 --> 01:04:01,120
|
|
>> Bush always has a gun.
|
|
|
|
1378
|
|
01:04:01,120 --> 01:04:08,000
|
|
>> Yeah, go ahead and roll your, roll your, well, what kind of gun are you using?
|
|
|
|
1379
|
|
01:04:08,000 --> 01:04:09,200
|
|
Describe it a little bit.
|
|
|
|
1380
|
|
01:04:10,480 --> 01:04:12,960
|
|
It's going to be that rifle at first.
|
|
|
|
1381
|
|
01:04:12,960 --> 01:04:15,680
|
|
While he's coming in to like charge in, I'm going to use the rifle
|
|
|
|
1382
|
|
01:04:15,680 --> 01:04:19,760
|
|
that Juckles tinkered for me.
|
|
|
|
1383
|
|
01:04:19,760 --> 01:04:23,200
|
|
>> All right, it all comes back to Juckles.
|
|
|
|
1384
|
|
01:04:23,200 --> 01:04:24,400
|
|
I don't never forget that.
|
|
|
|
1385
|
|
01:04:24,400 --> 01:04:24,800
|
|
>> Yeah.
|
|
|
|
1386
|
|
01:04:24,800 --> 01:04:26,240
|
|
>> Chuck Daddy.
|
|
|
|
1387
|
|
01:04:26,240 --> 01:04:27,840
|
|
>> Chuck Daddy.
|
|
|
|
1388
|
|
01:04:27,840 --> 01:04:35,440
|
|
>> I shoot him.
|
|
|
|
1389
|
|
01:04:35,440 --> 01:04:39,120
|
|
>> You, you.
|
|
|
|
1390
|
|
01:04:40,080 --> 01:04:44,960
|
|
It's one of the guards and point blank just immediately goes down.
|
|
|
|
1391
|
|
01:04:44,960 --> 01:04:47,760
|
|
So take care of this guy.
|
|
|
|
1392
|
|
01:04:47,760 --> 01:04:48,080
|
|
Oops.
|
|
|
|
1393
|
|
01:04:48,080 --> 01:04:51,680
|
|
What's he doing over here, Mr.
|
|
|
|
1394
|
|
01:04:51,680 --> 01:04:57,280
|
|
The other one that closes into you and he has his own sword.
|
|
|
|
1395
|
|
01:04:57,280 --> 01:04:59,680
|
|
While you shoot him, he is going to go and try to like.
|
|
|
|
1396
|
|
01:04:59,680 --> 01:05:02,000
|
|
Slice and hit at you.
|
|
|
|
1397
|
|
01:05:02,000 --> 01:05:06,080
|
|
Let's see your right here.
|
|
|
|
1398
|
|
01:05:06,080 --> 01:05:07,200
|
|
>> Do I have a dodge?
|
|
|
|
1399
|
|
01:05:08,720 --> 01:05:09,520
|
|
>> I don't think so.
|
|
|
|
1400
|
|
01:05:09,520 --> 01:05:12,000
|
|
>> You have a finesse though.
|
|
|
|
1401
|
|
01:05:12,000 --> 01:05:13,760
|
|
You could probably like use that to dodge.
|
|
|
|
1402
|
|
01:05:13,760 --> 01:05:15,040
|
|
If you would prefer.
|
|
|
|
1403
|
|
01:05:15,040 --> 01:05:16,160
|
|
>> You know who did have dodge?
|
|
|
|
1404
|
|
01:05:16,160 --> 01:05:18,800
|
|
>> Dodge.
|
|
|
|
1405
|
|
01:05:18,800 --> 01:05:19,040
|
|
>> Sorry.
|
|
|
|
1406
|
|
01:05:19,040 --> 01:05:22,560
|
|
>> Maybe that's what I'm thinking of.
|
|
|
|
1407
|
|
01:05:22,560 --> 01:05:27,920
|
|
Yeah, I thought there was something I had where I could dodge, but.
|
|
|
|
1408
|
|
01:05:27,920 --> 01:05:31,920
|
|
No, no, I'm not going to dodge.
|
|
|
|
1409
|
|
01:05:31,920 --> 01:05:34,480
|
|
I'm not, I can't really afford much more stress.
|
|
|
|
1410
|
|
01:05:34,480 --> 01:05:36,240
|
|
>> Okay.
|
|
|
|
1411
|
|
01:05:36,240 --> 01:05:38,240
|
|
He swings.
|
|
|
|
1412
|
|
01:05:38,240 --> 01:05:41,760
|
|
Well, Patches, what about you before this other one attacks?
|
|
|
|
1413
|
|
01:05:41,760 --> 01:05:42,720
|
|
What are you doing?
|
|
|
|
1414
|
|
01:05:42,720 --> 01:05:49,360
|
|
>> Where is Hotman at?
|
|
|
|
1415
|
|
01:05:49,360 --> 01:05:52,320
|
|
>> Hotman's on the other side of the building.
|
|
|
|
1416
|
|
01:05:52,320 --> 01:05:58,880
|
|
>> All right, I'm quickly glancing around for him and I am looking for someplace to hide.
|
|
|
|
1417
|
|
01:05:58,880 --> 01:06:05,520
|
|
How many guys are in front of me and which ones are about to attack me?
|
|
|
|
1418
|
|
01:06:07,120 --> 01:06:08,400
|
|
>> What is laying down dead?
|
|
|
|
1419
|
|
01:06:08,400 --> 01:06:15,760
|
|
Three of the guys are, well, severely incapacitated.
|
|
|
|
1420
|
|
01:06:15,760 --> 01:06:18,080
|
|
They had an explosion mask on their face.
|
|
|
|
1421
|
|
01:06:18,080 --> 01:06:22,720
|
|
One guy is heading towards Squish because he's obviously seen him shoot.
|
|
|
|
1422
|
|
01:06:22,720 --> 01:06:30,000
|
|
There are other guards on this floor and they are responding to the explosion and the gunfire.
|
|
|
|
1423
|
|
01:06:30,960 --> 01:06:35,440
|
|
>> Okay, can I use my hook chain thingy?
|
|
|
|
1424
|
|
01:06:35,440 --> 01:06:39,280
|
|
Like I didn't normally use for Ghost, but I used it as like a lasso and catch the guy
|
|
|
|
1425
|
|
01:06:39,280 --> 01:06:40,640
|
|
that was going after Squish.
|
|
|
|
1426
|
|
01:06:40,640 --> 01:06:42,400
|
|
>> Yeah.
|
|
|
|
1427
|
|
01:06:42,400 --> 01:06:44,480
|
|
>> All right then.
|
|
|
|
1428
|
|
01:06:44,480 --> 01:06:45,840
|
|
>> What's the thing called?
|
|
|
|
1429
|
|
01:06:45,840 --> 01:06:47,280
|
|
>> All right, roll your thing.
|
|
|
|
1430
|
|
01:06:47,280 --> 01:06:49,280
|
|
>> Yeah, electro hook.
|
|
|
|
1431
|
|
01:06:49,280 --> 01:06:51,440
|
|
I'm going to electro hook that bitch.
|
|
|
|
1432
|
|
01:06:51,440 --> 01:06:52,800
|
|
>> A lightning hook.
|
|
|
|
1433
|
|
01:06:52,800 --> 01:06:54,560
|
|
>> That's cool.
|
|
|
|
1434
|
|
01:06:54,560 --> 01:06:55,440
|
|
>> That's even better.
|
|
|
|
1435
|
|
01:06:55,440 --> 01:06:58,240
|
|
>> Yeah, roll your finesse.
|
|
|
|
1436
|
|
01:06:58,240 --> 01:07:01,680
|
|
>> That's the fuck of this guy.
|
|
|
|
1437
|
|
01:07:01,680 --> 01:07:07,120
|
|
>> Partial success.
|
|
|
|
1438
|
|
01:07:07,120 --> 01:07:09,680
|
|
>> Imagine- >> So the guy that's running,
|
|
|
|
1439
|
|
01:07:09,680 --> 01:07:18,240
|
|
yeah, you managed to like, I think grab his leg and kind of trip him up a little bit so he stumbles.
|
|
|
|
1440
|
|
01:07:18,240 --> 01:07:22,560
|
|
So he's not able to take his sword and like immediately like hit Squish.
|
|
|
|
1441
|
|
01:07:22,560 --> 01:07:25,200
|
|
He kind of, you just like, do you see what I'm saying?
|
|
|
|
1442
|
|
01:07:25,200 --> 01:07:29,680
|
|
He like, catch him on the leg with your hook, kind of pull his leg forward and he stumbles.
|
|
|
|
1443
|
|
01:07:29,680 --> 01:07:33,040
|
|
So he's not able to hit Squish right away.
|
|
|
|
1444
|
|
01:07:33,040 --> 01:07:38,240
|
|
One of the car, couple of the guards are, they pulled their mask off of them.
|
|
|
|
1445
|
|
01:07:38,240 --> 01:07:41,360
|
|
You can see that they're very badly burned underneath.
|
|
|
|
1446
|
|
01:07:41,360 --> 01:07:46,880
|
|
Like their skin is just completely like red and scalding and it smells and there's like
|
|
|
|
1447
|
|
01:07:46,880 --> 01:07:48,960
|
|
the bad smell of bad air.
|
|
|
|
1448
|
|
01:07:48,960 --> 01:07:54,080
|
|
These guys are demons, so they are a little bit tougher than like an average human.
|
|
|
|
1449
|
|
01:07:54,800 --> 01:07:59,440
|
|
One of them is getting to their feet and they're stumbling towards you patches.
|
|
|
|
1450
|
|
01:07:59,440 --> 01:08:00,480
|
|
>> No, no.
|
|
|
|
1451
|
|
01:08:00,480 --> 01:08:06,240
|
|
Go away, shoo, shoo, what do I do?
|
|
|
|
1452
|
|
01:08:06,240 --> 01:08:12,400
|
|
Is he coming at me fast?
|
|
|
|
1453
|
|
01:08:12,400 --> 01:08:19,040
|
|
>> No, he's definitely heading towards you, but he is again, very badly burned.
|
|
|
|
1454
|
|
01:08:19,040 --> 01:08:22,480
|
|
So he's in a lot of pain.
|
|
|
|
1455
|
|
01:08:22,480 --> 01:08:27,840
|
|
>> All right, well, I'm gonna just casually like get out of his way.
|
|
|
|
1456
|
|
01:08:27,840 --> 01:08:32,080
|
|
>> Just side step in?
|
|
|
|
1457
|
|
01:08:32,080 --> 01:08:34,960
|
|
>> Yeah, side step him, but I imagine he's so fucked up,
|
|
|
|
1458
|
|
01:08:34,960 --> 01:08:38,320
|
|
he's not gonna even try to touch me because he's all burnt.
|
|
|
|
1459
|
|
01:08:38,320 --> 01:08:45,120
|
|
>> Okay, yeah, I guess that's another finesse to see you side step that guy.
|
|
|
|
1460
|
|
01:08:45,120 --> 01:08:46,880
|
|
>> Side step.
|
|
|
|
1461
|
|
01:08:46,880 --> 01:08:48,880
|
|
>> Sashay.
|
|
|
|
1462
|
|
01:08:51,680 --> 01:08:55,520
|
|
Like I got my hands in the air like he's like covered in germs like whoa, whoa, whoa, whoa,
|
|
|
|
1463
|
|
01:08:55,520 --> 01:09:03,520
|
|
and he like wonders right by me. >> Yeah, you side step him and he stumbles
|
|
|
|
1464
|
|
01:09:03,520 --> 01:09:08,880
|
|
to the ground in pain as you side step him.
|
|
|
|
1465
|
|
01:09:08,880 --> 01:09:15,520
|
|
Squish, the guard that stumbled is now back to his feet and he is also heading for you.
|
|
|
|
1466
|
|
01:09:15,520 --> 01:09:18,880
|
|
These other two guards are splitting up, one is gonna head towards Squish,
|
|
|
|
1467
|
|
01:09:18,880 --> 01:09:22,800
|
|
one is gonna head towards Captain. These two guards are though are the ones that are also very
|
|
|
|
1468
|
|
01:09:22,800 --> 01:09:27,600
|
|
badly burned. >> Well, I got one that's not burnt though, right?
|
|
|
|
1469
|
|
01:09:27,600 --> 01:09:32,080
|
|
>> Right, right, so what was able was stumbled was not badly burned,
|
|
|
|
1470
|
|
01:09:32,080 --> 01:09:36,320
|
|
but the other badly burned one is also heading towards your direction.
|
|
|
|
1471
|
|
01:09:36,320 --> 01:09:42,240
|
|
>> All right, well, I'm gonna pull out the, let me see what's my,
|
|
|
|
1472
|
|
01:09:45,520 --> 01:09:47,760
|
|
I guess I'm just gonna pull out a pistol and shoot at him.
|
|
|
|
1473
|
|
01:09:47,760 --> 01:09:51,760
|
|
>> Okay. >> So I start blasting.
|
|
|
|
1474
|
|
01:09:51,760 --> 01:09:56,240
|
|
>> At the burnt one. >> At the burnt ones.
|
|
|
|
1475
|
|
01:09:56,240 --> 01:10:00,560
|
|
>> Yeah, yeah, shoot that, shoot that burnt boy.
|
|
|
|
1476
|
|
01:10:00,560 --> 01:10:12,080
|
|
>> Oh, God. >> You miss and the non-burnt one
|
|
|
|
1477
|
|
01:10:12,080 --> 01:10:17,600
|
|
tries to tackle you to the ground. He just like rushes towards you and goes to tackle you.
|
|
|
|
1478
|
|
01:10:17,600 --> 01:10:22,160
|
|
>> Squish, look out. >> Said that I get tackled.
|
|
|
|
1479
|
|
01:10:22,160 --> 01:10:26,000
|
|
>> As you get tackled, also Captain Patches,
|
|
|
|
1480
|
|
01:10:26,000 --> 01:10:28,960
|
|
as you scream that you are also tackled to the ground by these two men.
|
|
|
|
1481
|
|
01:10:28,960 --> 01:10:37,120
|
|
>> Me, look out. >> Junkals, how are you saying that on the radio?
|
|
|
|
1482
|
|
01:10:37,120 --> 01:10:41,600
|
|
>> I'm screaming it. >> You're right here, where are you?
|
|
|
|
1483
|
|
01:10:41,600 --> 01:10:43,680
|
|
>> I'm in the, >> He's out the window.
|
|
|
|
1484
|
|
01:10:43,680 --> 01:10:50,400
|
|
>> You threw me out the window. >> I forgot.
|
|
|
|
1485
|
|
01:10:50,400 --> 01:10:57,520
|
|
>> Yeah, so from on the ground while you're trying to recover, you have heard
|
|
|
|
1486
|
|
01:10:57,520 --> 01:11:05,760
|
|
screaming, clattering, gunshots, and so has the rest of the guards in this area. Also, the house is
|
|
|
|
1487
|
|
01:11:05,760 --> 01:11:12,480
|
|
on fire, so the outside of the house is just a buzz of activity. Let's just go there very quickly.
|
|
|
|
1488
|
|
01:11:12,480 --> 01:11:20,240
|
|
Oops. We're right back where we started over here.
|
|
|
|
1489
|
|
01:11:20,240 --> 01:11:26,640
|
|
Yeah, so her bedroom's more towards the front of the house. So you can see out of the front door,
|
|
|
|
1490
|
|
01:11:26,640 --> 01:11:31,680
|
|
there are people like streaming out of the house. They're a little panicky, but they're also a little
|
|
|
|
1491
|
|
01:11:31,680 --> 01:11:36,240
|
|
drunk, so everyone's bringing their drinks with them, and they're kind of stumbling around and
|
|
|
|
1492
|
|
01:11:36,240 --> 01:11:41,760
|
|
milling. But as they leave the house, they can see the flames better now, because now they can
|
|
|
|
1493
|
|
01:11:41,760 --> 01:11:47,520
|
|
actually see the exterior of the house, that's a fire. And there are tons of people rocking around
|
|
|
|
1494
|
|
01:11:47,520 --> 01:11:52,720
|
|
you. People don't seem to have noticed that you have fallen out of the window. You're just kind of
|
|
|
|
1495
|
|
01:11:52,720 --> 01:12:04,880
|
|
caught up in the swell and push of people. I stumble up and I said, oh, God. Oh, God. And Lady
|
|
|
|
1496
|
|
01:12:04,880 --> 01:12:11,120
|
|
High Hill's going to look at the house and just be like, oh, my God, my father, my dad. Oh, God.
|
|
|
|
1497
|
|
01:12:11,120 --> 01:12:21,360
|
|
And I run into the flames. All right. Wow. Have you run into the flames?
|
|
|
|
1498
|
|
01:12:22,320 --> 01:12:31,040
|
|
Yes. Oh, the road is safe. Oh, the high hill. I'm looking. I'm looking. I'm looking for the
|
|
|
|
1499
|
|
01:12:31,040 --> 01:12:39,600
|
|
red captain. What? What about the gray captain? You're upstairs and you're in distress. You're
|
|
|
|
1500
|
|
01:12:39,600 --> 01:12:42,240
|
|
not going to be able to help you. If you could help you, you wouldn't need me.
|
|
|
|
1501
|
|
01:12:42,240 --> 01:12:48,880
|
|
You're right. I definitely. But we do need you. So you should help us.
|
|
|
|
1502
|
|
01:12:51,600 --> 01:12:56,080
|
|
You, you run. Are you going on about pushing people out of the way? Like George Costanza
|
|
|
|
1503
|
|
01:12:56,080 --> 01:13:01,840
|
|
looking for. Yeah. You run into this ballroom as people are trying to like push their way out.
|
|
|
|
1504
|
|
01:13:01,840 --> 01:13:05,360
|
|
Smoke has filtered down to the main floor now and it's starting to get hazy.
|
|
|
|
1505
|
|
01:13:05,360 --> 01:13:09,680
|
|
You just see a bunch of people kind of just running all over the place.
|
|
|
|
1506
|
|
01:13:09,680 --> 01:13:16,160
|
|
This is the last spot. Well, you actually, I don't think you saw the Lord High Hill down here. That
|
|
|
|
1507
|
|
01:13:16,160 --> 01:13:21,600
|
|
was the other two, but this is where everyone is kind of trying to either they're trying to push
|
|
|
|
1508
|
|
01:13:21,600 --> 01:13:28,000
|
|
out. You're trying to push in. It's chaos. All right. Can I survey to see if I can see the red
|
|
|
|
1509
|
|
01:13:28,000 --> 01:13:32,720
|
|
captain? I guess I always think the red captain is big, but he's not going to be a big compared to
|
|
|
|
1510
|
|
01:13:32,720 --> 01:13:39,200
|
|
a bunch of demons. No, but he is one of the few humans here. So yeah, you can survey to see if
|
|
|
|
1511
|
|
01:13:39,200 --> 01:13:50,240
|
|
you find him.
|
|
|
|
1512
|
|
01:13:50,240 --> 01:14:07,200
|
|
You see the red captain. He's kind of in the back of the of the of the room,
|
|
|
|
1513
|
|
01:14:08,080 --> 01:14:15,200
|
|
but he is, he has spotted you and he is glaring at you. He's just standing there like as the crowd
|
|
|
|
1514
|
|
01:14:15,200 --> 01:14:23,360
|
|
were like, yeah, he's pissed and he's just like larger than life at this point glaring at you as
|
|
|
|
1515
|
|
01:14:23,360 --> 01:14:28,880
|
|
you come in. Oh boy. I was running to him and then I saw that he was glaring and I'm starting to back
|
|
|
|
1516
|
|
01:14:28,880 --> 01:14:38,400
|
|
up at all. Maybe this wasn't a good idea. Are you backing out of the room? No, I well,
|
|
|
|
1517
|
|
01:14:38,400 --> 01:14:46,000
|
|
I am backing like out of the room, but I don't think that I have like time because I imagine
|
|
|
|
1518
|
|
01:14:46,000 --> 01:14:50,480
|
|
he's going to be he's going to have a purpose after he sees me. So I don't think I'm not going to be
|
|
|
|
1519
|
|
01:14:50,480 --> 01:14:56,400
|
|
trying to get away just narratively, I guess. Oh, he's he's pissed. Okay. Yeah. So he starts
|
|
|
|
1520
|
|
01:14:56,400 --> 01:15:02,080
|
|
striding over to you and he grabs your arm and he shakes you and he goes, well, have you done?
|
|
|
|
1521
|
|
01:15:02,080 --> 01:15:08,160
|
|
Well, you see, we started a fire.
|
|
|
|
1522
|
|
01:15:08,160 --> 01:15:17,040
|
|
You started a fire. This was supposed to be easy in and out fun little game and you started a fire.
|
|
|
|
1523
|
|
01:15:17,040 --> 01:15:26,480
|
|
Tactically, we didn't start the fire. It's it's always been burning since the world's been turning,
|
|
|
|
1524
|
|
01:15:26,480 --> 01:15:32,720
|
|
but in a real sense, hotman started the fire and it was the great captain, not me. I told him not
|
|
|
|
1525
|
|
01:15:32,720 --> 01:15:39,120
|
|
to do it or I would have a fire there, but he didn't ask me. Wow. There's that bus and here's me
|
|
|
|
1526
|
|
01:15:39,120 --> 01:15:44,720
|
|
being thrown right underneath. You're not here. But yes, I'm throwing you under the bus.
|
|
|
|
1527
|
|
01:15:45,280 --> 01:15:47,280
|
|
Yes.
|
|
|
|
1528
|
|
01:15:47,280 --> 01:15:56,720
|
|
The captain kind of sputters. He's like, the great catches. This is painful. Where is he?
|
|
|
|
1529
|
|
01:15:56,720 --> 01:16:01,760
|
|
Well, funny you mentioned that I was looking for you. Actually, I was going to save you.
|
|
|
|
1530
|
|
01:16:01,760 --> 01:16:06,480
|
|
I was here. I'm here to rescue you actually. So I feel like I should get some credit for that.
|
|
|
|
1531
|
|
01:16:06,480 --> 01:16:12,640
|
|
Listen, when I'm finished, you guys are the Floyd's are going to be the one who need wrestling
|
|
|
|
1532
|
|
01:16:13,200 --> 01:16:18,960
|
|
rescuing. Yes. Yes. No, we need we need rescuing. Well, I don't need rescue rescuing. I was fine.
|
|
|
|
1533
|
|
01:16:18,960 --> 01:16:27,280
|
|
I probably should have just left all this behind, but my stupid conscious. Yes, he's upstairs and
|
|
|
|
1534
|
|
01:16:27,280 --> 01:16:31,840
|
|
yeah, he could use a little bit of help, at least judging by his girlish screams earlier.
|
|
|
|
1535
|
|
01:16:31,840 --> 01:16:42,720
|
|
The captain storms away. You also chuckles after the captain storms away. You do see
|
|
|
|
1536
|
|
01:16:42,720 --> 01:16:47,840
|
|
Lord Highhill. He's cowering underneath the table like this front table here. Okay.
|
|
|
|
1537
|
|
01:16:47,840 --> 01:16:53,440
|
|
But I see him. He's got his hands up to his ear. You do see him mostly because he has his hands
|
|
|
|
1538
|
|
01:16:53,440 --> 01:17:00,160
|
|
up to his ears and he's just like, oh, the noise. I don't know what bed we ordered, but this is just
|
|
|
|
1539
|
|
01:17:00,160 --> 01:17:04,240
|
|
dreadful. I peek my head under and I say, Hey, buddy.
|
|
|
|
1540
|
|
01:17:09,280 --> 01:17:15,440
|
|
Been going. You guys are doing pretty good. I feel like you're reacting very well to this fire.
|
|
|
|
1541
|
|
01:17:15,440 --> 01:17:21,520
|
|
Well, you know what they say when there's a fire duck. No, no one says that.
|
|
|
|
1542
|
|
01:17:21,520 --> 01:17:27,440
|
|
But they say when there's a fire, juke. That's me. It's sort of for juggles.
|
|
|
|
1543
|
|
01:17:27,440 --> 01:17:34,400
|
|
I'm here to save you, sir. Oh, we lost you.
|
|
|
|
1544
|
|
01:17:36,480 --> 01:17:40,400
|
|
It leads you to save my daughter. Where is she? That brings me to my next point. I'm here to save
|
|
|
|
1545
|
|
01:17:40,400 --> 01:17:48,720
|
|
you and also ask you for your daughter's hand in marriage. Well, well, one thing at a time,
|
|
|
|
1546
|
|
01:17:48,720 --> 01:17:54,240
|
|
I suppose. Well, let's get out of here first and we'll ponder the second question in just a moment.
|
|
|
|
1547
|
|
01:17:54,240 --> 01:17:59,280
|
|
No, I feel like the second question is contingent on the first. Wait, no, strike that reverse it.
|
|
|
|
1548
|
|
01:18:01,280 --> 01:18:07,840
|
|
I'm threatening you. No, I'm not threatening you. I am offering you salvation. I would save you
|
|
|
|
1549
|
|
01:18:07,840 --> 01:18:11,040
|
|
if I can marry your daughter.
|
|
|
|
1550
|
|
01:18:11,040 --> 01:18:18,240
|
|
Yeah. I don't really believe in the whole, you know, controlling my daughter thing,
|
|
|
|
1551
|
|
01:18:18,240 --> 01:18:22,640
|
|
but yeah, sure. If she gives you the go ahead, that's fine. I really like to get out from under
|
|
|
|
1552
|
|
01:18:22,640 --> 01:18:26,400
|
|
this table. I was just testing you and you passed. Now let's go. You little green goblin man.
|
|
|
|
1553
|
|
01:18:30,160 --> 01:18:33,360
|
|
Yeah. Well, how do you how do you lead him out of the ball?
|
|
|
|
1554
|
|
01:18:33,360 --> 01:18:40,880
|
|
Is he still wearing that hat? The chef hat? He is. He is. Oh, cool. I don't know. I just wanted to know.
|
|
|
|
1555
|
|
01:18:40,880 --> 01:18:45,920
|
|
I was going to say I was going to pick him up, like throw him over my shoulder,
|
|
|
|
1556
|
|
01:18:45,920 --> 01:18:52,640
|
|
like a continental soldier, but I realized he's probably roughly the same size as me.
|
|
|
|
1557
|
|
01:18:52,640 --> 01:18:59,600
|
|
He is. You could like do a fireman's carry if that's what you were interested in.
|
|
|
|
1558
|
|
01:19:00,480 --> 01:19:04,800
|
|
Um, maybe I'll just throw my hand around. I'm like a drunk man's carry.
|
|
|
|
1559
|
|
01:19:04,800 --> 01:19:12,800
|
|
Okay. Uh, yeah. So you kind of like lead him with your arm underneath his like his.
|
|
|
|
1560
|
|
01:19:12,800 --> 01:19:16,880
|
|
Yeah. Just so that he feels like he's doing half of the saving of himself.
|
|
|
|
1561
|
|
01:19:16,880 --> 01:19:23,520
|
|
Yeah. And he's pretty tipsy too. So I think he told the goes along with it.
|
|
|
|
1562
|
|
01:19:24,560 --> 01:19:29,920
|
|
He, uh, he kind of like he's giggling as you're leading him because in his head,
|
|
|
|
1563
|
|
01:19:29,920 --> 01:19:36,160
|
|
this is all just like part of the party. Um, he's, you know, you know, he's, he's a fool.
|
|
|
|
1564
|
|
01:19:36,160 --> 01:19:41,120
|
|
He thinks it's a drill. Yeah. Yeah. He's convinced this is a fire drill.
|
|
|
|
1565
|
|
01:19:41,120 --> 01:19:49,120
|
|
You lead him out to the exterior of the house. While you do that, back upstairs.
|
|
|
|
1566
|
|
01:19:52,000 --> 01:19:56,080
|
|
I am inhaling quite a bit of smoke, by the way. Yes.
|
|
|
|
1567
|
|
01:19:56,080 --> 01:19:59,920
|
|
Because I'm a took my mask. The house is very smoky. Yes.
|
|
|
|
1568
|
|
01:19:59,920 --> 01:20:05,920
|
|
All right. Am I being, am I being told by this guy?
|
|
|
|
1569
|
|
01:20:05,920 --> 01:20:12,720
|
|
Yeah. So these, uh, captain, you were being just so we're clear. You're being attacked by
|
|
|
|
1570
|
|
01:20:12,720 --> 01:20:19,120
|
|
two men who have been badly burned. Um, and one that you cites up and fell over. But, uh,
|
|
|
|
1571
|
|
01:20:19,120 --> 01:20:24,320
|
|
yeah, you both are kind of like dealing with two attackers at once and they have you on the ground.
|
|
|
|
1572
|
|
01:20:24,320 --> 01:20:29,520
|
|
I would like to, uh, not kick him. The guy who's on top of me.
|
|
|
|
1573
|
|
01:20:29,520 --> 01:20:32,320
|
|
Okay. A little spin on a classic.
|
|
|
|
1574
|
|
01:20:32,320 --> 01:20:37,840
|
|
Yeah. You know, you know, I'm being, I'm being wrecked right now. I need to wreck him. So is I
|
|
|
|
1575
|
|
01:20:37,840 --> 01:20:49,200
|
|
rock right? Yep. Rack. Oh, I missed. Oh, he missed and kicked yourself in the nuts. That's not how it happened.
|
|
|
|
1576
|
|
01:20:49,200 --> 01:20:56,320
|
|
Is it? Is it? You do try to go and kick this guy in, in the nuts, but he's able to give,
|
|
|
|
1577
|
|
01:20:56,320 --> 01:21:02,480
|
|
like, block it and kind of like shoves your knee back into your chest. So I'm going to say you're
|
|
|
|
1578
|
|
01:21:02,480 --> 01:21:06,960
|
|
going to take one damage, uh, winded. Oh my God.
|
|
|
|
1579
|
|
01:21:06,960 --> 01:21:24,000
|
|
Gwys, how about you? Well, I'm being, because the burnt guys tackled me, right?
|
|
|
|
1580
|
|
01:21:24,000 --> 01:21:28,800
|
|
Yes. You are being attacked by a burnt man and one man who, uh, is not,
|
|
|
|
1581
|
|
01:21:29,520 --> 01:21:36,800
|
|
who just stumbled a little, so they're not. All right. Yeah. Yeah. The, the burnt man is like
|
|
|
|
1582
|
|
01:21:36,800 --> 01:21:41,680
|
|
tackled me. I still got the pistol in my hand. I would like to shoot the guy that's standing on,
|
|
|
|
1583
|
|
01:21:41,680 --> 01:21:44,400
|
|
on burnt one. Sure.
|
|
|
|
1584
|
|
01:21:44,400 --> 01:21:55,920
|
|
I shoot him. You shoot him.
|
|
|
|
1585
|
|
01:21:56,320 --> 01:22:05,520
|
|
Uh, preferably right in the heart. Yeah. No, you get him good. Uh, there's, I'm going to say
|
|
|
|
1586
|
|
01:22:05,520 --> 01:22:10,160
|
|
shooting is not something that most people are going to, going to survive. Uh, so you, you shoot
|
|
|
|
1587
|
|
01:22:10,160 --> 01:22:14,160
|
|
him good. Uh, he goes down, but you still are dealing with like the one guy that's kind of
|
|
|
|
1588
|
|
01:22:14,160 --> 01:22:19,040
|
|
grappling with you. He's trying to throw in some punches. Uh, captain, there are patches.
|
|
|
|
1589
|
|
01:22:20,560 --> 01:22:26,560
|
|
Uh, I'm on the ground being tussled by a man. Uh,
|
|
|
|
1590
|
|
01:22:26,560 --> 01:22:38,880
|
|
don't do it. Don't do it. Don't do it. It's done.
|
|
|
|
1591
|
|
01:22:47,280 --> 01:22:51,760
|
|
I, uh, call Nelix to pull him off me. Can I, can I call Nelix to be a woman again?
|
|
|
|
1592
|
|
01:22:51,760 --> 01:23:00,400
|
|
Oh, no, this time I need him to save me. Going back to, going back to the well.
|
|
|
|
1593
|
|
01:23:00,400 --> 01:23:05,600
|
|
I call, I command them.
|
|
|
|
1594
|
|
01:23:12,720 --> 01:23:18,400
|
|
You have it. So you just yelling save me. Yeah. Nelix, get out here and save me for, oh my god.
|
|
|
|
1595
|
|
01:23:18,400 --> 01:23:26,000
|
|
Now I just want to remember, uh, what Nelix looked like the last time you, you summoned him.
|
|
|
|
1596
|
|
01:23:26,000 --> 01:23:30,240
|
|
Uh, just so we're, you know, hold on. Let me, where is he?
|
|
|
|
1597
|
|
01:23:30,240 --> 01:23:37,360
|
|
No, he looks like, he looks like Scrooge McDuck's valid. Yes. Yes. Covered in Mary Antoinette costume.
|
|
|
|
1598
|
|
01:23:38,960 --> 01:23:46,400
|
|
Yes. Uh, so, uh, yeah. So the last time you called Nelix, uh, you had him dress up like a woman to try to, uh,
|
|
|
|
1599
|
|
01:23:46,400 --> 01:23:54,800
|
|
get the attention of the guards. Um, and so you suddenly, uh, you, you command, you shout out,
|
|
|
|
1600
|
|
01:23:54,800 --> 01:24:03,200
|
|
Nelix, I need your help. And like the door to the her bedroom just like, for the, like a cold wind
|
|
|
|
1601
|
|
01:24:03,200 --> 01:24:09,440
|
|
opened and flying in is Nelix still in his Marie Antoinette costume. So the big hair,
|
|
|
|
1602
|
|
01:24:09,440 --> 01:24:18,080
|
|
the big bushy ball ground, but he has on his face like pure demonic energy. Uh, and he takes the guy
|
|
|
|
1603
|
|
01:24:18,080 --> 01:24:23,200
|
|
that's nearest to you or on top of you and picks him and just like throws him against the wall,
|
|
|
|
1604
|
|
01:24:23,200 --> 01:24:29,920
|
|
kind of like a poltergeist situation where just, uh, so you are able to, uh, this one guy I'm gonna,
|
|
|
|
1605
|
|
01:24:31,920 --> 01:24:38,080
|
|
is no longer going to be on top of you. Uh, whoops. It's going to take an extra,
|
|
|
|
1606
|
|
01:24:38,080 --> 01:24:45,920
|
|
extra strain as he hits the wall. Yeah. Nelix. Would you believe, would you believe that they
|
|
|
|
1607
|
|
01:24:45,920 --> 01:24:51,840
|
|
have sexy Mary Antoinette costumes? Yes. You look beautiful right now, by the way.
|
|
|
|
1608
|
|
01:24:55,920 --> 01:25:02,640
|
|
You beautiful son of a bitch. Nelix, you pull off a Mary Antoinette like I would never have imagined.
|
|
|
|
1609
|
|
01:25:02,640 --> 01:25:08,720
|
|
What do you guys want me to do with my Nelix?
|
|
|
|
1610
|
|
01:25:08,720 --> 01:25:17,520
|
|
Where did my Nelix go? Oh well, off to make a new one.
|
|
|
|
1611
|
|
01:25:21,840 --> 01:25:26,880
|
|
I don't know. My Nelix, uh, my, my band Nelix has disappeared. I was throwing a ghost.
|
|
|
|
1612
|
|
01:25:26,880 --> 01:25:33,520
|
|
There's the Nelix. Uh, so, uh, patches, you're now able to stand up.
|
|
|
|
1613
|
|
01:25:33,520 --> 01:25:39,840
|
|
Squish, uh, you still have one guard that is, uh, coming near you. Uh, there is also patches one
|
|
|
|
1614
|
|
01:25:39,840 --> 01:25:44,480
|
|
that is, uh, within striking distance of you. You both have one guy now.
|
|
|
|
1615
|
|
01:25:44,480 --> 01:25:50,880
|
|
Well, my guy was on top of me. Yes. Yes. He's on top of you.
|
|
|
|
1616
|
|
01:25:51,760 --> 01:25:54,160
|
|
Tussling you, as it were.
|
|
|
|
1617
|
|
01:25:54,160 --> 01:25:58,560
|
|
Um, I guess I'm just going to try to punch him in the face.
|
|
|
|
1618
|
|
01:25:58,560 --> 01:26:05,920
|
|
Well, pistol whipping, actually. Sure. Okay. Uh, that's going to be a skirmish.
|
|
|
|
1619
|
|
01:26:05,920 --> 01:26:12,800
|
|
Well, this is not going to go well. I guess I'll push myself. Maybe it will. You ever know. All right.
|
|
|
|
1620
|
|
01:26:15,600 --> 01:26:24,000
|
|
It didn't. Instead of pistol whipping you, he's able to get a really good punch in, punch in.
|
|
|
|
1621
|
|
01:26:24,000 --> 01:26:27,680
|
|
So your defense right now, hold on. Let's pull that up.
|
|
|
|
1622
|
|
01:26:27,680 --> 01:26:36,240
|
|
Your abilities. I have tough as nails. Yeah.
|
|
|
|
1623
|
|
01:26:36,240 --> 01:26:43,680
|
|
So I'm going to have you just take one strice because he's able to get you pretty well dubbed.
|
|
|
|
1624
|
|
01:26:44,880 --> 01:26:48,240
|
|
But you're able to kind of withstand the punch and you're just going to get a bloody nose.
|
|
|
|
1625
|
|
01:26:48,240 --> 01:26:57,680
|
|
I can't take any more stress. No, no, it's just going to be one harm. Oh, one harm. Yeah.
|
|
|
|
1626
|
|
01:26:57,680 --> 01:27:02,800
|
|
What a surprise. You can't take any more stress.
|
|
|
|
1627
|
|
01:27:02,800 --> 01:27:11,520
|
|
He's really afraid after tonight. So was that a level two harm that it got knocked down to one
|
|
|
|
1628
|
|
01:27:11,520 --> 01:27:23,840
|
|
level one? Yeah. Yeah. All right. Patches. You're on your feet. Where's the harp at?
|
|
|
|
1629
|
|
01:27:23,840 --> 01:27:31,280
|
|
The large chest is in the center of the room. Can I grab it with Nelix and like jump out the window?
|
|
|
|
1630
|
|
01:27:31,280 --> 01:27:37,600
|
|
You'd have to command Nelix to grab the chest. All right. How desperate is Squish right now?
|
|
|
|
1631
|
|
01:27:37,600 --> 01:27:40,960
|
|
Should I try to save him? No, leave him. Leave him for dead. He'll be fine.
|
|
|
|
1632
|
|
01:27:40,960 --> 01:27:45,520
|
|
You should ask yourself. Squish, how desperate is your situation?
|
|
|
|
1633
|
|
01:27:45,520 --> 01:27:49,520
|
|
Pretty. All right. I run up and kick the guy in the face.
|
|
|
|
1634
|
|
01:27:49,520 --> 01:27:58,480
|
|
Okay. I ran his burnt up face. The horribly burned man. I can't kick him.
|
|
|
|
1635
|
|
01:27:58,480 --> 01:28:04,880
|
|
Kick him where it really hurts. I imagine I kick him in the face and fall over.
|
|
|
|
1636
|
|
01:28:06,320 --> 01:28:11,280
|
|
Yeah. So you kick him. You go to like really Mollie Wampum, you know, really kick him,
|
|
|
|
1637
|
|
01:28:11,280 --> 01:28:16,480
|
|
but you kind of fumble it at the last minute and you just succeed in knocking him over.
|
|
|
|
1638
|
|
01:28:16,480 --> 01:28:22,560
|
|
I'll be honest. Every time I do a partial success of like anything like physical,
|
|
|
|
1639
|
|
01:28:22,560 --> 01:28:26,320
|
|
I imagine it's like Kramer achieving something, but like then falling over.
|
|
|
|
1640
|
|
01:28:31,520 --> 01:28:40,240
|
|
So one guy is in battle with Nelix. One guy has, well, the one that you,
|
|
|
|
1641
|
|
01:28:40,240 --> 01:28:43,440
|
|
so the guy that you punched was the one that was on top of Squish, right?
|
|
|
|
1642
|
|
01:28:43,440 --> 01:28:52,960
|
|
Yeah. Okay. He's gonna get off of Squish. You still have one guy who, realizing now that the
|
|
|
|
1643
|
|
01:28:52,960 --> 01:28:57,840
|
|
other two are kind of in more danger than him, he is guarding the chest. He's just standing in
|
|
|
|
1644
|
|
01:28:57,840 --> 01:29:05,680
|
|
front of it. He's got his sword out. He's badly burned, pretty beaten up, but he is still standing
|
|
|
|
1645
|
|
01:29:05,680 --> 01:29:12,800
|
|
by the chest. Can I summon Hotman at all? Hotman's here. Hotman's already been summoned.
|
|
|
|
1646
|
|
01:29:12,800 --> 01:29:18,720
|
|
What? No, I know, but can I, wherever he's at, can I call him? Is he nearby? Is he far away?
|
|
|
|
1647
|
|
01:29:18,720 --> 01:29:23,840
|
|
You could have tuned to him and like call him to your position if you wanted to like see where
|
|
|
|
1648
|
|
01:29:23,840 --> 01:29:28,880
|
|
he is and call him. Let's try that. I like that idea. Because normally he's in a bottle,
|
|
|
|
1649
|
|
01:29:28,880 --> 01:29:37,040
|
|
but he's not in a bottle right now. He's a genie in a bottle, baby. Oh, no, that's a critical failure.
|
|
|
|
1650
|
|
01:29:37,040 --> 01:29:40,560
|
|
Yeah. You start on fire.
|
|
|
|
1651
|
|
01:29:40,560 --> 01:29:51,040
|
|
You turn into Hotman. I like this. So, of course you like it. I'm gonna say we're gonna come up in.
|
|
|
|
1652
|
|
01:29:52,960 --> 01:30:00,000
|
|
Yeah. So, Katz, you go to a tune, Hotman, but Hotman completely misunderstands what it is you're
|
|
|
|
1653
|
|
01:30:00,000 --> 01:30:06,320
|
|
trying to say. And he instead starts lighting your room on fire. So, like you can see smoke
|
|
|
|
1654
|
|
01:30:06,320 --> 01:30:11,760
|
|
starting to build. Before it was on one side of the house, but now the entire top of this floor,
|
|
|
|
1655
|
|
01:30:11,760 --> 01:30:17,520
|
|
the top floor is being engulfed in flames. So, you see smoke kind of coming in through the door.
|
|
|
|
1656
|
|
01:30:18,080 --> 01:30:24,480
|
|
It's starting to get really hot in there. And you're aware that you are now on a time crunch,
|
|
|
|
1657
|
|
01:30:24,480 --> 01:30:29,680
|
|
because this place is about to not only just burn, but structurally is going to fall apart.
|
|
|
|
1658
|
|
01:30:29,680 --> 01:30:36,880
|
|
Okay. I got another idea. Where's the harp? It's in the chest. Still. Where's the chest? Still in
|
|
|
|
1659
|
|
01:30:36,880 --> 01:30:42,400
|
|
the chest. It's in the center of the room with one guard in front of it. All right. Can I attack the
|
|
|
|
1660
|
|
01:30:42,400 --> 01:30:47,760
|
|
guard? Yes. All right. I'm gonna attack the guard. I'm gonna wreck him as hard as I can. I stressed
|
|
|
|
1661
|
|
01:30:47,760 --> 01:30:58,880
|
|
a little bit. It's worked so far. Wreck him. I failed miserably. Oh. You need to take some harm for
|
|
|
|
1662
|
|
01:30:58,880 --> 01:31:02,080
|
|
that one. I'm gonna... I bet you're wishing you got thrown out the window right now.
|
|
|
|
1663
|
|
01:31:02,080 --> 01:31:10,640
|
|
Like a little cabin boy. Did you go to... How did you win to kick him? I went to throw a punch,
|
|
|
|
1664
|
|
01:31:10,640 --> 01:31:16,080
|
|
and he... Let's just say he dodged and punched me in the face instead. Yeah. He's gonna just like
|
|
|
|
1665
|
|
01:31:16,080 --> 01:31:20,000
|
|
punch you. I'm gonna give him a good uppercut. So you can go ahead and take one harm uppercut.
|
|
|
|
1666
|
|
01:31:20,000 --> 01:31:26,160
|
|
So I'm two damaged now? You're two damaged. Okay.
|
|
|
|
1667
|
|
01:31:26,160 --> 01:31:35,520
|
|
Did you ever see that scene in Indiana Jones, where like the guy pulls out a sword, he started
|
|
|
|
1668
|
|
01:31:35,520 --> 01:31:42,080
|
|
like swinging around and Indiana just goes, "Well, it shoots him. I'm gonna do the same thing
|
|
|
|
1669
|
|
01:31:42,080 --> 01:31:47,360
|
|
to the guy standing next to me." With the sword? Like I don't... Yeah. Like I don't want to deal with
|
|
|
|
1670
|
|
01:31:47,360 --> 01:31:52,400
|
|
this shit. So I just shoot him. Not the one that's guarding the chest, the one that was previously
|
|
|
|
1671
|
|
01:31:52,400 --> 01:31:56,400
|
|
on top of you, right? The one that you knocked over? Yeah. Yeah. I've been some revenge on him
|
|
|
|
1672
|
|
01:31:56,400 --> 01:32:01,600
|
|
for tackling me.
|
|
|
|
1673
|
|
01:32:02,400 --> 01:32:09,280
|
|
You're like, "Nobody makes me bleed my own blood. Nobody!" Nobody!
|
|
|
|
1674
|
|
01:32:09,280 --> 01:32:17,600
|
|
He's pretty wounded. I'm gonna say you did manage to knock him out. He's gone now.
|
|
|
|
1675
|
|
01:32:17,600 --> 01:32:20,720
|
|
It's just... He's gone? Do that.
|
|
|
|
1676
|
|
01:32:20,720 --> 01:32:26,160
|
|
Could I hope he wakes up and his face really hurts him later?
|
|
|
|
1677
|
|
01:32:28,240 --> 01:32:36,880
|
|
But since it is a partial success, there were other guards on this floor.
|
|
|
|
1678
|
|
01:32:36,880 --> 01:32:43,280
|
|
They are very aware of what's going on in this room and you can hear them like summoning outside
|
|
|
|
1679
|
|
01:32:43,280 --> 01:32:48,800
|
|
of the door. It is starting to be on fire so they can't quite like enter, but you can hear that there
|
|
|
|
1680
|
|
01:32:48,800 --> 01:32:54,880
|
|
are a lot of guards coming from outside. The door's on fire? The whole building is on fire,
|
|
|
|
1681
|
|
01:32:54,880 --> 01:33:02,720
|
|
but yes, they are at the door trying to get their way in. Can you grab the chest? Yeah.
|
|
|
|
1682
|
|
01:33:02,720 --> 01:33:10,640
|
|
Yeah, there's a guard in front of it though. All right. Let's see here. Can I have Nelix
|
|
|
|
1683
|
|
01:33:10,640 --> 01:33:18,240
|
|
like grab him from behind and cover his eyes? I don't know.
|
|
|
|
1684
|
|
01:33:23,200 --> 01:33:26,400
|
|
Is that how ghosts work? Some ghosts.
|
|
|
|
1685
|
|
01:33:26,400 --> 01:33:35,520
|
|
He's grappling the other guy, so if you want him to go attack this one by the chest,
|
|
|
|
1686
|
|
01:33:35,520 --> 01:33:43,040
|
|
you're gonna have to let this second guard go. Do it. Okay. Go ahead and roll your command.
|
|
|
|
1687
|
|
01:33:43,040 --> 01:33:49,760
|
|
Nelix, sick of him! Oh no.
|
|
|
|
1688
|
|
01:33:50,320 --> 01:33:59,840
|
|
Oh, I know. I've been having a real poor fucking rolls all this game, man.
|
|
|
|
1689
|
|
01:33:59,840 --> 01:34:07,200
|
|
You got to finesse and good command. Nelix, despite being a ghost, this guard has suddenly
|
|
|
|
1690
|
|
01:34:07,200 --> 01:34:12,880
|
|
overtaken him and is like beating him back now. And so you see the two like grappling,
|
|
|
|
1691
|
|
01:34:12,880 --> 01:34:16,720
|
|
but Nelix is like getting weaker and weaker and he's starting to like fade. He's like,
|
|
|
|
1692
|
|
01:34:17,280 --> 01:34:24,320
|
|
I'm sorry, sir, but my time out the bottle, it's too much. And he does a dramatic like faint.
|
|
|
|
1693
|
|
01:34:24,320 --> 01:34:34,240
|
|
And this appears into the mix. Nelix is gonna be out of commission. So there are two guards left.
|
|
|
|
1694
|
|
01:34:34,240 --> 01:34:39,840
|
|
Wait, hold on. When, I mean, I assumed the red captain was running up to get them.
|
|
|
|
1695
|
|
01:34:39,840 --> 01:34:41,280
|
|
I was hoping he was gonna help.
|
|
|
|
1696
|
|
01:34:44,640 --> 01:34:51,040
|
|
Yes. So we'll quickly go back to you down here.
|
|
|
|
1697
|
|
01:34:51,040 --> 01:34:55,440
|
|
Chuckles, so you have led, oops.
|
|
|
|
1698
|
|
01:34:55,440 --> 01:35:03,680
|
|
You have led the Lord High Hill out into the lawn. Lady High Hill sees you and she comes over
|
|
|
|
1699
|
|
01:35:03,680 --> 01:35:06,880
|
|
and she just starts like doting immediately on her father, like kissing the top of his head,
|
|
|
|
1700
|
|
01:35:06,880 --> 01:35:11,920
|
|
saying, oh my god, so what about you? Oh, this has all been a disaster. This is horrible. I can't
|
|
|
|
1701
|
|
01:35:11,920 --> 01:35:16,160
|
|
believe everything that this has happened. Chuckles, thank you so much for finding him.
|
|
|
|
1702
|
|
01:35:16,160 --> 01:35:23,920
|
|
Oh, I can't thank you enough. You're welcome. I've breathed so much smoke.
|
|
|
|
1703
|
|
01:35:23,920 --> 01:35:30,480
|
|
You breathed too much smoke? Well, where was your mask?
|
|
|
|
1704
|
|
01:35:33,360 --> 01:35:39,040
|
|
State took it from me. The great captain, that bastard.
|
|
|
|
1705
|
|
01:35:39,040 --> 01:35:50,480
|
|
You what? Well, come on, come on from the house. You need water. You need air. So she leads you down,
|
|
|
|
1706
|
|
01:35:50,480 --> 01:35:54,800
|
|
as you see in the picture, the front of the house, because again, this is all like a very
|
|
|
|
1707
|
|
01:35:54,800 --> 01:36:01,040
|
|
canal water logged area. It's just the shorefront, essentially it's the waterfront. So she leads
|
|
|
|
1708
|
|
01:36:01,040 --> 01:36:07,120
|
|
you down the steps and starts taking water and kind of like splashing it into your face. So cold.
|
|
|
|
1709
|
|
01:36:07,120 --> 01:36:15,040
|
|
That water. But refreshing. Thank you.
|
|
|
|
1710
|
|
01:36:15,040 --> 01:36:25,520
|
|
Oh, yeah, that was really dumb. There's a lot of fire in there.
|
|
|
|
1711
|
|
01:36:29,520 --> 01:36:34,480
|
|
Tell me the truth. Be honest with me. You're not an insurance inspector, are you?
|
|
|
|
1712
|
|
01:36:34,480 --> 01:36:35,680
|
|
I can't read, lady.
|
|
|
|
1713
|
|
01:36:35,680 --> 01:36:41,280
|
|
Okay. I'm not sure what one has to do with the other.
|
|
|
|
1714
|
|
01:36:41,280 --> 01:36:47,280
|
|
I feel like there's a lot of reading and insurance, but I don't know what insurance is.
|
|
|
|
1715
|
|
01:36:47,280 --> 01:36:51,360
|
|
So no, I'm not an insurance man.
|
|
|
|
1716
|
|
01:36:55,360 --> 01:36:58,720
|
|
Tell me the truth. Were you here to steal the harp?
|
|
|
|
1717
|
|
01:36:58,720 --> 01:37:09,840
|
|
Let's, you know, steal is a loaded term, steal.
|
|
|
|
1718
|
|
01:37:09,840 --> 01:37:20,880
|
|
Yes, we were here to steal the harp.
|
|
|
|
1719
|
|
01:37:23,680 --> 01:37:27,520
|
|
But I found you and now I'm in love.
|
|
|
|
1720
|
|
01:37:27,520 --> 01:37:35,680
|
|
But also my friends are still in there. I mean, my co-workers.
|
|
|
|
1721
|
|
01:37:35,680 --> 01:37:40,480
|
|
At the insurance agency.
|
|
|
|
1722
|
|
01:37:40,480 --> 01:37:44,880
|
|
Have you heard them at all while you're out here waiting for me patiently?
|
|
|
|
1723
|
|
01:37:44,880 --> 01:37:47,840
|
|
I've heard gunfire.
|
|
|
|
1724
|
|
01:37:47,840 --> 01:37:49,520
|
|
Did you hear any girlish screaming?
|
|
|
|
1725
|
|
01:37:49,520 --> 01:37:52,400
|
|
Lots of girlish screaming.
|
|
|
|
1726
|
|
01:37:52,400 --> 01:37:54,720
|
|
Did you hear any low grunts swearing?
|
|
|
|
1727
|
|
01:37:54,720 --> 01:37:59,600
|
|
Probably no. Yes, probably.
|
|
|
|
1728
|
|
01:37:59,600 --> 01:38:02,800
|
|
Okay. Yep. Those, they're not doing too good then.
|
|
|
|
1729
|
|
01:38:02,800 --> 01:38:06,880
|
|
I got, I've got to go back in.
|
|
|
|
1730
|
|
01:38:06,880 --> 01:38:11,520
|
|
No, listen, you can't go back in there. You need to, you,
|
|
|
|
1731
|
|
01:38:11,520 --> 01:38:18,400
|
|
this clearly is not going our way. And I don't think there's anything I can do
|
|
|
|
1732
|
|
01:38:18,400 --> 01:38:23,600
|
|
to stop this harp from either burning or being stolen or whatever it is that you guys plan on
|
|
|
|
1733
|
|
01:38:23,600 --> 01:38:24,400
|
|
doing. So we can have it?
|
|
|
|
1734
|
|
01:38:24,400 --> 01:38:32,640
|
|
But can you, can you have it? I don't, I think, I don't think I have a say in it anymore,
|
|
|
|
1735
|
|
01:38:32,640 --> 01:38:36,160
|
|
whether or not you have it. But listen, that's not what's important.
|
|
|
|
1736
|
|
01:38:36,160 --> 01:38:37,360
|
|
You have to listen to this.
|
|
|
|
1737
|
|
01:38:37,360 --> 01:38:42,960
|
|
You cannot let that red captain have the harp.
|
|
|
|
1738
|
|
01:38:42,960 --> 01:38:44,020
|
|
Oh.
|
|
|
|
1739
|
|
01:38:47,120 --> 01:38:50,000
|
|
Your boss, head of the insurance agency.
|
|
|
|
1740
|
|
01:38:50,000 --> 01:38:53,600
|
|
I don't trust him.
|
|
|
|
1741
|
|
01:38:53,600 --> 01:38:59,520
|
|
Why? What's his deal? You know what? I just met him. He's very nice. He flatters me.
|
|
|
|
1742
|
|
01:38:59,520 --> 01:39:08,560
|
|
The harp has so much more power than anyone knows. It's, it's cursed. It's a cursed object.
|
|
|
|
1743
|
|
01:39:08,560 --> 01:39:12,320
|
|
So we should want him to have it because it'll kill him if it's cursed.
|
|
|
|
1744
|
|
01:39:13,120 --> 01:39:18,160
|
|
Not that, not that kind of curse. It says anyone who hears it falls under its spell
|
|
|
|
1745
|
|
01:39:18,160 --> 01:39:23,040
|
|
will automatically just, just do whatever whoever wields it says.
|
|
|
|
1746
|
|
01:39:23,040 --> 01:39:26,480
|
|
Yeah.
|
|
|
|
1747
|
|
01:39:26,480 --> 01:39:30,400
|
|
I promise I will use this power mostly for good.
|
|
|
|
1748
|
|
01:39:30,400 --> 01:39:35,520
|
|
You have a supervisor I could talk to.
|
|
|
|
1749
|
|
01:39:35,520 --> 01:39:38,640
|
|
I've been hailed a lot of smoke.
|
|
|
|
1750
|
|
01:39:42,080 --> 01:39:43,360
|
|
And you are a good boss.
|
|
|
|
1751
|
|
01:39:43,360 --> 01:39:49,200
|
|
Also, I got, I leveled to love concussion. I gotta go back and save my friends.
|
|
|
|
1752
|
|
01:39:49,200 --> 01:39:54,240
|
|
No, no, and she's staggering towards the front door.
|
|
|
|
1753
|
|
01:39:54,240 --> 01:39:59,600
|
|
She's, she's going to stop you from running inside.
|
|
|
|
1754
|
|
01:39:59,600 --> 01:40:03,120
|
|
Okay. Just toss me through the window. Just toss me back up through the window.
|
|
|
|
1755
|
|
01:40:03,120 --> 01:40:06,080
|
|
You're big and strong. Just toss me back up there.
|
|
|
|
1756
|
|
01:40:10,160 --> 01:40:16,240
|
|
Okay. So, uh, meanwhile upstairs, Squish patches, you are side by side.
|
|
|
|
1757
|
|
01:40:16,240 --> 01:40:19,680
|
|
There are two guards between you and the chest.
|
|
|
|
1758
|
|
01:40:19,680 --> 01:40:24,400
|
|
Behind you, uh, the room is full of flame.
|
|
|
|
1759
|
|
01:40:24,400 --> 01:40:27,920
|
|
And there are guards trying to enter and beat down the door.
|
|
|
|
1760
|
|
01:40:27,920 --> 01:40:33,280
|
|
Squish, we need to get that chest and we need to get the F out of here.
|
|
|
|
1761
|
|
01:40:33,280 --> 01:40:38,160
|
|
Yeah. I'm thinking about what if we lower it down to juckles through the window?
|
|
|
|
1762
|
|
01:40:38,960 --> 01:40:41,120
|
|
I think we just grab it and jump through the window.
|
|
|
|
1763
|
|
01:40:41,120 --> 01:40:49,280
|
|
This house is on fire. This requires some window like an episode of star skiing hutch.
|
|
|
|
1764
|
|
01:40:49,280 --> 01:40:54,720
|
|
Just grab it and just launch yourselves through the window and then we'll end on a freeze frame.
|
|
|
|
1765
|
|
01:40:54,720 --> 01:40:59,040
|
|
In not, in not in character, he's absolutely right.
|
|
|
|
1766
|
|
01:40:59,040 --> 01:41:08,160
|
|
I'm not there. All right. That's fine with me.
|
|
|
|
1767
|
|
01:41:09,120 --> 01:41:12,000
|
|
All right. Well,
|
|
|
|
1768
|
|
01:41:12,000 --> 01:41:21,920
|
|
before you guys, uh, jump out the window, uh, with the harp, which is relatively fragile.
|
|
|
|
1769
|
|
01:41:21,920 --> 01:41:29,200
|
|
Again, I will repeat it is made out of bone, uh, and delicate wood. Uh, you hear, uh, this
|
|
|
|
1770
|
|
01:41:29,200 --> 01:41:36,880
|
|
stomping coming off the stairs. Uh, and as you, as it stops to the top, suddenly
|
|
|
|
1771
|
|
01:41:37,520 --> 01:41:41,520
|
|
it seems like the room goes silent. The fire is not quite as loud.
|
|
|
|
1772
|
|
01:41:41,520 --> 01:41:48,480
|
|
You don't hear the screaming of the guards anymore. It's kind of this weird pressurized
|
|
|
|
1773
|
|
01:41:48,480 --> 01:41:58,560
|
|
silence that fills the room. Oh, shit. With a bang, the door is kicked open and through the flames,
|
|
|
|
1774
|
|
01:41:58,560 --> 01:42:05,120
|
|
you are, you see the illuminated figure of the red captain. His beard, the tips of his beard and
|
|
|
|
1775
|
|
01:42:05,120 --> 01:42:10,800
|
|
his hair are ablaze. They have caught on fire. Uh, he has in either hand,
|
|
|
|
1776
|
|
01:42:10,800 --> 01:42:16,960
|
|
a guard from earlier, completely knocked out and he takes them, takes one of them,
|
|
|
|
1777
|
|
01:42:16,960 --> 01:42:23,760
|
|
trucks it at one guard, takes the other guy, chucks it at the other guard. And he's standing,
|
|
|
|
1778
|
|
01:42:23,760 --> 01:42:32,080
|
|
towering over you, uh, squish and, and, uh, patches. His eyes are red. He's very angry.
|
|
|
|
1779
|
|
01:42:32,080 --> 01:42:35,040
|
|
And he looks at the two of you and then he looks at the chest.
|
|
|
|
1780
|
|
01:42:35,040 --> 01:42:38,320
|
|
Hey, hey captain.
|
|
|
|
1781
|
|
01:42:38,320 --> 01:42:49,600
|
|
He looks at the two of you and he points the chest. He goes, pick it up. I get the fuck out of here.
|
|
|
|
1782
|
|
01:42:49,600 --> 01:42:57,280
|
|
I go grab it and, uh, I look at the window. Yeah. I look, I look at fans go,
|
|
|
|
1783
|
|
01:42:57,280 --> 01:43:02,800
|
|
do you go through with our plan or do we follow the window? God damn it gets good going.
|
|
|
|
1784
|
|
01:43:02,800 --> 01:43:10,320
|
|
All right. I pick up the other head. All right. And then we just run and we jump out the window
|
|
|
|
1785
|
|
01:43:10,320 --> 01:43:21,120
|
|
where we threw, uh, we were through chuckles into the rose bush. I was like, yeah, into the
|
|
|
|
1786
|
|
01:43:21,120 --> 01:43:23,920
|
|
rose, but I don't care where I'm going. I'm getting out the fuck out of this room. This
|
|
|
|
1787
|
|
01:43:23,920 --> 01:43:30,720
|
|
fucking fucking captain's crazy man. I would like to hold onto the chest after patches jumps through.
|
|
|
|
1788
|
|
01:43:30,720 --> 01:43:34,320
|
|
Yeah. Hold on because it's the only comfort you have that fucking guys crazy.
|
|
|
|
1789
|
|
01:43:34,320 --> 01:43:38,560
|
|
Wait, you're tricking him. Yes.
|
|
|
|
1790
|
|
01:43:38,560 --> 01:43:49,440
|
|
He seems so dead set on jumping out the window. Oh, just so I'm clear on the order of events,
|
|
|
|
1791
|
|
01:43:49,440 --> 01:43:52,240
|
|
patches. You're just going to jump out the window with the chest.
|
|
|
|
1792
|
|
01:43:53,360 --> 01:43:57,840
|
|
So are you, it takes two people to carry this thing. So are you jumping out of the chest to get
|
|
|
|
1793
|
|
01:43:57,840 --> 01:44:03,600
|
|
out of the window together or holding the chest between you? I would like him to go first. Okay.
|
|
|
|
1794
|
|
01:44:03,600 --> 01:44:09,360
|
|
So he can jump and then I want to try to hold onto the chest so it doesn't go smash into the ground.
|
|
|
|
1795
|
|
01:44:09,360 --> 01:44:13,600
|
|
Oh, then you're going to jump on the captain.
|
|
|
|
1796
|
|
01:44:13,600 --> 01:44:19,120
|
|
Well, with the harp, maybe, maybe now.
|
|
|
|
1797
|
|
01:44:20,080 --> 01:44:23,360
|
|
I was just going to have the scenes getting a little complicated. I was just going to have
|
|
|
|
1798
|
|
01:44:23,360 --> 01:44:27,680
|
|
the red cap to help me carry it out. Fuck the red cabinet again out of here.
|
|
|
|
1799
|
|
01:44:27,680 --> 01:44:32,960
|
|
Okay. Yeah. So jump up the window. That's fucking crazy. His fucking face is on fire.
|
|
|
|
1800
|
|
01:44:32,960 --> 01:44:39,200
|
|
This is going to jump out the window patches. Roll a finesse to see how badly injured you get.
|
|
|
|
1801
|
|
01:44:39,200 --> 01:44:42,960
|
|
I don't care. This guy's fucking crazy. All right. Do you want to get out of here?
|
|
|
|
1802
|
|
01:44:42,960 --> 01:44:48,160
|
|
I'm terrified right now. Oh, I'm successful. I land on my feet.
|
|
|
|
1803
|
|
01:44:48,560 --> 01:44:55,200
|
|
And I get the fuck out of there. I'm like fucking shaggy right now.
|
|
|
|
1804
|
|
01:44:55,200 --> 01:45:01,440
|
|
We're going to get the fuck out of here. Just jumps, swan dives, perfect landing
|
|
|
|
1805
|
|
01:45:01,440 --> 01:45:11,600
|
|
out of the burning building. Squish, you're there holding one half of the chest. Now what do you do?
|
|
|
|
1806
|
|
01:45:11,600 --> 01:45:16,240
|
|
I would look at the red cat and be like, well, you got to help me carry this out of here now.
|
|
|
|
1807
|
|
01:45:16,800 --> 01:45:23,040
|
|
So the captain strides forward and it seems strange to you,
|
|
|
|
1808
|
|
01:45:23,040 --> 01:45:30,480
|
|
Squish, but suddenly the captain seems much bigger and taller than he's ever been. He takes the chest
|
|
|
|
1809
|
|
01:45:30,480 --> 01:45:38,240
|
|
and just one arm lugs it on his arm, like just holds it with one arm. He wraps the other one
|
|
|
|
1810
|
|
01:45:38,240 --> 01:45:45,920
|
|
around you and he just jumps straight out the window. Can I radio, Squish?
|
|
|
|
1811
|
|
01:45:46,560 --> 01:45:48,560
|
|
Yes. Squish.
|
|
|
|
1812
|
|
01:45:48,560 --> 01:45:54,720
|
|
Yes. I just got some key information.
|
|
|
|
1813
|
|
01:45:54,720 --> 01:45:58,720
|
|
Does it involve the heart? Yes.
|
|
|
|
1814
|
|
01:45:58,720 --> 01:46:06,000
|
|
Okay. Well, I'm currently falling in the air wrapped up by the red captain who's got the heart
|
|
|
|
1815
|
|
01:46:06,000 --> 01:46:10,000
|
|
in his other arm. That brings me to my next point. Do not let the red captain have the harp.
|
|
|
|
1816
|
|
01:46:11,440 --> 01:46:17,280
|
|
It is a little too late for that. You know that window you fell out of? I was thrown out of it.
|
|
|
|
1817
|
|
01:46:17,280 --> 01:46:22,960
|
|
Thank you. Yeah. That was me just there. Okay.
|
|
|
|
1818
|
|
01:46:22,960 --> 01:46:36,000
|
|
The captain lands like a cat just on his feet, no issues. He drops you, Squish,
|
|
|
|
1819
|
|
01:46:36,000 --> 01:46:39,680
|
|
which is strange. You've never been carried like that before.
|
|
|
|
1820
|
|
01:46:39,680 --> 01:46:46,160
|
|
It was oddly comforting. I know, right? Because I really enjoyed it, actually.
|
|
|
|
1821
|
|
01:46:46,160 --> 01:46:50,800
|
|
It was terrifying in a comforting way. Yeah.
|
|
|
|
1822
|
|
01:46:50,800 --> 01:46:58,080
|
|
Patches, what have you done since landing outside? Oh, I'm running back to the ship.
|
|
|
|
1823
|
|
01:46:58,080 --> 01:47:02,800
|
|
Okay. So he's Scooby doing it back onto the ship.
|
|
|
|
1824
|
|
01:47:04,320 --> 01:47:11,840
|
|
Exactly. The captain is going to keep the chest on his shoulder. He looks at you, Squish.
|
|
|
|
1825
|
|
01:47:11,840 --> 01:47:18,240
|
|
Chuffles, have you met up with Squish? Yeah. Well, yeah, I'm walking over there.
|
|
|
|
1826
|
|
01:47:18,240 --> 01:47:24,000
|
|
Is Lady Highhill, would she be coming with me or is she kind of staying back?
|
|
|
|
1827
|
|
01:47:24,000 --> 01:47:30,800
|
|
Yeah. She's following with you, seeing where you're going. She's a little concerned about your
|
|
|
|
1828
|
|
01:47:30,800 --> 01:47:37,120
|
|
level two love concussion. Is that what I think it is?
|
|
|
|
1829
|
|
01:47:37,120 --> 01:47:46,160
|
|
In character? He has it. What do you think it is? Is that the harp?
|
|
|
|
1830
|
|
01:47:46,160 --> 01:47:51,600
|
|
Well, it's the chest that contains the harp. Are you sure?
|
|
|
|
1831
|
|
01:47:51,600 --> 01:47:59,280
|
|
No, we've never actually opened it. Huh. Well, if he has the harp,
|
|
|
|
1832
|
|
01:47:59,680 --> 01:48:02,480
|
|
it's not good.
|
|
|
|
1833
|
|
01:48:02,480 --> 01:48:09,840
|
|
Why do you say that? That's what Lady Highhill told me and she knows way more than I do.
|
|
|
|
1834
|
|
01:48:09,840 --> 01:48:16,960
|
|
And you're just going to believe her? Because you love her now? You're just going to believe
|
|
|
|
1835
|
|
01:48:16,960 --> 01:48:22,000
|
|
everything she says? Well, she seems to know him more than I do.
|
|
|
|
1836
|
|
01:48:26,800 --> 01:48:33,200
|
|
How hard did you hit your head? Really? Okay. Well, that might explain some things.
|
|
|
|
1837
|
|
01:48:33,200 --> 01:48:39,920
|
|
We shouldn't have given him the harp. Good job. Let's not get a bloomin' eye. I agree.
|
|
|
|
1838
|
|
01:48:39,920 --> 01:48:49,920
|
|
All right. So the captain not even doesn't stop, doesn't look at the two of you.
|
|
|
|
1839
|
|
01:48:49,920 --> 01:48:55,600
|
|
He is also making a B line for his ship. Squish, where are you going?
|
|
|
|
1840
|
|
01:48:55,920 --> 01:49:01,200
|
|
I'm following him. Okay. And then Chuckles, are you leaving as well?
|
|
|
|
1841
|
|
01:49:01,200 --> 01:49:09,120
|
|
Uh, well, I looked at Lady Highhill hoping she'll say something to me.
|
|
|
|
1842
|
|
01:49:09,120 --> 01:49:18,320
|
|
Yeah. Before Lady Highhill stops you as you follow Squish and she says, "Look, I think we
|
|
|
|
1843
|
|
01:49:18,320 --> 01:49:24,160
|
|
may have gotten off on the wrong foot. I can tell that you have a real true heart. You know,
|
|
|
|
1844
|
|
01:49:24,160 --> 01:49:29,920
|
|
you're your real kind soul. It's covered and buried beneath some questionable material,
|
|
|
|
1845
|
|
01:49:29,920 --> 01:49:36,640
|
|
but I can tell you're a good person." I've never been more flattered and insulted at the same time.
|
|
|
|
1846
|
|
01:49:36,640 --> 01:49:41,520
|
|
I was speaking to Chuckles. I thought you said Squish.
|
|
|
|
1847
|
|
01:49:41,520 --> 01:49:52,400
|
|
What? Listen, I'll write to you while you can't write. I'll draw some pictures and hopefully
|
|
|
|
1848
|
|
01:49:52,400 --> 01:49:57,440
|
|
you'll find them. All right. I'm telling you, really. Give it to the newspaper boys. They seem
|
|
|
|
1849
|
|
01:49:57,440 --> 01:50:11,680
|
|
to be able to find us. Okay. But look. Good. Sorry. Whatever happens, you really can't let the captain
|
|
|
|
1850
|
|
01:50:11,680 --> 01:50:18,320
|
|
play that harp. I mean, if he had like a sound system or something, he could control anyone who
|
|
|
|
1851
|
|
01:50:18,320 --> 01:50:27,920
|
|
hears it and he has a ship. Oh, boy. And he's incredibly powerful. Didn't you make speakers?
|
|
|
|
1852
|
|
01:50:27,920 --> 01:50:33,840
|
|
Yeah. I made them a whole thing out of... Yeah, I did.
|
|
|
|
1853
|
|
01:50:33,840 --> 01:50:40,320
|
|
Well, that was... Do you know if they explode or not?
|
|
|
|
1854
|
|
01:50:40,320 --> 01:50:51,520
|
|
Unlikely. I'm real good. Just not with label it. Right. If you ever come through this way again,
|
|
|
|
1855
|
|
01:50:51,520 --> 01:50:59,760
|
|
stop by. Please don't burn my house. And I really do hope I'll see you soon, Chuckles.
|
|
|
|
1856
|
|
01:50:59,760 --> 01:51:05,440
|
|
And she takes your top hat off and she kisses you on the very top of your head and then puts
|
|
|
|
1857
|
|
01:51:06,800 --> 01:51:11,520
|
|
your top hat back down. Okay. Well, I hope we didn't fuck this up too much.
|
|
|
|
1858
|
|
01:51:11,520 --> 01:51:18,720
|
|
She kind of turns you and pushes you towards Squish, gives you a quick slap on the bottom
|
|
|
|
1859
|
|
01:51:18,720 --> 01:51:27,600
|
|
and sends you on your way. I feel like this is not good.
|
|
|
|
1860
|
|
01:51:27,600 --> 01:51:34,960
|
|
Can I... I'm back in my room in the bathroom. Did you get time first?
|
|
|
|
1861
|
|
01:51:34,960 --> 01:51:37,760
|
|
Hyper... I got there first and I'm hyperventilating.
|
|
|
|
1862
|
|
01:51:37,760 --> 01:51:39,200
|
|
He did run pretty hard.
|
|
|
|
1863
|
|
01:51:39,200 --> 01:51:45,840
|
|
I'm hyperventilating in fear, in fear. And I just like... I'm like in a fetal position,
|
|
|
|
1864
|
|
01:51:45,840 --> 01:51:52,400
|
|
rocking back and forth. And I cast to go down. Captain Fitch's glide has to go down.
|
|
|
|
1865
|
|
01:51:52,400 --> 01:51:57,920
|
|
Fucking has to go down. I'm freaked out.
|
|
|
|
1866
|
|
01:51:57,920 --> 01:51:59,840
|
|
Well, now he has the harp.
|
|
|
|
1867
|
|
01:52:03,440 --> 01:52:06,320
|
|
Yeah, but he can't even play them ukulele.
|
|
|
|
1868
|
|
01:52:06,320 --> 01:52:10,160
|
|
She didn't say he had to play a concerto. He just had to play it real loud.
|
|
|
|
1869
|
|
01:52:10,160 --> 01:52:12,400
|
|
The bones do most of the work.
|
|
|
|
1870
|
|
01:52:12,400 --> 01:52:16,000
|
|
Oh, she's going back.
|
|
|
|
1871
|
|
01:52:16,000 --> 01:52:20,800
|
|
Oh, no, I made that part up, but it's... it made sense in the context.
|
|
|
|
1872
|
|
01:52:20,800 --> 01:52:24,560
|
|
Dead.
|
|
|
|
1873
|
|
01:52:24,560 --> 01:52:29,840
|
|
Captain Fitch's glide has to go down, guys. He has to go down.
|
|
|
|
1874
|
|
01:52:31,440 --> 01:52:36,480
|
|
Ah, yeah, but you do seem like a crazy person. You are hyperventilating in a bathroom.
|
|
|
|
1875
|
|
01:52:36,480 --> 01:52:41,440
|
|
Because that fucking thing was scary. All right, I'm terrified.
|
|
|
|
1876
|
|
01:52:41,440 --> 01:52:43,680
|
|
That was scary. You didn't see what me and Squish saw.
|
|
|
|
1877
|
|
01:52:43,680 --> 01:52:45,440
|
|
Oh, you can hear me.
|
|
|
|
1878
|
|
01:52:45,440 --> 01:52:48,320
|
|
He looked like my uncle.
|
|
|
|
1879
|
|
01:52:48,320 --> 01:52:48,720
|
|
Skluck?
|
|
|
|
1880
|
|
01:52:48,720 --> 01:52:52,080
|
|
No, my uncle, not your uncle.
|
|
|
|
1881
|
|
01:52:52,080 --> 01:52:53,360
|
|
Your conjugal uncle?
|
|
|
|
1882
|
|
01:52:53,360 --> 01:52:57,040
|
|
No, your conj... not your conjugal uncle.
|
|
|
|
1883
|
|
01:52:57,040 --> 01:53:00,160
|
|
You have a conjugal uncle? Oh my god, regular uncle.
|
|
|
|
1884
|
|
01:53:00,160 --> 01:53:02,960
|
|
Dude, out of character, I'm so excited to find more about your family.
|
|
|
|
1885
|
|
01:53:02,960 --> 01:53:06,400
|
|
Oh, Squish.
|
|
|
|
1886
|
|
01:53:06,400 --> 01:53:08,560
|
|
Yeah.
|
|
|
|
1887
|
|
01:53:08,560 --> 01:53:11,760
|
|
Yeah. Yeah, we don't know anything about your family or you.
|
|
|
|
1888
|
|
01:53:11,760 --> 01:53:14,240
|
|
Right.
|
|
|
|
1889
|
|
01:53:14,240 --> 01:53:17,280
|
|
Okay.
|
|
|
|
1890
|
|
01:53:17,280 --> 01:53:21,120
|
|
This is not the time to try to get me to open up.
|
|
|
|
1891
|
|
01:53:21,120 --> 01:53:23,200
|
|
The walk back to the ship.
|
|
|
|
1892
|
|
01:53:23,200 --> 01:53:24,000
|
|
He sounds mad.
|
|
|
|
1893
|
|
01:53:24,000 --> 01:53:26,240
|
|
How do I so mad?
|
|
|
|
1894
|
|
01:53:26,240 --> 01:53:26,720
|
|
Okay.
|
|
|
|
1895
|
|
01:53:26,720 --> 01:53:31,200
|
|
You walk back to the ship, you just hear like the distant sounds of sirens.
|
|
|
|
1896
|
|
01:53:31,200 --> 01:53:31,680
|
|
Just...
|
|
|
|
1897
|
|
01:53:31,680 --> 01:53:34,720
|
|
Another job well done.
|
|
|
|
1898
|
|
01:53:34,720 --> 01:53:53,920
|
|
Another mansion burnt.
|
|
|
|
1899
|
|
01:53:56,400 --> 01:53:58,320
|
|
What is this now? Two mansions?
|
|
|
|
1900
|
|
01:53:58,320 --> 01:53:59,600
|
|
Two mansions in a dock.
|
|
|
|
1901
|
|
01:53:59,600 --> 01:54:01,280
|
|
Oh, a warehouse.
|
|
|
|
1902
|
|
01:54:01,280 --> 01:54:02,560
|
|
Oh, warehouse.
|
|
|
|
1903
|
|
01:54:02,560 --> 01:54:03,040
|
|
Yeah.
|
|
|
|
1904
|
|
01:54:03,040 --> 01:54:05,760
|
|
Warehouse, harbor, two mansions.
|
|
|
|
1905
|
|
01:54:05,760 --> 01:54:08,400
|
|
Oh, an island.
|
|
|
|
1906
|
|
01:54:08,400 --> 01:54:09,680
|
|
An island?
|
|
|
|
1907
|
|
01:54:09,680 --> 01:54:11,360
|
|
We burnt a ship.
|
|
|
|
1908
|
|
01:54:11,360 --> 01:54:12,320
|
|
What ship did we burn?
|
|
|
|
1909
|
|
01:54:12,320 --> 01:54:15,920
|
|
The lady, the one where Tawny used to work.
|
|
|
|
1910
|
|
01:54:15,920 --> 01:54:17,600
|
|
Oh, yeah.
|
|
|
|
1911
|
|
01:54:17,600 --> 01:54:18,000
|
|
Tawny?
|
|
|
|
1912
|
|
01:54:18,000 --> 01:54:19,680
|
|
Yeah, yeah, Dawn's hammer.
|
|
|
|
1913
|
|
01:54:19,680 --> 01:54:21,280
|
|
Dawn's hammer, yeah.
|
|
|
|
1914
|
|
01:54:21,280 --> 01:54:25,200
|
|
I feel like that's just kind of like how things end.
|
|
|
|
1915
|
|
01:54:25,200 --> 01:54:26,160
|
|
Well, we're finished here.
|
|
|
|
1916
|
|
01:54:26,160 --> 01:54:26,960
|
|
Let's burn it down.
|
|
|
|
1917
|
|
01:54:26,960 --> 01:54:30,560
|
|
Yeah. Well, I don't see any way out of here.
|
|
|
|
1918
|
|
01:54:30,560 --> 01:54:33,200
|
|
Also, I have a fire demon.
|
|
|
|
1919
|
|
01:54:33,200 --> 01:54:34,400
|
|
Yeah.
|
|
|
|
1920
|
|
01:54:34,400 --> 01:54:35,840
|
|
You gave us a fire demon.
|
|
|
|
1921
|
|
01:54:35,840 --> 01:54:37,120
|
|
We didn't ask for the fire demon.
|
|
|
|
1922
|
|
01:54:37,120 --> 01:54:38,960
|
|
You're just like, hey, here's a fire demon.
|
|
|
|
1923
|
|
01:54:38,960 --> 01:54:39,680
|
|
Hey, here's a flame thrower.
|
|
|
|
1924
|
|
01:54:39,680 --> 01:54:41,120
|
|
You expect us not to use it?
|
|
|
|
1925
|
|
01:54:41,120 --> 01:54:42,160
|
|
Here's a flame thrower.
|
|
|
|
1926
|
|
01:54:42,160 --> 01:54:42,960
|
|
Don't ever use it.
|
|
|
|
1927
|
|
01:54:42,960 --> 01:54:43,840
|
|
Yeah.
|
|
|
|
1928
|
|
01:54:44,720 --> 01:54:46,480
|
|
Check off fire demon.
|
|
|